Figaro Story

In 2014, artist Olafur Eliasson and filmmaker Claire Denis connected for the first time to explore and discuss their common fascination with phenomena that have not yet been fully explained by science – such as black holes – and their shared interest in abstraction. This short film by Denis, contemplating tests for Eliasson's work ‘Contact’, is one outcome of that conversation which would eventually lead to their collaboration on Denis's film High Life (2018), in which Eliasson designed the light installations at the films end.

One of a series of short films inspired by paintings. In this video, Jacques de Loustal's Le Contemplatif or "Duo".

An emotionally cold man leaves the safety of his Alpine home to seek a heart transplant and an estranged son.

Claire Denis goes to Eastern Chad to the Breidjing camp, the home of 40,000 refugees from Darfur. With great humility, she tells the stories of these men and women, victims of one of the worst humanitarian catastrophes that this century has seen so far.

Monte and his baby daughter are the last survivors of a damned and dangerous mission to the outer reaches of the solar system. They must now rely on each other to survive as they hurtle toward the oblivion of a black hole.

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

Set in 1984 during the Nicaraguan Revolution, the film follows a mysterious English businessman and headstrong American journalist who strike up a passionate romance. They soon become embroiled in a dangerous labyrinth of lies and conspiracies and are forced to try and escape the country, with only each other to trust and rely on.

Short documentary about an archetypal library concept for kids in Clamart.

He is an Aluku man, one of the five tribes of Maroons who survives in the forest during 400 years after escaping from the Dutch sugarcane plantations. All the Maroons are issued originally from the West coast of Africa. They were taken as slaves.

Paris, 1995. Laure is about to meet friends for dinner. But on her way out, she discovers that the entire city is stalled by a massive transit strike. When a handsome stranger offers her a ride, Laure takes a highly charged, impossibly erotic detour.

A mage steals a book from a stranger and becomes very famous.

A Hollywood actor grows tired of making the same corporate movies, so he moves to Argentina to find more experimental and meaningful work.

Collection of documentary shorts by various acclaimed directors

Soledad, a girl tired of being a taxi driver in Buenos Aires, travels with her car to Patagonia. She stops in a village whose inhabitants live in isolation and their only contact with the outside world is a cinema where old films are projected.

Valentin, a 9-year-old boy living with his grandmother in late-1960s Buenos Aires, believes his family has problems that only he can solve. The youngster dreams of being reunited with his mother, who's separated from Valentin's abusive father.

In Curuguazu, located in the Argentinian countryside, seventeen year-old Daniel Montero has been raised by his grandmother for three years since the death of his parents in a car accident. Daniel has a boring life, working in a poultry processing plant and meeting his friends in the square to make small talk. He saves some money from his salary and buys an old television, where he watches late night porn shows of Sabrina Love.

A woman reunites with her husband, who vanished on her years ago.

As an anonymous man, Fermin leaves his underground hideout in the subway. The dictatorship in the country is followed by democracy, but the bright light of it blinds Fermin: he is displaced. At the police station, his anonymity is complete and he doesn't remember his own name. He is fitted with a past of 13 years of illegal political opposition from the police archives. When he keeps silent about the crimes of the dictator regime, he will be a free man. The woman he promised to marry, doesn't recognize him anymore, and thinks he is dead.

This is Buenos Aires, its characters, its history, its reality. A complex movie for a complex city, depicted in the character's language, and in their relationship with the present and the past

One day, Tim (Roy Ward) stops to speak with one of those men with no apparent income and no apparent place of residence who can be seen on the streets of Amsterdam and who are ready to speak of profundities and mock-profundities at the drop of a hat. This particular man tells him that "people don't die, they get killed." For some reason, this strikes the lonely television repairman as profound. He has been building a ham radio at home out of spare parts so that he will have someone to talk to. Shortly after talking to the street person, his circle of friends is diminished by one when his friend Alex is reported to have killed himself. This in itself is a bit of a mystery, and Tim attempts to make sense of it by talking to a lawyer, Alex's girlfriend, and others.

Maiku Hama is a private detective working in Yokohama. Hama comes to the aid of a Taiwanese waiter named Yang and agrees to track down his missing brother. Through a series of double-crosses Hama gets embroiled in a gang war and a revenge plot between the two brothers

In love for the first time, cases booked solidly for months and a brand new fax machine prodding his office into the nineties, down-on-his-luck private eye Maiku "Mike" Hama has the world on a string at last. Or does he? In The Trap, things are not what they seem. When a hooded stranger appears in his office with the cryptic challenge "I want you to look for me," Hama is drawn into a string of bizarre serial murders that have Yokohama's police baffled and the city terrified.

Veteran director Kaizo Hayashi made this post-modern samurai action adventure saga. The film centers on Jigoku-gokuraku-maru (Masahiro Takashima), a samurai on the lam. One bounty hunter hoping to collect the sizeable reward is Teppo Oyuri (Narumi Yasuda), a comely lass who is an ace shot with her pearl-laden pistol. Before she can set her sights on Jigoku-gokuraku-maru, he is attacked by a hoard of sword-wielding thugs also hoping to collect the reward. He dispatches them with bloody aplomb. Later, Jigoku-gokuraku- maru and Teppo Oyuri -- who has fallen for the master swordsman in spite of herself -- ventures to Zipingu -- the Land of Gold -- in search of a magical gold sword.

A detective, a mysterious beauty Ekin and other characters appear in the film. It creates a mysterious visual world that takes us one step further into the world of Ekin. This is the second art documentary film produced by the Museum of Art, Kochi, following Hiroyuki Oki's HEAVEN-6-BOX. This time, the stage performances of butoh greats Maro Akaji and Dairakudakan were documented by Hayashi Kaizo.

Miroku is a Japanese movie directed by Kaizo Hayashi.

This film is inspired by a true incident involving a Japanese girl who went missing in Taiwan (and then was found murdered by a taxi driver) several years ago. Haida, once a famous private detective, is now down and out and running out of reasons to live. One day, while engaging in a group volunteer project to clean up a river, he loses what's left of his will to live and lets the water carry him away. He ends up rescuing a drowning man who alters his view of life totally. Soon he gets a job investigating the mysterious disappearance of a student who sent her mother a cryptic letter, "Wait a bit, Mother. I'm sending my breath. It will arrive soon."

Three cat burgling sisters have to go up against the police and a Chinese crime syndicate in order to rescue their kidnapped father.

Mizusawa (Takenouchi Yutaka), an explosives expert, is arrested and charged with a string of bank robberies. Because he is a flight risk, Detective Kayama (Ogata Ken) is assigned to transport Mizusawa to Shizuoka for questioning. On the way, Kayama receives word that the hotel where his wife and daughter are attending a party has been rigged with a time bomb. Being a "by-the-book" kind of cop, Kayama refuses to abandon his job and return to help his family. Meanwhile, the hotel is swarming with police and the bomb squad who are searching for the bomb and the culprit. Time is almost up. Mizusawa claims that he is the only who who can deactivate the bomb.

In a small nook of Kawasaki Private investigator 591 and adultry specialist investigator 522 embark on separate investigations that leads them both to the same beautifician.