Historias violentas

Documentary film about Diego Rivera produced by his grandson, director Diego Rivera Lopez and released to commemorate the 50th anniversary of Rivera's death. Rivera Lopez says, "In the 50 years since his death, my father's image has been obscured by the recent presentation of Frida as a heroine, and now I think its time to put him back in perspective."

Esteban and María are a young couple of lovers, both belonging to aristocratic families. When María announces she's moving to London to study, the sullen Esteban decides to follow her, and both opt to steal from their parents to escape and be free, with shocking results.

Gilberto Cortés is an actor in a theatre play about a father fighting to save his son from the death penalty. Years later, he faces the same dilemma in real life when his own son is accused of the murder of a child molester.

A Spanish movie directed by Carlos García Agraz.

The story of Monteforte Toledo - the film's Doctor Zamora - who comes to San Pedro La Laguna (Guatemala) as a young man during the military dictatorship in the first decades of the 20th century. Zamora sets out with great idealism and dedication to eradicate illness among the Indians, even if his work is disapproved by the military commander in town. Zamora falls in love with María, a young Indian girl from a village, and he invites her to come live with him in the town of San Pedro. However, other young women have noted the charm of the elegant of Zamora, and even the young idealist doctor cannot escape the conflict between Ladinos (Mestizos or non-Indians) and Indians.

Amelia is an old retired prostitute who lives at an asylum, where she decides to enter a T.V. contest.

Susana, a beautiful young girl living in 1990, is happily looking forward to her forthcoming marriage - and has bought an antique mirror to grace her future home. Three weeks before the wedding, the mirror is delivered to her Grandmother's home and taken to Susana's room. Later that day, when looking into the glass, Susana is startled to see the image of a handsome soldier, Nicolas (from 1863), instead of her own reflection. It soon becomes obvious that he can see Susana as clearly as she can see him - and life, for them both, is never quite the same again. Contains three shorts as a trilogy: The Two Way Mirror (El espejo de dos lunas) 1990, 0:29:23 With You from a Distance (Contigo en la distancia) 1991, 0:27:38 Saturday Night Thief (Ladrón de sábado) 1996, 0:24:57

El Equipo is a Mexican series starring Alfonso Herrera, Zuria Vega, Alberto Estrella and Fabián Robles are the protagonists. Is a series that blends action, drama, love, and shows the work and effort of the Mexican federal police, who every day risk their lives to protect society. The story centers around Santiago, Fermin, Magda and Mateo, who at one time in his life made the decision to become a Federal Police officer. In each chapter, the team will solve a different case where we can see the intelligence process, the operation and the capture of the offender while the characters must face their feelings and solve their own problems of everyday life. A blockbuster inspired by real events, produced by Pedro Torres and directed by Carlos Garcia Agraz and Chava Cartas.

Joaquina is aging in a small Mexican village in the 1920s. Her life is boring and she spends her days dreaming of her hero, cowboy Tom Mix. Everything Joaquina wants is to meet him. Her life changes when a bunch of bandits appears nearby. It's time for Tom Mix to stop the thieves and fulfill Joaquina's dreams of adventure.

Mujeres Asesinas is a series that shows the dark side of women who have been mistreated or abused and become cruel murderers. The series shows how violence and death can overcome the feminine mind. Each episode shows a different story of a woman who has committed homicide. These women are motivated by multiple passions such as love, hatred, resentment, vengeance, lunacy, despair, fear, anger, addiction, salvation and redemption. Doctor Sofía Capellan and her team of experts try to solve the murders perpetrated by the women.

Teen angst in Mexico City is made all the worse by a young provincial woman's infatuation for a ghost, in this effective drama about disturbed youth. Aida arrives in Mexico City and is immediately introduced into the world of drugs and sex by the friends she meets. Before long, she is having visions of the ghostly "El Humo" ("Smoke") and after she meets him at a party, they both are struck by Cupid's arrow. After some back-and-forth stepping around the nature of their relationship, El Humo disappears for five days, and Aida is distraught -- she locks herself up in her dark room, smokes some weed, takes a few hallucinogenic mushrooms, and then has a vision that clears up the mystery surrounding El Humo.

The story of a gay man's cathartic one-night immersion in Monterrey's sexual underworld after his lover dies of AIDS.