Jose Torres

An entomologist suffers extreme psychological and sexual torture after being taken captive by the residents of a poor seaside village.

Catalan architect Antoni Gaudí (1852 - 1926) designed some of the world s most astonishing buildings, interiors, and parks; Japanese director Hiroshi Teshigahara constructed some of the most aesthetically audacious films of the second half of the twentieth century. Here, their artistry melds in a unique, enthralling cinematic experience. Less a documentary than a visual poem, Teshigahara's Antoni Gaudí takes viewers on a tour of Gaudí s truly spectacular architecture, including his massive still-unfinished masterpiece, the Sagrada Familia cathedral, in Barcelona. With camerawork as bold and sensual as the curves on his subject s organic surfaces, Teshigahara immortalizes Gaudí on film.

A man wanders into a seemingly deserted town with his young son in search of work. But after a bit of bad luck, he joins the town's population of lost souls.

The plight of U.S. Army deserters from Vietnam on the run in Japan, centering on the culture clash between the troubled Americans and the Japanese who try to help him.

In 1959 Hiroshi Teshigahara shot the following 16 mm footage of he and his father’s first trip to Barcelona and the outlying Catalonian countryside, including a visit to the home of Salvador Dali in Port Lligat. The footage was recorded without sound.

The final feature by Hiroshi Teshigahara. A direct sequel to his preceding film, Rikyu (1989).

A short documentary by Hiroshi Teshigahara about his father, the sculptor Sofu Teshigahara, preparing an exhibition.

Late in the 1500s, an aging tea master teaches the way of tea to a headstrong Shogun. Through force of will and courageous fighting, Hideyoshi becomes Japan's most powerful warlord, unifying the country. Rikyu, through the tea ceremony and floral arrangements, tempers his lord, helping Hideyoshi focus on a single flower or be in a simple room where the shape of a cup is of most importance. But other forces fuel Hideyoshi's ambitions: the Portuguese bring a globe and guns, and he believes he can conquer Korea and China. When Rikyu raises doubts about invading China, Hideyoshi demands an apology, and Rikyu himself must find courage in the way of tea.

A day in the life of Ako, a 16 year old Japanese girl, and her friends and co-workers. An alarm clock wakes her in a dorm; she gets ready for work and travels to a large bakery. We see her with friends, chatting and laughing, as well as working. They go out, seven of them jammed in an old Pontiac: bowling, then to an amusement park, then driving around. Car trouble may put her at risk. Is she going to be okay?

Eight filmmakers collaborate with Teshigahara to bring a newsreel-style snapshot of Tokyo in 1957-58, when it had eight and a half million people and was the largest city in the world.