Love on the Run
Beginning with "The 400 Blows," director Francois Truffaut made a series of films about the impetuous Antoine Doinel, in which this is the last. Antoine is now 30, working as a proofreader and getting divorced from his his wife. It being the first "no-fault" divorce in France, a media circus erupts, dredging up Antoine's past. Indecisive about his new love with a store clerk, he impulsively takes off with an old flame.
François Truffaut
Casts & Crew
Jean-Pierre Léaud
Marie-France Pisier
Claude Jade
Dani
Dorothée
Daniel Mesguich
Julien Bertheau
Marie Henriau
Julien Dubois
Jean-Pierre Ducos
Rosy Varte
Pierre Dios
Alain Ollivier
Monique Dury
Emmanuel Clot
Christian Lentretien
Roland Thénot
Alexandre Janssen
Chantal Zaugg
Richard Berry
André Dussollier
Richard Kanayan
Anne Kreis
Also Directed by François Truffaut
Madame Jouve, the narrator, tells the tragedy of Bernard and Mathilde. Bernard was living happily with his wife Arlette and his son Thomas. One day, a couple, Philippe and Mathilde Bauchard, moves into the next house. This is the accidental reunion of Bernard and Mathilde, who had a passionate love affair years ago. The relationship revives... A somber study of human feelings.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Adèle Hugo, daughter of renowned French writer Victor Hugo, falls in love with British soldier Albert Pinson while living in exile off the coast of England. Though he spurns her affections, she follows him to Nova Scotia and takes on the alias of Adèle Lewly. Albert continues to reject her, but she remains obsessive in her quest to win him over.
In the future, the government maintains control of public opinion by outlawing literature and maintaining a group of enforcers, known as “firemen,” to perform the necessary book burnings. Fireman Montag begins to question the morality of his vocation…
Various experiences of childhood are seen in several sequences that take place in the small town of Thiers, France. Vignettes include a boy's awakening interest in girls, couples double-dating at the movies, brothers giving their friend a haircut, a boy dealing with an abusive home life, a baby and a cat sitting by an open window, a child telling a dirty joke, and a boy who develops a crush on his friend's mother.
A timid and clumsy young man is looking for a room through newspaper ads. A young lady answers his phone call. When he arrives to the apartment with his suitcase, he finds the young lady in the company of a baby girl entrusted to her by her brother. Soon, another young man arrives wearing trendy sunglasses and with a bold behavior which contrasts with the shy demeanor of the first one. They each try to entice the young lady. One maneuver tried by the bold guy is the cigarette/steam locomotive trick later to be seen in Jules et Jim. The shy young man tries his luck again, but finally they both give up. Together they leave the apartment and the young lady who is shown both relieved and disappointed. This short film was disowned by Truffaut, but it can be considered a prelude to the "love trio" theme found in several later films by Truffaut. (IMDB)
Based on the Henry James short story "The Altar of the Dead", in which a man becomes obsessed with the many dead people in his life and builds a memorial to honor them. This film is also based on other short story by Henry James, "The Beast of the Jungle". It would be the last film Truffaut would act in.
Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.
For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.
Charlie is a former classical pianist who has changed his name and now plays jazz in a grimy Paris bar. When Charlie's brothers, Richard and Chico, surface and ask for Charlie's help while on the run from gangsters they have scammed, he aids their escape. Soon Charlie and Lena, a waitress at the same bar, face trouble when the gangsters arrive, looking for his brothers.