Casts & Crew
Also Directed by Pierre Hébert
Cycling Utrecht is number seven in the «Places and Monuments» series. As with all the other opus of this series, the live action images have been submitted to a process of digital processing in order to give them a greater temporal and spatial density and animation inserts were added to create points of intensity that tell you were to look. In this case, the inseted images of Tour de France are disputing the monumental pole with images of statue that are along the route of the race, and are put in tension with the normal day to day use of the bike that is a very important characteristic of this city.
A meditation on the passing of time, on a film that was never completed, upon Bazin’s death, on restoration and the future of ruins and on modern-day life that continues in resonance with the old stones.
An intense exercise of looking at a rockface shot near the waterfalls of Rivière au tonnerre, on the North Shore of the St-Lawrence river. A meditation about opacity, about the fissures that can open up anything, any situation on the infinity of meaning. It is the ontological moment, the moment of pure seeing, amongst the episodes of the Places and Monuments series that is a project of exploration of the fissures that crack any banal scene of daily life, any anonymous crowd, any forgotten monument, and that let seek through, until it explodes, the invisible constellations of history.
Scratched directly onto 35mm film stock, this abstract film is a visual interpretation of a piece for solo violin based on a Bosnian popular song from Bosnia-Herzegovina. The composer, Malcolm Goldstein, describes it as a gesture of hope for peace in that land ravaged by war during the 1990s.
In this animation film without words, filmmaker Pierre Hébert and musicians Robert Lepage and René Lussier worked together, and separately, in their respective media. This cinema/music performance recreates, impressionistically, the dehumanizing environment of the urban subway. Drawings etch the outlines of people hurtling through space in underground tunnels. The sound track, elemental and atonal, gives compelling expression to their alienation.
In a world where work rhymes with identity and productivity, we meet a man in his fifties who has not worked for several years. A question is asked: what happened at the time for him to quit his job?
This is a poetic and animated meditation inspired by two trips the director made to Japan. Images and sounds from daily life as well as recordings of his performances, most notably one with the dancer-choreographer Teita Iwabushi. There is no story as such, but a formal construction with sound and images. What can be seen in Japan when Mount Fuji is invisible, lost in the clouds?
