Unholy Women
Unholy Women (Kowai onna), is a composite of three unrelated half-hour horror movies. A compilation of 3 separate short horror films (Rattle Rattle, Hagane, The Inheritance) written and directed by Keita Amemiya, Takuji Suzuki, and Keisuke Toyoshima respectively. The first segment, “Rattle Rattle”, tells the story of a young woman who is pursued by an evil other-worldly being. The second movie, “Steel”, concerns a young man who agrees to take the sister of his boss out on a blind date, drawing him into a world more frightening than he ever dreamed possible. The third and final episode, “The Inheritance”, is a supernatural tale of a woman and her young son, scarred by abuse and psychological trauma.
Keisuke Toyoshima
Keisuke Toyoshima
Keita Amemiya
Keita Amemiya
Takuji Suzuki
Takuji Suzuki
Yamamoto Naoki
Casts & Crew
Also Directed by Keisuke Toyoshima
Horror, gag, entertainment by Keisuke Toyoshima of "Heller master Shimizu Takashi ×" "Kaidan New Ear Bag Nobuhiro" !! "Kaidanui watching me ..." and "My alien" are included.
Japan around 1860: popular courtesan Asagiri will be freed soon from her service, yet she cannot imagine any other existence. Until one day at a local festival, Asagiri meets the young artisan Hanjiro by chance – an encounter that changes her destiny. With a strong performance by leading actress Yumi ADACHI and exquisite camerawork and production design, A COURTESAN WITH FLOWERED SKIN succeeds in recalling the golden age of Japanese erotic film.
8 short stories comprise this anthology movie, based on the Tales of Terror TV series.
Kiyotaka Sato (Shuhei Nomura) is a university student. He is sociable, but he looks like he doesn't have interest in those around him. During his summer vacation, Kiyotaka Sato plans to get his driver's license to impress schoolmate Matsuda (Yukino Kishii). At this time, a yakuza boss (Ken Mitsuishi) orders Todoroki (Kento Kaku) to get his driver’s license. Todoroki doesn't show his feelings outwardly. Later, Todoroki drives a car without a driver’s license and he hits Kiyotaka Sato. To cover up the accident, Kiyotaka Sato is placed in a car and taken to away. He arrives at an unofficial driving school. The driving school is run by the Uehara family. There, Kiyotaka Sato and Todoroki learn that they graduated from the same high school. They spend their summer at the driving school.
Mio Meguro (Fuka Koshiba) is a timid person. She is afraid of being hated by others and this causes her to refrain from saying what she really wants to say. She doesn't have any specific things she wants to do. She got a job and eventually dated a man from her workplace work. Mio Meguro wanted to marry the man, but he turns out to be a bad guy. Because of him, she becomes penniless and unemployed. Her life descends into a bottomless pit. Mio Meguro then happens to get a sharehouse, where the mysterious creatures known as yokai live. The yokai try to solve her problems in radical ways.
Nobuhiro is convinced that, in order to honor his mother's death by suicide, he needs to find the reincarnation of his mother and die with her, together, under the spell of love. A young model tries to discover the truth behind one of his paintings which depicts the horrific death of a woman and her lover.
My brother took my brother. A woman, always frustrated, forces him to pick pockets and rob people just for the thrill of it. A man who resists but continues to be an accomplice with infinite tolerance. Is it the man or the woman who is desperate to keep his partner in line? It is the woman's brother who comes between the frustration and tolerance that seems to swell endlessly. But as he makes her apologise at the graveside of her parents, he also commits the sin of lying in order to keep his love alive. There is very little expository dialogue. There is very little exposition in the film, but it is enough to convey the feelings and circumstances of each character. The structure, the script and the acting are the foundations of a film that succeeds in depicting the birth of a new love triangle in a cool and realistic way.
A two-part feature directed separately by Shimizu and his colleague Keisuke Toyoshima. Unrelated to each other, both have a common goal: to bring ghosts and aliens together in pure, referential and absurdistic delirium, including neo-Nazi specters, zombie yakuzas, and nasty aliens.
One morning, students find their homeroom teacher Tokuyama Daigoro’s body on the floor of the classroom. A strange school life begins as the students work hard to hide the presence of their teacher's corpse in their classroom. Other teachers from the Academy, their homeroom teacher's wife, his mistress, police, and reporters... One-by-one they visit the classroom and the students face the risk of being discovered. Is it possible to continue to hide it?! And who was it who killed him?!
Based on renowned Japanese writer Natsume Soseki's same-titled short story collection, Ten Nights of Dreams brings ten fantastical dream sequences to film with great visual and psychological panache. Representing the combined efforts of eleven directors, this outstanding anthology delves into the surreal subconscious with ten madly imaginative, reality-subverting visions that range from wonderfully wacky to nightmarishly unsettling.
Also Directed by Keita Amemiya
8 short stories comprise this anthology movie, based on the Tales of Terror TV series.
A retired warrior comes to see his former lord and learns that someone is making indestructible swords from some unknown metal. He is sent together with a swordsman to investigate the source. Along the way they meet a young girl working as a beekeeper. She is later witness to the appearance of three strange females from another dimension. They are searching for a lost weapon that has landed on earth and as one of them lay dying she enlists the girl to help them control the strange beast/weapon. Meanwhile the warrior and the swordsman learn that an old nemesis has created the swords from the shell that surrounded the alien weapon. Soon the alien beast/weapon is awakened and battle for control ensues.
Lurking among us are the Horrors, ancient enemies of our kind. Holding the line against them, down through the ages, are the Makai Knights. Assuming the aspect of Golden Knight Garo, Raiga Saezima has vanquished one such demonic creature, but his magical armour has been tainted with evil. Furthermore, a Knight of the dark has materialized, and taken hold of Mayuri, so dear to Raiga. If he hopes to rescue her, Raiga must board a mysterious train destined for the netherworld. As he advances through the cars of this train, Raiga comes ever closer to confronting his own hidden truths…
Intergalactic bounty hunters Iria and Bob return to track down an ancient mystical relic. When a second Zeiram unit shows up and goes berserk, it takes all of Iria's resources to survive a deadly game of cat-and-mouse with the fearsome space creature.
Masaru Aso was the lab assistant of geneticist Doctor Mochizuki, used as one of his experiments related the creation of the Neo Organism, enabling him to transform into a grasshopper-like being called Kamen Rider ZO. He fled into the mountainside and went into a coma before he was awakened by a telepathic call two years later with an unconscious urge to protect Hiroshi Mochizuki, the son of Doctor Mochizuki.
In the aftermath events of GARO: Chapter of the Black Wolf, Saejima Kouga sets out to the northern district upon reassignment. While hunting down Horrors, a young priestess named Rin informs Kouga that she's been sent by Priest Amon to save a presumed dead friend in the Makai realm within Kantai, Jabi. Kouga teams up with Rin in a quest to save Jabi as they are hindered by supernatural and Makai forces alike. Meanwhile somewhere in Japan the dark Horror lord Legules was resurrected and plots a means to alter a supernatural event called White Night within Kantai to plunge the world into darkness with his "family." It's the final chapter of GARO as Kouga puts his life on the line to save Jabi and defeat Legules before the world is ruined.
The story begins with three Aliens in human form preparing for a ritual to feed the Fog Mother's "siblings". The Fog Mother last came to earth during the Prehistoric Age and is the cause of the extinction of the dinosaurs. Kenji and his kid sister are in the mountains, investigating all the deaths of animals and trees there. The Fog Mother sends the three aliens, "Gorai", "Zuu", and "Agito" to kidnap Kenji's baby sister for the sacrifice.
An anthology series based on stories collected throughout Japan, mainly by writers Hirokatsu Kihara and Ichiro Nakayama.
Ryuga Dogai returns to investigate a new mystery - the theft of Makai Knights armour. Among the victims are Ryuga's old comrades from the Volcity crisis, Takeru and Aguri. The three will face off against an enemy previously though defeated - Zinga.
Garo: Soukoku no Maryu (lit. Blue Cries of the Demon Dragon) is the second film to the Garo series. The film serves as an epilogue after Makai Senki and leads up to The One Who Shines in the Darkness. The story continues after the events of Makai Senki. Having made a contract with Gajari, Kouga Saejima honors his end of the deal by traveling to the Promised Land to retrieve a part of Gajari: the Fang of Sorrow. After Kouga defeated Sigma, Gajari transported him to the Promised Land, however, his quest had unexpected results.
Also Directed by Takuji Suzuki
Color / 8mm. Awarded Special Jury award at 1988 Pia Film Festival
The small town of Yumetoi has been sealed off from the outside world for 20 years by a mysterious phenomenon called “Zon”. But more and more people, like Ippo and his girlfriend Remi, begin to wonder: What lies beyond “Zon”? Takuji SUZUKI’s experimental science fiction film will capture you with its surreal atmosphere, which is intensified by a unique combination of digital and analog images.
An original video featuring four short horror stories, aimed at children.
Made under the restrictions of "no zoom, pan, editing or post-sound," directors Shinobu Yaguchi and Takuji Suzuki skewer Japanese social conventions in 14 short episodes. In one segment a woman misreads an advertisement and arrives at a job interview dressed in a bunny suit. Another concerns a woman who hides to surprise her friends only to overhear their unkind appraisal of her hygiene. And another entitled "Grandpa from Hell" is a surreal yarn about a cult leader. Ranging from the humorous to the deeply bizarre, the film's static, minimalistic style makes such "Dogme 95" films as The Celebration (1998) look extravagant.
Haru works at a part-time job for a bookstore. Her dream is to become an illustrator and she also loves cats. One day, after a cat named Chibutomu disappears from the bookstore Haru canvasses the neighbourhood in search of Chibutomu.
A writer from Kamakura named Hiraoka Eisei is researching supernatural stories but finds himself revisiting memories from a previous visit to his wife’s home town. Ogura Kako,a shy local woman, is asked to help an actor from Tokyo practice speaking with Kyoto intonation and, after the lesson, he asks her to show him around Arashiyama.
A woman from rural Japan marries a struggling cartoonist in Tokyo. Their life is difficult before he finds success, but at least they're together.
Short film by Takuji Suzuki.