Moon So-ri
A portrait of the South Korean screenwriter, director and producer Lee Chang-Dong through his work, this documentary provides a thematic analysis of his films, most of which have been selected for and received awards at the Cannes Film Festival.
A collaboration of a film and a reality show that shows eight short films and follows the production process of each film. The new season will have eight films, following the central theme of the "parallel universe," touching on different topics, such as the new normal dystopia and the contactless society of the pandemic era. (Source: koreatimes)
It follows the story of middle-aged office workers struggling to survive in a turbulent workplace.
The three sisters are struggling with their own problems. Hee-sook, Mrs. Sorry, is neglected by her family. Mi-yeon, Mrs. Devout, witnesses her husband having an affair. And Mi-ok, Mrs. Hysteric, is just weird, always drunk and frustrated with life. The sisters are going to gather for their father’s birthday. What will happen? We will see when the day comes.
In the future when the human brain and AI can be connected, Hye Ra’s son dies in an accident but she manages to revive him by combining part of his brain with AI. One day, Hye Ra finds her son’s behavior is changing and suspects that it started after the connection was made. While impersonating her son the AI deceives her and wipes out his soul.
A young woman leaves the city to return to her hometown in the countryside. Seeking to escape the hustle and bustle of the city, she becomes self-sufficient in a bid to reconnect with nature.
Yoon-young has been harboring feelings for Song-hyun, a friend’s wife. When he finds out that she is divorced, Yoon-young and Songhyun take a trip to Gunsan on a whim. They find lodging at an inn where the middle-aged owner lives with his autistic daughter who does not leave her room. The four become star crossed lovers in the city of Gunsan.
A collection of three short films directed by Moon So-ri. During recent years, Moon tried writing and directing. She previously wrote and directed three short films “The Actress” (2014), “The Running Actress” (2015), and “The Best Director” (2015), and these three short films are assembled here together in her first feature film “The Running Actress”.
In 1987 Korea, under an oppressive military regime, a college student gets killed during a police interrogation involving torture. Government of officials are quick to cover up the death and order the body to be cremated. A prosecutor who is supposed to sign the cremation release, raises questions about a 21-year-old kid dying of a heart attack, and he begins looking into the case for truth. Despite a systematic attempt to silence everyone involved in the case, the truth gets out, causing an eruption of public outrage.
How can a mermaid from the Joseon era survive in modern-day Seoul? Shim Chung is a mermaid who finds herself transplanted to modern times. She is caught by Heo Joon Jae, a charming but cold con artist who is the doppelgänger for Kim Moon, the son of a nobleman from the Joseon Dynasty. But in the present time, Joon Jae works with Jo Nam Doo, a skilled conman who guides Joon Jae to become a genius scammer. But Joon Jae’s friend, Cha Shi Ah, who works as a researcher at KAIST, may be Chung’s only hope for surviving in her strange new world.
1930s Korea, in the period of Japanese occupation, a young woman is hired as a handmaiden to a Japanese heiress who lives a secluded life on a large countryside estate with her domineering uncle. But, the maid has a secret: she is a pickpocket recruited by a swindler posing as a Japanese count to help him seduce the heiress to elope with him, rob her of her fortune, and lock her up in a madhouse. The plan seems to proceed according to plan until the women discover some unexpected emotions.
Days after her friends disappear during a trip to a mysterious cave, a girl is approached by a grown man claiming to be one of her missing pals.
People have varying perceptions and definitions of love and movies. One must overcome differing opinions and disregard insignificant factors in order to achieve the end product in each aspect. However, it is these trivial features that matter in the end and leave their imprint on our souls. Whether it is for love or for movies, we must continue to question and attend to the subtle inscriptions upon our emotions.
In April 2014, the entire nation of South Korea watched on television live as The Sewol capsized off the coast of Jindo. The tragedy left life-long wounds in the hearts of people whose family and friends had been among the 304 passengers killed. The majority of the victims were high school students on a school trip. Their parents were not even given the luxury of grieving, as they had to camp out in front of the Parliament, City Hall and the Presidential House, asking for only one thing - to know the truth about why their children had been left to die. But after more than a year, that truth has yet to be brought to light. This film is a documentation of the year-long struggle and painful soul-searching of people destined to be labelled as 'bereaved families' for the rest of their lives, as they come face to face with the naked face of their cruel country.
A Japanese man arrives in Korea to find his old lover. While he stays at a guest house, he encounters various people.
It was produced to commemorate the 40th anniversary of Korean Film Archive.
A life documentary of a woman who was shunned for being possessed by spirits as a girl, oppressed for following superstitions as an adult, how she grows to be a great shaman who embraces the pain of all people, and how she comes to be honored as a national treasure of Korea with her outstanding artistic talents throughout Korea's tumultuous history.
Independent TV producer Shin-Hye (UHM Jung-Hwa), self-assured housewife Mi-Yeon (MOON So-Ri), and single mom Hae-Young (JO Min-Soo) are a tight-knit group of 40-something friends going through the ups and downs of their lives and loves in modern day Seoul. This racy comedy is the latest from director KWON Chil-in, known for his frank portrayals of relationships and women's sexuality.
A bad guy, a cruel guy, a lame guy, a cowardly guy and the meanest woman gets involved in a beautiful university student's murder case.
Chul-soo is one of Korea’s best intelligence agents: he can accomplish any given mission. One day, a mysterious explosion takes place in Seoul. Chul-soo flies to Thailand on a mission to rescue a person who holds clues to the incident. Meanwhile, Young-hee goes on a business trip to Thailand and gets entangled with Chul-soo’s mission. Will he accomplish his mission and save his wife at the same time?
Director Chung Ji-Young criticizes the thought that older directors have difficulties in making certain movies. Actress Yoon Jin-Seo agonizes over her identity as an actress. In 2009, before the movie "Unbowed" was made, they met and planned a documentary about Korean movies, including the processes a Korean movie goes through and difficulites. "Ari Ari the Korean Cinema" is a documentary with interviews of Korean directors, actors and actresses.
A three-tiered story centered on a trio of French tourists visiting the same seaside resort.
Based on a bestselling preteen novel of the same title that has sold more than 1 million copies in Korea, “Leafie, A Hen into the Wild” is about a laying hen named Leafie who is destined to live the “same old” repetitive life confined on the chicken farm. Her fate changes when she escapes from the chicken farm and hatches a duck egg. With the duckling (who believes Leafie to be his mother), sets off on a journey into the wild with her new son to find her freedom.
A man's affair with his family's housemaid leads to a dark consequences. Eun-yi is hired as an au pair for Hae-ra (pregnant with twins) and her rich husband Hoon. Eun-yi's primary task is watching the couple's young daughter, Nami. Eun-yi is eager to connect to Nami, who gradually warms to her. Hoon begins to secretly flirt with Eun-yi, enticing her with glasses of wine and his piano playing, and they eventually begin a sexual relationship. Despite the affair, Eun-yi is still warm and friendly to Hoon's oblivious wife, Hae-ra. She even expresses enthusiasm and delight at the progress of Hae-ra's pregnancy.
The Korean war does not start well for the US. They are being routed by the North Koreans and In July 1950, the early stage of the Korean War, at the Jugok Village in the middle of the Korean Peninsula, Chang-yee and his friends grow excited over the amateur singing contest knowing nothing about what is going on around them. At the time, the US Army keeps losing and are pushed back to the village, evacuating all villagers to head south. The villagers took refuge like going on a picnic believing that the US Army is protecting them, they just follow their orders moving south bound.
Seung-yun is stressed out because he is sent to several private academies after school. His mother reproves him for not living up to her expectations. His father takes pity on him for being nagged on by his mother all the time... Ju-hun, a new employee at a company, is a vegetarian and cannot drink alcohol at all. Chang-su thinks Ju-hun is eccentric and is displeased with him... Su-hyeong sent his son and daughter with his wife to study abroad, but he grows tired of staying alone in his empty house... SONG has lived with her authoritarian husband without any serious problems, but she does not want to stay with him anymore. GWON, an old man, pretends to be calm in the face of his wife’s request for divorce. But actually he can’t do anything by himself... These are not unfamiliar fictional events but rather they reflect the lives of ordinary people in Korea at the present time. Through their stories, shows us how a society imposes normalcy on its people in their daily lives.
Delightfully comic exploration of the emotional and social geography of an art-house film director.
A woman breaks up with her boyfriend of seven years. Devastated, she throws herself into another relationship and decides to get married, only to have her exboyfriend return to her...
Korea and Denmark had shared four Olympic titles for women’s handball from 1988 to 2000, with the Danes winning the latter two. The two dueling teams met again as finalists in 2004, and the pulsating game continued long and hard with a tie score leading to two killer overtimes and a penalty throw showdown.Korea lost, but won what many call a silver medal that shines more brightly than the gold. At the time, Korean women’s handball was at its worst state ever, and players who should have been retired joined the national team to face the indefatigable Denmark. It was a miraculous achievement _ “the greatest moment of our lives” (the film’s title in Korean).
This drama portrays the life of the 19th king of Goguryeo, Hwanwoong, who was sent from the heavens to make the world a better place. He falls in love with Saeoh and gives her the joojak necklace; however, Kajin becomes jealous since Saeoh has given birth to Hwanwoong's son. She takes the baby and throws him off a cliff. Saeoh, thinking that her son had died, is overcome with grief and turns into the black joojak to destroy the world. Hwanwoong is the only one who could stop her. Afterwards, Hwanwoong returns to the Heavens and prophecizes that 2000 years later, the true Joo Shin king will come to Earth. With the help of the four gods, he will rebuild Joo Shin.
Family Ties is an ensemble drama from Kim Tae-yong, the co-director of chiller Memento Mori. The film tells three seemingly unconnected stories in a trilogy of distinct segments. The first part is the story of a woman (Moon So-ri - Oasis, A Good Lawyer's Wife) who has to deal with her long-lost brother's surprise visit. After having been missing for several years, the brother (played by Um Tae-ung - Revenge) appears and moves in, with his new wife in tow - a much older woman, Mu Shin (Ko Doo-sim - More Beautiful Than A Flower). The second story features a searing performance from Gong Hyo-jin (Memento Mori) as a short-tempered young woman, who discovers that her estranged mother (Kim Hye-ok), with whom she has had a falling out, is terminally ill. Part three examines the relationship problems faced by a young couple (Bong Tae-gyu from See You After School and Jeong Yu-mi from Blossom Again).
South Korean cinema is in the throes of a creative explosion where mavericks are encouraged and masters are venerated. But from where has this phenomenon emerged? What is the culture that has yielded this range of filmmakers? With The Nine Lives of Korean Cinema, French critic, writer and documentarian Hubert Niogret provides a broad overview but, nevertheless, an excellent entry point into this unique type of national cinema that still remains a mystery for many people. The product of a troubled social and political history, Korean cinema sports an identity that is unique in much modern film. Niogret's documentary tells of the country's cinematic history - the ups along with the downs - and gives further voice to the artists striving to express their concerns, fears and aspirations.
The lovely and promiscuous textile professor Eun-sook has all the male professors wrapped around her finger. It also helps that she has slept with most of them. Eun-sook is also a member of an environmental awareness group. When the popular comic book artist Suk-gyu joins the group, he arouses the jealousy of Mr. YOO, one of the other member who fears that Suk-gyu will steal Eun-sook from him. It turns out that Eun-sook and Suk-gyu attended the same junior high school where they share a secret and tragic history. Back then, Eun-sook was Suk-gyu's older brother’s girlfriend. But after Eun-sook decides to sleep with Suk-gyu as well, the older brother's best friend dies in an accident in which both of them are involved. As the jealous MR.YOO starts to investigate Eun-sook and Suk-gyu's past, will their secret be kept? Will they get together again?
As his sexual awareness increases, Gwang-ho no longer likes the scent of his mother, who wears heavy make-up as she sells cosmetics door-to-door. Eun-sook, an assistant nurse who is the complete opposite of Gwang-ho's mother, becomes the object of all of Gwang-ho's attention and affection. Absorbed in his thoughts, Gwang-ho is oblivious of the news of the presidents death and the picture of the new president replacing the late president in his classroom. Gwang-ho receives a letter of luck and starts sending it to people around him. As those people start vanishing, Gwang-ho is racked with guilt, suspecting the letter of luck is the cause of their disappearance.
A well-meaning but politically naive barber gets pulled into the inner circle of the South Korean dictator Park Chung-Hee, with rather baleful consequences for his hapless family. This sharp political satire covers roughly twenty years in South Korean political history, from the viewpoint of the barber's son.
Bored, horny, and frustrated, a woman begins an affair with a teenage boy.
Oasis is a love story of two young people abandoned by families. A young man released from prison visits the widow of the man he killed drunk-driving. There he meets her daughter, wheelchair bound with cerebral palsy. Will these two lost people find a way to make their relationship work?
In the spring of 1999, a group of old friends gather to celebrate their 20 year reunion. Among the group is Yeong-ho, a cold, unhappy man, whose demeanor puts a damper on the festivities. The seriousness of Yeong-ho"s depression becomes apparent, however, when he climbs a railroad bridge and looks like he might jump. At this crucial moment, memories of seven crucial episodes from Yeong-ho"s past flood his mind.
An eighth grade student kills himself but not before writing the names of the students who victimized him. Their parents are called into the school and a battle goes on regarding the will.
