Fala Sério, Mãe!

An innovative telenovela set against the backdrop of the discovery of ancient fossils by a top paleontologist and the invention of futuristic robots by a brilliant scientist.

Sete Pecados is a Brazilian telenovela airing at 7:00 pm, which replaced Pé na Jaca of Carlos Lombardi. The telenovela was written by Walcyr Carrasco, with the collaboration of Claudia Soto and Andre Ryoki. The directors were Jorge Fernando, Pedro Vasconcelos and Fred Mayrink. Jorge worked with the same directing cast on his previous telenovelas Chocolate com Pimenta and Alma Gêmea. Seven Sins debuted on June 18, 2007. and last aired on February 15, 2008, with 209 episodes.

An engaging plot that talks about diversity, tolerance, the difficulties of understanding and accepting what is different, as well as the clash between the will and the ethical and moral limits that permeate the choices.

In a small city of Brazil, Flor (a very good looking woman) marries Vadinho, a very handsome and erotic man. Once married she finds he is a good-for-nothing. She works teaching cooking to her neighbours but he takes all her money to gamble. One day he dies. Flor misses the goods of the marriage so she marries again with a very correct gentleman – the owner of the drugstore (Teodoro). Now she’s very happy with her man, but misses the erotic moments with her previous husband. Then the ghost of Vadhino comes to earth to chase her.

A Favorita is a telenovela, first broadcast in Brazil at Rede Globo from June 2, 2008 to January 17, 2009. A Favorita storylines examine two friends, Donatela and Flora, who became rivals. One of them committed a crime and is lying, so there are two versions of the same story. The series was originally screened as six episodes per week, from Monday to Saturday, with an average running time of one hour. Created by writer João Emanuel Carneiro, A Favorita has remained significant in terms of Globo's success and audience share, and also in Brazilian television drama history, tackling many controversial and taboo issues previously unseen on mainstream television in Brazil. It made history for being the first telenovela where the public did not know who was the villain and who was telling the truth.