In Another Country

Hong Sang-Soo’s Lost in the Mountains (South Korea, 32min) the visitor is the supremely self-centred Mi-Sook, who drives to Jeonju on impulse to see her classmate Jin-Young – only to discover that her friend is having an affair with their married professor, who Mi-Sook once dated herself. The level of social embarrassment goes off the scale. In Naomi Kawase’s Koma (Japan, 34min), Kang Jun-Il travels to a village in rural Japan to honour his grandfather’s dying wish by returning a Buddhist scroll to its ancestral home. Amid ancient superstitions, a new relationship forms. And in Lav Diaz’ Butterflies Have No Memories (Philippines, 42min) ‘homecoming queen’ Carol returns to the economically depressed former mining town she came from – and becomes the target of an absurd kidnapping plot hatched by resentful locals. Serving as his own writer, cameraman and editor, Diaz casts the film entirely from members of his crew and delivers a well-seasoned mix of social realism and fantasy. —bfi

Sang-Joon is a professor in the film department at a provincial university. He goes to Seoul to meet his senior, Young-Ho, who works as a film critic. Sang-Joon stays in a northern village in Seoul for 3 days.

A love story between a middle aged professor, a young female student who prepares a movie and a student/filmmaker who drinks too much.

Haewon, a college student, wants to end her secret affair with her professor, Seongjun. Feeling depressed after bidding farewell to her mother who is set to immigrate to Canada the next day, Haewon seeks out Seongjun again after a long time. That day, they run into her classmates at a restaurant and their relationship gets revealed. Haewon gets more agitated and Seongjun makes an extreme suggestion to run away together… Haewon dreams often. Her dreams will be compared to her waking life, but none can be denied as being a part of her life.

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

While her husband is on a business trip, Gamhee meets three of her friends on the outskirts of Seoul. They make friendly conversation, as always, but there are different currents flowing independently of each other, both above and below the surface.

An actress wanders around a seaside town, pondering her relationship with a married man.

Actor Gyung-soo is passed over for a part and decides to leave Seoul and visit a friend. His friend tells him the legend of the "Turning Gate," which foreshadows future events. During his visit, Gyung-soo meets Myung-sook, a girl who quickly falls for him. After a night of passion, he boards the train back for Seoul and meets a married woman who claims to know him. Gyung-soo thinks he may be in love with her, but perhaps he's chosen the wrong woman.

New film from Hong Sang-soo.

Hong Sangsoo's short film made for the 59th edition of the New York Film Festival.