The Act in Question

A Hollywood actor grows tired of making the same corporate movies, so he moves to Argentina to find more experimental and meaningful work.

Collection of documentary shorts by various acclaimed directors

Soledad, a girl tired of being a taxi driver in Buenos Aires, travels with her car to Patagonia. She stops in a village whose inhabitants live in isolation and their only contact with the outside world is a cinema where old films are projected.

Valentin, a 9-year-old boy living with his grandmother in late-1960s Buenos Aires, believes his family has problems that only he can solve. The youngster dreams of being reunited with his mother, who's separated from Valentin's abusive father.

An anthology film centering around the worldwide adventures of the Nissan Figaro.

In Curuguazu, located in the Argentinian countryside, seventeen year-old Daniel Montero has been raised by his grandmother for three years since the death of his parents in a car accident. Daniel has a boring life, working in a poultry processing plant and meeting his friends in the square to make small talk. He saves some money from his salary and buys an old television, where he watches late night porn shows of Sabrina Love.

A woman reunites with her husband, who vanished on her years ago.

As an anonymous man, Fermin leaves his underground hideout in the subway. The dictatorship in the country is followed by democracy, but the bright light of it blinds Fermin: he is displaced. At the police station, his anonymity is complete and he doesn't remember his own name. He is fitted with a past of 13 years of illegal political opposition from the police archives. When he keeps silent about the crimes of the dictator regime, he will be a free man. The woman he promised to marry, doesn't recognize him anymore, and thinks he is dead.

This is Buenos Aires, its characters, its history, its reality. A complex movie for a complex city, depicted in the character's language, and in their relationship with the present and the past

One day, Tim (Roy Ward) stops to speak with one of those men with no apparent income and no apparent place of residence who can be seen on the streets of Amsterdam and who are ready to speak of profundities and mock-profundities at the drop of a hat. This particular man tells him that "people don't die, they get killed." For some reason, this strikes the lonely television repairman as profound. He has been building a ham radio at home out of spare parts so that he will have someone to talk to. Shortly after talking to the street person, his circle of friends is diminished by one when his friend Alex is reported to have killed himself. This in itself is a bit of a mystery, and Tim attempts to make sense of it by talking to a lawyer, Alex's girlfriend, and others.