Hisashi Igawa
When people finish their day and hurry home, his day starts. His diner is open from midnight to seven in the morning. Pork, miso soup combo, beer, sake and shochu is all that he has on his menu. Nevertheless, he makes whatever his customers request as long as he has the ingredients for it.
Yuri Kashiwaga was once known as a genius pianist. One day, she returns to her hometown in Goto Islands from Tokyo. There, she begins to work as a temporary teacher at a middle school and advisor for the school chorus. The chorus aims to take part at a competition. Yuri gives the members of the chorus members an assignment. She instructs them to write a letter with the title of “To myself 15 years later.” The 15-year-old boys and girls write about their secrets and worries.
In a small village in the Kanto regioin, which is surrounded by mountains, residents and a management consultant (Shosuke Tanihara) struggle to rebuild the village through its only industry, farming.
Toru grew up in the Tateyama mountain ranges: alpine country. As a child, he resented the yearly trek up the mountain with his father to prepare their mountain hut for the summer season of climbers. When Toru grows up he leaves his hometown, entering the working world as a stock trader and becoming another office worker. But when Toru receives word that his father has passed away, he returns to Tateyama once again and becomes conscious of a new calling. But does Toru have what it takes to follow in his father footsteps?
Shimizu Yuichi (Tsumabuki Satoshi) is a shy and lonely day laborer looking for love. He aimlessly spends time corresponding with girls via telephone dating services and going on random encounters with girls looking for spending cash. His world is shattered one day when he is involved in the murder of one of his former encounters, the sweet-faced Ishibashi Yoshino (Mitsushima Hikari) who, after being jilted by playboy Masuo Keijo (Okada Masaki), berates and mocks the troubled loner.
In 1907, a group of men climb an unconquered peak in the last unmapped region of Japan.
One day, a middle-aged man, Fujimoto Makoto, is standing on a train platform, about to jump in front of a train. Nakashiro Kana and Tasaki Shota both happen to be on the same platform, and sensing what is about to happen, they quickly pull him back to safety. There's a reason why Kana and Shota realized Makoto's intentions, they both have the kind of emotional scars that can't be put into words. Even after so much pain, through a series of e-mails, they've become attracted to one another and slowly learn to open up their hearts once again.
Satoshi Nomura, a top-level bureaucrat of a prefecture government, has passion for his career. One day, he is hired by the fixed-term personnel exchange training between public and private businesses. This personnel exchange training is part of some big prefecture project. This project is very big, so success of this personnel exchange training will probably determine his career. Nomura goes to a supermarket called "Mantendo".
As Haru emigrates from Japan with her family to the coffee plantations in Brazil, Natsu is left behind in the care of spiteful relatives. Losing all contact, each must make her own way in an unforgiving world. Hardships abound in the struggle to survive in war-torn Japan and in the face of anti-Japanese sentiment in Brazil, financial ruin, familial pressure, abandonment and lost love. However they also experience the precious joy of survival and success. Now, after 70 years, Haru comes back to Japan to find her estranged sister.
Directed by Junya Sato and based on a book by Jun Henmi, "Yamato" has a framing story set in the present day and uses flashbacks to tell the story of the crew of the World War II Japanese battleship Yamato. The film was never released in the United States, where reviewers who have seen it have compared the military epic to "Titanic" and "Saving Private Ryan."
Miyo Hanayama (Etsuko Ichihara) works as a home care nurse, supporting the home care of patients who are close to death. Shigeaki Noguchi (Shigeru Kamiyama) complains that his wife has stopped talking to him since he collapsed once. Noriko Imaizumi (Hideko Yoshida) refuses to undergo surgery because her business has taken off and continues to recuperate at home. And 18-year-old Emi Akizuki (Juri Ueno) insists on visiting the town where she used to live. Everyone is trying their best to live their lives while keeping an eye on their imminent death, which may come at any moment. Meanwhile, Yuki (Mari Hoshino), a nurse like Miyo, discovers she is pregnant.
Half a Confession introduces itself as a thriller and abruptly changes gears, transforming into a tale of morality with deeper insights into its characters than we had anticipated. It begins when Soichiro Kaji (Terao), a retired detective, walks into police headquarters and confesses to the murder of his wife. We learn that the victim had prematurely developed Alzheimer's after the tragic death of their son, and in her suffering, had asked to die. The police chiefs would be far more content to take him at his word if it were not for a conspicuous hole in his story: 48-hour gap between the alleged murder and his confession. Fearing a public relations nightmare, they are eager to bury the incident and keep the press in the dark.
Based on a true story set in Matsumoto city, Nagano, during 1960s. A stray dog wanders into a high school's grounds. The dog, named Kuro, stays at the school and becomes a special friend to everyone.
As the film begins, Takao (Akira Terao) and Michiko (Kanako Higuchi) have already pulled up their Tokyo roots and moved to a village that is Takao's ancestral home. They visit a thatched cottage that serves as a memorial shrine (amidado) for the village dead and chat with the attendant, the spry 96-year-old Oume (Tanie Kitabayashi). Together they admire the view -- from an inspiring distance. Oume, it turns out, is a kind of sage, whose thoughts and observations are a popular feature in a column in a local newsletter. Her amanuensis is a mute, sweetly smiling young woman named Sayuri (Manami Konishi), who is as devoted to Oume as Oume is to the souls of her beloved dead.
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Dodes'ka-den" (1970).
Japanese film icon Ken Takakura, who has starred in over 100 films, stars in this elegiac look at war and remembrance. Hideji Yamaoka (Takakura) was a suicide pilot during the war who somehow survived Japan's surrender. After decades of working as a fisherman in Kumamoto, a provincial seaside city in southern Kyushu, Yamaoka remains reluctant to discuss his wartime experiences with anyone, much less an intrusive reporter looking for a feature story. Then a series of events shake Yamaoka to the core, forcing him to re-evaluate his past.
After his girlfriend commits suicide, a man (Shinya Tsukamoto) becomes embroiled in gang warfare attempting to obtain a gun in hopes to kill himself.
A group of travelers is stranded in a small country inn when the river floods during heavy rains. As the bad weather continues, tensions rise amongst the travelers trapped at the inn. Ihei Misawa is a ronin, a samurai without a master, whose skills with a sword make him a valuable employee but whose brutal honesty and lack of social graces prevent him from staying with one master for too long. One night, Ihei impulsively offers to buy food and drink for the guests at a hotel; he doesn't have the money to pay, and to raise cash he concocts a scheme to take on anyone brave enough to fight him for a prize. Ihei's fighting skills impress Lord Shigeaki, who offers him a position as fencing master in his court. Ihei gratefully accepts, but when Shigeaki challenges him to a fight, Ihei beats the Lord decisively. Ihea is certain that he's managed to throw another opportunity away when a band of mercenaries attacks him, and his skills as a swordsman are put to the ultimate test.
Fourteen-year old student Ayumi has leukemia and starts losing hair. She becomes depressed but receives overwhelming support from her classmates when they all shave their heads for her.
While working in the leisurely atmosphere at a food company's factory, Futaro is asked to return to their corporate headquarters by his good friend. Unfortunately, he finds himself assistant to Izumi, a highly demanding expert on Italian food culture. Futaro gets off to a rocky start with his new female boss, and always seems to be saying or doing the wrong thing. He also doesn't seem to be particularly suited to his new position on the Italian Restaurant Project, considering he doesn't even like tomatoes! But Futaro may still have a few tricks left up his sleeve that he can use to win over Izumi and find success in his new job.
Love Generation is a drama that aired on Fuji TV. It first aired in Japan from October 13, 1997 to December 22, 1997 every Monday. It enjoyed a very high rating of 30.8% and features music by Cagnet.
A story of friendship between two women, Yae and Kiyoko. Their friendship is tested when artist Yae, who suffers from fatal illness, develops special feelings towards her best friend Kiyoko’s boyfriend Kosuke.
The indolent son of an oil vendor becomes a regular customer of a prostitute, racks up a mountain of debt, and is disowned by his parents.
A headmaster and a novelist, looking for inspiration, regard a strange natural phenomenon before sharing stories of their own.
The final feature by Hiroshi Teshigahara. A direct sequel to his preceding film, Rikyu (1989).
An auto repairman's daughter questions him about what happened to her aunt during the war, but the father remains reticent. Finally the man opens up, and the girl is able to piece together her aunt's tragic story.
The story centers on an elderly hibakusha, who lost her husband in the 1945 atomic bombing of Nagasaki, caring for her four grandchildren over the summer. She learns of a long-lost brother, Suzujiro, living in Hawaii who wants her to visit him before he dies.
"Do Not Fall" - Set during Japan's Meiji period, three sisters are abused and exploited by their harsh father, including a daughter who plays the three-corded shamisen for pilgrims visiting the sacred chapel of Ise.
Masaki, a baseball player and gas-station attendant, gets into trouble with the local Yakuza and goes to Okinawa to get a gun to defend himself. There he meets Uehara, a tough gangster, who is in serious debt to the yakuza and planning revenge.
A Japanese boy in love with a girl of Korean origin must battle the prejudices of those around him in order to sustain the relationship.
Late in the 1500s, an aging tea master teaches the way of tea to a headstrong Shogun. Through force of will and courageous fighting, Hideyoshi becomes Japan's most powerful warlord, unifying the country. Rikyu, through the tea ceremony and floral arrangements, tempers his lord, helping Hideyoshi focus on a single flower or be in a simple room where the shape of a cup is of most importance. But other forces fuel Hideyoshi's ambitions: the Portuguese bring a globe and guns, and he believes he can conquer Korea and China. When Rikyu raises doubts about invading China, Hideyoshi demands an apology, and Rikyu himself must find courage in the way of tea.
The reincarnation of a 10th century Japanese general haunts 1920's Tokyo.
The 39th NHK Asadora drama is Hassai-sensei. A novice teacher in 1930s Osaka learns that there is more to education than mere instruction. Though her tenure is interrupted by first marriage and later World War II, she begins a quest for "ideal education" after the war.
The life and travels of adventurer Naomi Uemura, who disappeared in Alaska in 1984. A member of the first Japanese expedition to reach the summit of Mt Everest in 1970, Uemura also accomplished several "firsts". He was the first man to reach the North Pole solo, climb Denali solo, and float down the Amazon river solo. In the film, Uemura returns to Tokyo after a stint in Siorapaluk in Northern Greenland. In Tokyo, he reconnects with an old friend and, over coffee, shares his life story - from his days as a college dropout to his successful expedition to the top of Everest.
Takeshi Yasui, a junior high school student is found dead in a river. The police investigate it as a murder related to bullying. The dead boy turns out to have been murdered by two of his schoolmates, who he had been bullying.
In the 50s, the complicated life of a popular writer who must share his life with his family, his numerous mistresses and his work
With Ran, legendary director Akira Kurosawa reimagines Shakespeare's King Lear as a singular historical epic set in sixteenth-century Japan. Majestic in scope, the film is Kurosawa's late-life masterpiece, a profound examination of the folly of war and the crumbling of one family under the weight of betrayal, greed, and the insatiable thirst for power.
A boy transfers into a new high school in the big city. He gets bullied, but meets a pretty girl. He tries to win her heart, but rivals abound.
A female college student who aims to become a pianist meets a boy who raises a guide dog.
Based on an actual 1948 case involving the mysterious death of a government official. The president of the Japanese railroads is found dead during a period in which train service is plagued by numerous layoffs, strikes and shutdowns. The government says that the president was murdered; the police claim it was a suicide. A quizzical reporter follows the case for years, but the basic question remains unanswered: was the victim killed by members of the burgeoning Communist movement in Japan, or was the death stage-managed by the authorities in hopes of discrediting the Communists?
Set in Japan's Tenpyou era (729-749 CE), four young monks are sent to China to study Buddhism and bring a high priest back to Japan with them. The film tells the tale of the four monks' youth and the life and times of the high priest Ganjin.
Outside of a small village in Japan, a mysterious pond is inhabited by mythic creatures. Their story is of revenge, tragedy, and the power of real love. A classical tale which translates wonderfully to film.
A very beautiful Japanese woman is in love with Persian carpets. She is being chased by lecherous Saburi Shin and a handsome young photographer. Lecherous Saburi Shin knows what she wants, and is able to produce it for her.
Suicide has long been used as a form of social protest in Japan. In this film, set in 1703, samurai culture is being transformed by the emergence of a new merchant class. Elements of the social contract are beginning to unravel, and some unscrupulous people took undue advantage of these changes before the social order was re-created. In this story, a rich merchant gives his clerk an I.O.U. instead of wages. When the impoverished clerk presents the paper to the merchant at the agreed upon time asking for payment, the man flies into a rage and pretends he never wrote it and claims the clerk is trying to defraud him. Then he sets his henchmen on the clerk to administer a beating.
Taro Kuroki, 42, is a stuntman with a samurai's heart. He loves adventures, plays pranks with the police, tries to cure a cat lady by reversing her trauma, and finally, rescues his niece who is about to be lured into prostitution.
The heir to a family fortune discovers that a curse has been placed on it, put there centuries before by a band of samurai warriors. Adaptation of novel by Seishi Yokomizo
Set in the time of steam locomotives and covering a period of almost 30 years, this sensitive film tells the story of the wife of a railroad worker in the northern part of Japan. The ferocious local class restrictions work to keep her husband in his place, as does his lack of education.
This appears to be a labor of love. Its about a village which is given the opportunity to put on a musical. They would have to pay the overhead and, being that they are farmers and always busy and not rich, question the wisdom and feasibility of such an idea. A spokesperson for the acting troupe Ms. Kono lays out the whole thing and they must decide. You get little slices of rural life in Japan far, at least in sentiment, from Tokyo. The best thing about this film is that it has heart. The acting is good, but it is really about the simple storyline of outing on a show. Films rarely get made with such simplistic plots these days. Enjoy this little slice of what city people call “the simple life”.
Bakyo is a talented but unsuccessful rakugo artist. The very successful Rokyu wants to take Bakyo under his wings, but Bakyo refuses, claiming that Rokyu's rakugo is compromised by the elements of kabuki. But Bakyo changes his mind and determines to learn (or steal) Rokyu's craft and makes it his own.
This drama is adapted from a Japanese television mini-series. In the story, an industrialist learns of a medical condition which will greatly shorten his life. He is on a trip to Europe at the time, and a glimpse of a Japanese woman in that setting causes him to fantasize about her as the personification of his impending death. As his dialogue with his imagined mortality continues, he actually meets the living woman who is the template for his fantasy, and together they tour rural churches. Gradually he comes to some kind of peace about the diagnosis. When he returns to Japan, he is met with a series of challenges which profoundly test the lessons he has learned
Mainly the story of Shinsuke and his stepmother, ranging from Shinsuke's infanthood to his mid-teens. Coal workers and the mines dominate nearly every aspect of the life of the characters. Shinsuke's father dies while bravely using dynamite to rescue a group of trapped Korean miners. Several older men attempt to help he and his mother cope, including a kind Korean and a Harley-riding yakuza.
Akiyama is an intern, disgusted with the noise pollution caused by the bullet trains and the heart attacks that noise has been causing in older hospital patients, plots to disrupt and, in ten days, destroy a unit of the operation. He warns the Japan National Railway, that, if nothing is done to reduce the noise, he will derail a bullet train. Takigawa is the police detective sent to stop him.
Collection of short stories about women in various periods of Japanese history. Based on famous Japanese novels.
The plight of U.S. Army deserters from Vietnam on the run in Japan, centering on the culture clash between the troubled Americans and the Japanese who try to help him.
The struggle of a young man and boys who try to create the environment where they can speak their minds freely.
On a beautiful island in Seto Inner Sea, Seichi and Minko make their living by transporting rocks to construction sites by boat. They cherish the deepest affection for this piece of land they call home, and the simple life they lead. But rapid industrial growth makes it all but impossible to continue their chosen living style, and they are forced to leave their beloved hometown in search of a brighter future. But their hometown lingers on their hearts, and they dream of a time when they may once again return.
After going to prison for killing the boss of the Kanno gang, Seji Iwahashi (Tatsuya Nakadai) gets released early -- only to find that his former gang has merged with the Kannos. But with bitter resentments lingering on both sides, how long will it be before the bloodshed begins anew? Set in 1926 Japan, this serpentine crime thriller from director Hideo Gosha also stars Toshio Kurosawa and Isao Natsuyagi as Iwahashi's closest ally.
A film adaptation of the second play from "The Man Who Turned Into A Stick" by Kōbō Abe himself.
After an encounter with a dying yakuza's son and at his sister Sakura's urging, Torajiro attempts to change his vagrant lifestyle and become an honest worker with a steady job.
By turns tragic and transcendent, Akira Kurosawa’s film follows the daily lives of a group of people barely scraping by in a slum on the outskirts of Tokyo. Yet as desperate as their circumstances are, each of them—the homeless father and son envisioning their dream house; the young woman abused by her uncle; the boy who imagines himself a trolley conductor—finds reasons to carry on. The unforgettable Dodes’ka-den was made at a tumultuous moment in Kurosawa’s life. And all of his hopes, fears, and artistic passion are on fervent display in this, his gloriously shot first color film.
The story is set in 1970 during the time of the first EXPO in Japan. The film’s main figure is a miner who suddenly becomes unemployed because the mine he worked in was shut down. He decides to resettle with his whole family to Hokkaido in northern Japan and start a new life as a farmer.
"Young People" is a story about the lives of four brothers and a sister, Sato. After the death of his parents, the older brother, Taro, who works in construction, decides to replace them. The second brother, Jiro, is a truck driver. The third, Saburo, is a student, dreams of a better future for the whole family are connected with him, with his career. Brothers and sisters are fighting to give him a higher education. And, finally, the youngest of the brothers, Suekichi, is also going to enter the university after graduation. The life of the Sato family is complicated. Taro is kind, but limited, not always able to find a common language with his brothers and sister Orie. The girl cannot stand the despotism of her brother, leaves her home and goes to work at the factory. With her departure, everything in the house goes upside down. Suekichi fails her university entrance exams, Orie is forced to return to her family.
A businessman with a disfigured face obtains a lifelike mask from his doctor, but the mask starts altering his personality.
Before leaving prison, Oida uncomfortably enters into an agreement with his cell mate: in exchange for a half-share of 30,000,000 yen, he is to assassinate three strangers given to him on a list. However, upon meeting his first potential victim, Oida has second thoughts. Yet, even as he tries to back out, the body count starts climbing. Oida must now try to alert the people on his list of their impending danger, and find out why they are being targeted in the first place.
Our hero Zatoichi sails to one of the distant islands to begin a pilgrimage to a total of 88 Shinto shrines.
Suspense film based on Ryuji Hori's non-fiction book about the kidnapping and murder of 4-year-old Yoshinobu Murakoshi in 1963.
When her only relative, her elder brother is accused of robbing and murdering an old woman loan-shark, pretty, young Kiriko travels from her home in Kyushu to Tokyo to get Japan's top lawyer to defend her brother. Unfortunately her naive idealism is shattered when the lawyer refuses to take the case based on her insufficient funds. What follows is a long determined revenge plot that sees the heroine become a Tokyo bar hostess and worse to punish the lawyer. The plot thickens with another murder mystery and a sleuthing reporter.
Shiba, a wandering ronin, encounters a band of peasants who have kidnapped the daughter of their dictatorial magistrate, in hopes of coercing from him a reduction in taxes. Shiba takes up their fight, joined by two renegades from the magistrate's guard, Sakura and Kikyo. The three outlaws find themselves in a battle to the death.
This time, the investigation division is investigating the case of a man who confessed to killing a woman in a labyrinth 2 years ago, adhering to the constitutional provision that "confessing a suspect is not a crime." The 20nd work from the popular series "Keishicho Monogatari", which documents the activities of the First Investigation Division of the Capital Police Department.
An early Okamoto yakuza film, though it's not in the Underworld series (along with The Last Gunfight and The Big Boss) despite being alternatively known as "Death of the Boss." While Okamoto did not write this film and took on the project because he was assigned and "just doing [his] job" according to an interview with Chris Desjardins in Outlaw Masters of Japanese Film, he did express a general excitement about working in action cinema (which shows through in this film's energy.) I have no plot to share, unfortunately, so I'll just add a few more screencaps than usual to make up for it.
As a conscript in war-time Japan's military, a pacifist struggles to maintain his determination to keep his ideals.
The actor Koheiji is terribly in love with the wife of his best friend, the playwright Takuro; to get her, he would even kill Takuro.
Junai Monogatari AKA Story of Pure Love is about two poor youths, Mitsuko and Kando, rebelling against society in various ways, who are desperately trying to be together despite tortuous circumstances. The film depicts their lives as thieves, menial laborers who can get little pay, society outcasts, and of course, lovers. Junai Monogatari depicts, mostly, their struggles within the Japanese reformatory system and Mitsuko's worsening sickness.
