Ghosts vs. Aliens

One of Takashi Shimizu's two short films made for horror portmanteau Gakkô no kaidan G.

Sam, a young boy in vacation on a cozy cruise with his mother, is tormented by the cursed spirit of a dead woman armed with a giant pair of scissors. Nightmare visions bring him to discover the real nature of this terrifying presence, a sacrifice ritual and a true death menace on aboard the cruise.

Flight 7500 departs Los Angeles International Airport bound for Tokyo. As the overnight flight makes its way over the Pacific Ocean during its ten-hour course, the passengers encounter what appears to be a supernatural force in the cabin.

To his mute sister's dismay, a young boy puts a dying rabbit out of its misery with a brick -- and soon the siblings end up in a world of nightmares.

A young woman encounters a malevolent supernatural force while searching for her missing sister in Tokyo, a mean high school prank goes horribly wrong, and strange things begin happening in a Chicago apartment building.

The third movie in the “Horror Village” series by Takashi Shimizu, following “Howling Village” and “Suicide Forest Village”.

A two-part feature directed separately by Shimizu and his colleague Keisuke Toyoshima. Unrelated to each other, both have a common goal: to bring ghosts and aliens together in pure, referential and absurdistic delirium, including neo-Nazi specters, zombie yakuzas, and nasty aliens.

Based on renowned Japanese writer Natsume Soseki's same-titled short story collection, Ten Nights of Dreams brings ten fantastical dream sequences to film with great visual and psychological panache. Representing the combined efforts of eleven directors, this outstanding anthology delves into the surreal subconscious with ten madly imaginative, reality-subverting visions that range from wonderfully wacky to nightmarishly unsettling.

Many horror stories exist about Inunaki Village. The village is now completely deserted. Kanae is a clinical psychologist, who can see spirits. Her older brother Yuma and Yuma’s girlfriend Akina go to Inunaki Village. Due to that, Kanae becomes involved in a mysterious case.

On his request, the sensitive sister of a real estate agent visits a house he intends to put on sell, only to cross paths with its resident curse.

Japan around 1860: popular courtesan Asagiri will be freed soon from her service, yet she cannot imagine any other existence. Until one day at a local festival, Asagiri meets the young artisan Hanjiro by chance – an encounter that changes her destiny. With a strong performance by leading actress Yumi ADACHI and exquisite camerawork and production design, A COURTESAN WITH FLOWERED SKIN succeeds in recalling the golden age of Japanese erotic film.

8 short stories comprise this anthology movie, based on the Tales of Terror TV series.

Kiyotaka Sato (Shuhei Nomura) is a university student. He is sociable, but he looks like he doesn't have interest in those around him. During his summer vacation, Kiyotaka Sato plans to get his driver's license to impress schoolmate Matsuda (Yukino Kishii). At this time, a yakuza boss (Ken Mitsuishi) orders Todoroki (Kento Kaku) to get his driver’s license. Todoroki doesn't show his feelings outwardly. Later, Todoroki drives a car without a driver’s license and he hits Kiyotaka Sato. To cover up the accident, Kiyotaka Sato is placed in a car and taken to away. He arrives at an unofficial driving school. The driving school is run by the Uehara family. There, Kiyotaka Sato and Todoroki learn that they graduated from the same high school. They spend their summer at the driving school.

Mio Meguro (Fuka Koshiba) is a timid person. She is afraid of being hated by others and this causes her to refrain from saying what she really wants to say. She doesn't have any specific things she wants to do. She got a job and eventually dated a man from her workplace work. Mio Meguro wanted to marry the man, but he turns out to be a bad guy. Because of him, she becomes penniless and unemployed. Her life descends into a bottomless pit. Mio Meguro then happens to get a sharehouse, where the mysterious creatures known as yokai live. The yokai try to solve her problems in radical ways.

Nobuhiro is convinced that, in order to honor his mother's death by suicide, he needs to find the reincarnation of his mother and die with her, together, under the spell of love. A young model tries to discover the truth behind one of his paintings which depicts the horrific death of a woman and her lover.

My brother took my brother. A woman, always frustrated, forces him to pick pockets and rob people just for the thrill of it. A man who resists but continues to be an accomplice with infinite tolerance. Is it the man or the woman who is desperate to keep his partner in line? It is the woman's brother who comes between the frustration and tolerance that seems to swell endlessly. But as he makes her apologise at the graveside of her parents, he also commits the sin of lying in order to keep his love alive. There is very little expository dialogue. There is very little exposition in the film, but it is enough to convey the feelings and circumstances of each character. The structure, the script and the acting are the foundations of a film that succeeds in depicting the birth of a new love triangle in a cool and realistic way.

A two-part feature directed separately by Shimizu and his colleague Keisuke Toyoshima. Unrelated to each other, both have a common goal: to bring ghosts and aliens together in pure, referential and absurdistic delirium, including neo-Nazi specters, zombie yakuzas, and nasty aliens.

One morning, students find their homeroom teacher Tokuyama Daigoro’s body on the floor of the classroom. A strange school life begins as the students work hard to hide the presence of their teacher's corpse in their classroom. Other teachers from the Academy, their homeroom teacher's wife, his mistress, police, and reporters... One-by-one they visit the classroom and the students face the risk of being discovered. Is it possible to continue to hide it?! And who was it who killed him?!

Based on renowned Japanese writer Natsume Soseki's same-titled short story collection, Ten Nights of Dreams brings ten fantastical dream sequences to film with great visual and psychological panache. Representing the combined efforts of eleven directors, this outstanding anthology delves into the surreal subconscious with ten madly imaginative, reality-subverting visions that range from wonderfully wacky to nightmarishly unsettling.

Unholy Women (Kowai onna), is a composite of three unrelated half-hour horror movies. A compilation of 3 separate short horror films (Rattle Rattle, Hagane, The Inheritance) written and directed by Keita Amemiya, Takuji Suzuki, and Keisuke Toyoshima respectively. The first segment, “Rattle Rattle”, tells the story of a young woman who is pursued by an evil other-worldly being. The second movie, “Steel”, concerns a young man who agrees to take the sister of his boss out on a blind date, drawing him into a world more frightening than he ever dreamed possible. The third and final episode, “The Inheritance”, is a supernatural tale of a woman and her young son, scarred by abuse and psychological trauma.