Diana Bracho
Ophelia, a young nun recently arriving in the town of San Ramon, is forced to perform an exorcism on a pregnant woman in danger of dying. Just when she thinks her possession has ended, she discovers that the evil presence hasn't disappeared yet. The director of the award-winning Here Comes the Devil and Late Phases adds a new twist to possession movies in one of this year's Latin American horror surprises.
Pedro is a single man in his forties who likes to party, has no children and lives at night. Everything changes when he meets Alin. She mentions to him that she is looking for her dad and that there is a high probability that it is him.
Sebastian and Valeria are about to get married. Everything seems perfect but a woman tries to seduce Sebastian while Valeria is pregnant.
Julieta is quite happy in her relationship with her live in boyfriend, Robert... and thrilled that she won't have to deal with in-laws since Robert doesn't know his family. Things start going downhill for the couple when they rent an apartment from a very eccentric family dealing with a traumatic incident from their past.
The story of Secrets at the Hotel begins in 1908. Julio Olmedo and Isabel Alarcón travel on the same train to the Gran Hotel, property of the Alarcón family. Both of them ignore that their lives will take a new twist in that place, produced by love, treason, and the secrets hidden there.
The Mexican diva of cinema, María Felix, age 80, is staying as a guest at the home of a family in Veracruz. There she meets the daughter of the owners, Agatha, age 16, who wants to know what does the actress do to be so beautiful at her age. They become friends, live adventures and María reveals her secrets.
Director Hatuey Viveros' beautiful film unfolds as a fascinating exploration of contemporary life in Mexico, searching to understand today's world, while portraying a younger generation who lack an understanding of their past. And as we journey with Aina on her own discovery, it becomes clear that the process of her search is just as important as the results.
The assassination of Pancho Villa, on the outskirts of Parral, Chihuahua, plunged the city into mourning, and a wake for the revolutionary hero was held by his closest collaborators. Conspicuous among the mourners were the four women with whom Villa was having intimate relationships at the time of his death. Now that Villa is no longer around to mediate and keep them apart, tensions between the women grow and intensify, with unexpected consequences. An intimate and human portrait of the Centaur of the North.
Quiero Amarte is an upcoming Mexican telenovela to be produced by Carlos Moreno Laguillo for Televisa. It is a remake of Imperio de Cristal, produced by Carlos Sotomayor in 1994. Karyme Lozano, Cristian de la Fuente and Adriana Louvier will star as the protagonists, while Diana Bracho, Flavio Medina and Salvador Zerboni will star as the antagonists, and with the stellar participations of Alejandra Barros, José Elías Moreno and Olivia Bucio.
When Martin's car breaks down in the middle of the desert, he has no choice but to head off across the empty landscape to look for help. Along the road he happens upon a mysterious brothel. He has no choice but to go there. But when he goes inside he unknowingly is drawn into a fateful game of chance. In this suspenseful film from Mexico, not everything is what it seems.
The story of a wooing in which the stepdaughter, Elena, seduces her stepmother. A love story that is unpredictable for both, where reality overcomes their principles and traditions.
Fuego en la sangre is a telenovela that began transmissions on January 21, 2008, through Mexico's Canal de las Estrellas network. Starring Adela Noriega, Eduardo Yáñez, Diana Bracho, and Guillermo García Cantú. It is the Mexican remake of the Colombian soap operas Las Aguas Mansas and Pasion de Gavilanes. The theme song called "Para Siempre" is sung by Vicente Fernández. The telenovela received TVyNovelas Award for Best Telenovela, in 2009.
The Greek Olimpian Gods engage in the human life experience to its full intensity, for which they choose Mexico City's trendy night club: "Olimpus Dancing Club". Once living in the mortal's world, the naughty Eros (with help of a gang of ill-behaved gods), is responsible for unleashing a forbidden passion that disrupts the lives of the members of two families of not-so-simple mortals.
When Tonatiuh loses his beloved Maria, grief and obsession to be loved lead him to seek love in a variety of women also called Maria.
An unworldly and closed-minded American travels to a small village in exotic Chiapas, Mexico; at the behest of his estranged mother when his half-sister disappears during a local epidemic of kidnappings attributed to the legendary J-ok'el, the weeping woman, who drowned her own babies, centuries ago and whose spirit has returned to claim more children as her own.
Eugenia is a former pop singer who is bedridden and dying of cancer. She is cared for by her daughter, Helena, who dreams of traveling the world and wishes she could be a glamorous pop star like her mother was. Helena’s younger brother Sebastian's dreams are simple and he merely wants to move to the beach. Helena is smart and pretty but she has no friends, male or female and is totally devoted to her mother's care and is also on the verge of initiating an incestuous relationship with Sebastian. Sebastian however, is falling in love with a boy at school named Juan who is the school roughneck and the son of a single father who owns a little bar. Juan is the nemesis of the school preppy named Ismael who comes from such a wealthy home that he has his own chauffeur and bodyguards. Ismael's ping-pong obsessed girlfriend Aurora rents a room at Helena and Sebastian's house where Ismael discovers he is also attracted to Sebastian.
The year is 1958, and in Holguín, Cuba, a boy's world is about to change forever.
The Faces of the Moon is the story of five women from five different countries (Argentina, Uruguay, Mexico, USA and Spain), invited to Mexico City to be the jury of the Third Annual Latin American Women's Film Festival. In six vertiginous days these women share their past experiences, their ghosts and, their expectations. The group views and critiques the festival's film entries, and, in the process, the women reveal their personal, political and national histories.
A romantic comedy of our times about passion, friendship and lies, on one of those days when the city and its inhabitants go crazy and anything seems possible. Diego and Silvia meet each other and fall in love thanks to their masterly lies. The morning after, with their respective friends, they remember the encounter and slowly begin to realize how sincere and honest that relationship was. When the opportunity arises, both struggle to meet again on a day in which a sudden and unusual disorder reigns in Mexico City.
In Mexico, two teenage boys and an attractive older woman embark on a road trip and learn a thing or two about life, friendship, sex, and each other.
Four women get mad at a bakery while they recall their lives at their neighborhood.
Gina (Diana Bracho) is a modern business woman in her late forties, she has a lover named Adrian, who she sees once in a while just to have sex; they are both atracted to the historic figure of Pancho Villa, while he admires his power, she admires his virility. As Gina helps Adrian (who is a journalist) to write a book about Pancho Villa, she discovers the similarity between Villa's relation to women to that of Adrian and hers. She gets sick of only having sex, and when she decides to get married with him and have a baby, he escapes to buy cigarrettes and gets lost for three months. Gina forgets about him and gets a new boyfriend (half the age she is), and when Adrian tries to get her back and she refuses him and humiliates him, the one and only Pancho Villa appears as his machista conscience ready to do anything to get Gina back.
Story about a woman that is unhappily married and with two daughters. She constantly reprimands Cristina and baby Raquel. What the people around her don't know is that Raquel is not her husband's daughter as everyone believes. Raquel is Eugenia and León's daughter. She has always loved him, not her husband. That is the reason she's always angry at Cristina.
Two young girls used to play Serpents and Ladders. One of them always won, but they are very close friends. When they grow up, the winner is still the lucky one in the game of life, but life can be treacherous...
After her parents death, the little Cecilia is under the care of her aunts: Natalia and Evangelina. Evangelina is a cruel woman who doesn't love the child and she treats her bad. Unlike Evangelina, Natalia is good and will help Cecilia because she is her real mother. She was seduced and got pregnant by Padre Julio. Evangelina hates Padre Julio because in the past he preferred Natalia to her. Many years later, there is a problem, because Evangelina doesn't want to give Cecilia money to attend the University. But Cecilia wins a grant and she can study now. She is engaged and wants to marry Giovanni, but Evangelina is against. She will poison him with a drink. Then Cecilia meets and falls in love with Gerardo, who is engaged to Sofia. Sofia's parents are Marta and Armando. Armando returns home after abandoning his family for many years. Marta has a romance with Manuel, but Sofia and Armando are opposed. Ines and Renato, who are Gerardo's parents, also are opposed to his romance with Cecilia. She breaks up the romance and goes to sor Angelina's nunnery to become a nun. Sonia and Roberto try to separate Gerardo from Cecilia. Then Cecilia finds out the truth about her birth and meets padre Julio. Natalia discovers that Evangelina tries to appropriate the whole patrimony of Cecilia and Evangelina kills her.
The way three different generations of women view virginity and the mystery that a love story hides.
Loosely based on the novel "Leakage, iron and fire" by Paco Ignacio Taibo I, "Redondo" is an amazing and brilliant cinematic journey, biting and irreverently funny, for the fantastic world of a spontaneous novelist who finds himself, putting in crisis some of the institutions and traditional values of his society.
Cuna de lobos is a Mexican soap opera produced by Televisa and broadcast by Canal de las Estrellas in 1986 to 1987. The serial, about the struggle for power within a wealthy Mexican dynasty, was enormously popular in its native Mexico. It was also a hit in several foreign countries, including the United States, Germany and Australia. The soap opera starring antagonistically María Rubio as the main villain interpreting the evil "Catalina Creel", with Gonzalo Vega, Diana Bracho, Alejandro Camacho and Rebecca Jones.
Dalia and Daniel are a couple running away from the noise, the pollution and the social prejudice, so they take shelter at an isolated farmhouse, which used to belong to Daniel's father. There they are, in full intimacy with each other, only with nature and their own memories. However, the monotony and the loneliness gradually deteriorates their relationship.
The inner demons of an aspiring writer, whose dissatisfaction has pushed him to alcohol and drugs, lead him to his self-destruction under the guise of confusing political positions.
Old aunt Alejandra goes to live with a Mexican middle-class family; she's bitter and the children tease her and make her life miserable, but the old woman is truly a witch, and takes revenge.
In the middle 70's in the mexican state of Guanajuato, authorities discover a clandestine burial ground, the corpses were from murdered prostitutes. the suspects are three sisters known as "Las Poquianchis" The sisters were very religious but were the owners of brothels and recruited poor girls with the false promises of jobs, instead they were forced to prostitution, and some were killed.
A man without identity/citizenship papers is stuck in the no-man's-land between two countries.
Two couples. One of the husbands kills his wife. He is temporarily helped by the other couple. The husband wants to help him, but his wife wants to turn him in to the police.
Originally Actas De Marusia, this Mexican film re-creates a dark chapter in the history of Chile. The scene is a small Chilean mining town in 1907. Suffering under the despotic rule of the British mine owners, the workers stage a revolt. The government's solution is to utterly destroy the town rather than allow the rebellion to spread. Letters from Marusia was adapted from a novel by Patricio Manns, which in turn was based on eyewitness accounts of the 1907 massacre.
The long arm of the Inquisition, or the "Holy Office," reached at least as far as 16th-century Mexico (known as New Spain at the time). Many Spanish Catholics of Moorish or Jewish origin found it expedient to flee to the New World to escape the suffocating attentions of the Inquisition. In Spain, simply being descended from these suspect peoples is sufficient to guarantee a gruesome death by immolation. In the New World, it took slightly more. This 1974 Mexican film deals with the suffering of one family of conversos who are secretly practicing Judaism and are betrayed to the Inquisition by a family member. Interestingly, a small family clan of such secret Jews was discovered in New Mexico as recently as the late 1980s. They managed to keep their faith a secret for nearly five hundred years.
The story of a disciplined and sexually driven man who keeps his family isolated in his home for years to protect them from the “evil nature” of human beings while inventing (with his wife) rat poison.
