Jean-Pierre Léaud
A meditation on the French new wave film movement, MA BITE SENT LE FROMAGE ET LE POISSON stylistically pays homage to the icons of the movement, including its head figure, Jean Luc Godard, and Jean Pierre Leaud, one of the most popular actors of the movement.
Writer, journalist, explorer, filmmaker, communist militant, freedom fighter. Truths and lies. A plot twist. Politician. General De Gaulle's shadow. Overwhelmed by the weight of power. The numerous exploits of André Malraux (1901-1976).
A scientist finds the secret that predispose to the formation of the ideal couple. With this new alchemy, he achieves a pioneering experience: the creation of a perfect androgynous.
An aging movie actor who is preparing to shoot a death scene finds himself visited by the spirit of a dead, long-ago lover.
August 1715. After going for a walk, Louis XIV feels a pain in his leg. The next days, the king keeps fulfilling his duties and obligations, but his sleep is troubled and he has a serious fever. He barely eats and weakens increasingly. This is the start of the slow agony of the greatest king of France, surrounded by his relatives and doctors.
This portrait of the world-famous French director based on his personal correspondance reveals the little known insurgent side of his personnality. Featuring interviews with close collaborators, friends and family, this definitive documentary tells his intimate story, from the streets of Paris to the filmmaking accolades and high profile marriages at the height of his career.
Camille was only sixteen and still in high school when she fell in love with Eric, another student. They later married and a child and were happy for a while. But now twenty-five years have passed and Eric leaves her for a younger woman. Bitter and desperate Camille drinks so much liquor at a New Year Eve's party that she falls into an ethylic coma and she finds herself... propelled into her own past! Camille is sixteen again when she wakes up this morning, her parents are not dead anymore and she must go to school, where she will meet her schoolmates and, of course, Eric. Is she going to fall for him again and... be miserable twenty-five years later? Or will she avoid him with the result never having her beloved daughter? Who ever said that time traveling was fun?
Marcel Marx, a former bohemian and struggling author, has given up his literary ambitions and relocated to the port city Le Havre. He leads a simple life based around his wife Arletty, his favourite bar and his not too profitable profession as a shoeshiner. As Arletty suddenly becomes seriously ill, Marcel's path crosses with an underage illegal immigrant from Africa, who needs Marcel's help to hide from the police.
For months a strange phrase has been found scrawled on Paris sidewalks next to chalk circles containing odd objects. Policeman Adamsberg gets involved when a dead woman is found in one of the circles.
The title of the François Lunel film is the Buddhist proverb concluding by: "all is but illusion". His movie draws the Tsai Ming-Liang's face during the shooting of his movie Visage, which itself is also a movie within a movie.
January 1966. In a Paris apartment, police discovered the corpse of Georges Figon, the man who broke the scandal of the Ben Barka affair and undermined Gaullist power. A year earlier, Figon, tired of dubious deals and petty scams, is looking for a juicy blow. Close to the "middle" since his years in prison, he was given a large mission: to produce a documentary about decolonization, written by Marguerite Duras and directed by Georges Franju, with the help of the famous Moroccan opponent Mehdi Ben Barka, hired as a historical consultant. This film project is a trap ...
Set in the summer of 1942 during WWII, the film traces the trajectory of simple people thrown into extraordinary lives, revealing the heart-warming flame of hope and humanity that endures, even in times of war and dispair. As young Julien, his family and a group of friends traverse the French countryside after fleeing the institution they called home, Julien must deal with his father's extreme violence and his mother's rosy fantasies and once again form a family that society tries to forget.
The making of The Dreamers, its background and relation to the May 1968 student riots in Paris.
A young American studying in Paris in 1968 strikes up a friendship with a French brother and sister.
Jacques Laurent made pornographic films in the 1970s and 80's, but had put that aside for 20 years. His artistic ideas, born of the '60s counter-culture, had elevated the entire genre. Older and paunchier, he is now directing a porno again. Jacques's artistry clashes with his financially-troubled producer's ideas about shooting hard-core sex. Jacques has been estranged from his son Joseph for years, since the son first learned the nature of the family business. They are now speaking again. Joseph and his friends want to recapture the idealism of 1968 with a protest. Separated from his wife, Jacques strives for personal renewal with plans to build a new house by himself...
Documentary about the work of Nouvelle Vague actor Jean-Pierre Léaud, with interview clips, film clips and contributions from directors and actors he has worked with.
When a young street vendor with a grim home life meets a woman on her way to Paris, they forge an instant connection. He changes all the clocks in Taipei to French time.
François Marcorelle, an investigation magistrate in Chambéry, finds himself in the room of a young Polish girl that he met in a restaurant
Nicolas, a handsome, young waiter, is befriended by Frédéric Delamont, a wealthy middle-aged businessman. Delamont, a man of power, influence and strictly refined tastes, is immediately smitten by Nicolas' charm. Lonely and phobic, Delamont offers Nicolas a lucrative job as his personal food taster. In spite of their differences, a close friendship begins to emerge between the two men. However, their bond of trust and admiration soon spirals downward into a dangerous game of deceit and obsession for which neither is prepared.
A French-Greek co-production, filmed in Paris, in which the forty-year-old Maxim is released from prison after five years in prison. As he tries to adjust to life on the outside, he accidentally meets a Parisian taxi-driver who commits suicide right before his eyes. Without a pause he takes the dead cabbie's place behind the wheel and starts making the rounds of the city, transporting passengers (Jean-Pierre Léaud plays the role of a client who recites Cavafy throughout the entire ride). He feels the air of freedom, a lord of Paris and master of himself, up to the moment that he meets young Anies, and his life falls into new paths. In the end, he takes off, destination unknown.
Ángel Díaz’s documentary The Lost Sorrows of Jean Eustache, concentrates on Eustache as cinematic thinker and archivist of his own life. Actors read texts written by Eustache, including the following reflection: “The role of the author in cinema should be one of non-intervention.” This sentence reminds us that he belongs to the greatest of film traditions (he cites Griffith, Renoir, Dreyer, and Lang as his models), the one that sees cinema as a matter of placing the camera in front of reality and capturing it ardently, precisely, and without tricks.
Michel and Juliette have just broken up over Michel's affair with the much younger Romance. Alice and Nicolas are still together, but maybe this is because Nicolas does not know of Alice's affair with handsome sports photographer Gaspard. This sly sex comedy, the sophomore effort of Belgian filmmaker Lucas Belvaux, follows the covert sexual misadventures of the troubled foursome.
In Lyon, where many are unemployed, Marie is a prostitute who loves her work: she's thoughtful and exuberant toward clients old and young, slim or flabby. One night, a homeless man sleeps in the foyer of her apartment house; she gives him a hot meal, then a place on the floor to sleep by her radiator, then she offers herself. She falls in love, giving him new life, clothes, a place to live. When he grouses that he must bar hop while she uses the flat for her work, she finds them a larger flat. He grows restless, seducing a manicurist and pressing her to prostitution. He's arrested for procuring, so Marie must decide what to do; he, too, must face the consequences of his choices.
A few stories are mixed, but all starts with Claire who one day brings back to Gregoire one of his books found at the university. Gregoire is the tenebrous romantic king, and Claire falls in love with him. But there is also Gregoire's circle, his disturbing neighbour, his maybe crazy grandmother Diane, his former teacher Hugo. And this is mixed up with Sebastien's attempts to seduce Claire then her mother Anne. And also Claire's psychiatrist.
Several lives intersect when a middle-aged woman is left by her husband, and she decides to trek him down with the help of her equally troubled sister.
Jim is a small child who lives in an inn run by his parents. The arrival of a strange captain to the Island they live will trouble his existence and tip him into an universe of adventures.
The unhappy love lives of Paul and Marcus, two artists and friends who are neither particularly young or successful anymore.
Documentary overview of the life of French filmmaker François Truffaut.
Three penniless artists become friends in modern-day Paris: Rodolfo, an Albanian painter with no visa, Marcel, a playwright and magazine editor with no publisher, and Schaunard, a post-modernist composer of execrable noise.
Adrien is 19 years old. He has not met his father, Clément for 4 years. Adrien returns home and the two try to better understand each other. Clément lives together with Louis, a twenty-something girl who wants to be an actress. The boy starts a flirt with Louise which pushes the father-son relationship back to a crisis...
After fifteen years' service, Henri Boulanger is made redundant from his job. Shocked, he attempts suicide, but can't go through with it, so he hires a contract killer in a seedy bar to murder him at some unspecified time in the future. But almost immediately he meets and falls in love with Margaret, a flower-seller, which makes Henri realise that his life has some meaning after all. But when he goes back to the bar to cancel the contract, he finds it has been demolished - and there's no way he can get in touch with the killer...
In an imaginary dictature of a futuristic world, rebellion has broken out. The men in power scramble to the Bunker Palace Hotel, a bunker built long ago for just this kind of contingency. But a rebel spy sneaks in, and although her nature is very quickly suspected, she is left to observe the raving of the decadent power class, who keeps wondering what happened to their leader, who has failed to show up.
Philippe Garrel’s documentary on France’s second wave of masterful filmmakers. Featuring Jean Eustache, Chantal Akerman, André Téchiné, Leos Carax, Jacques Doillon and Benoit Jacquot.
The interests, obsessions, and fantasies of two singular artists converge in this inspired collaboration between Agnès Varda and her longtime friend the actor Jane Birkin. Made over the course of a year and motivated by Birkin’s fortieth birthday—a milestone she admits to some anxiety over—Jane B. by Agnès V. contrasts the private, reflective Birkin with Birkin the icon.
Lili, a pouty and voluptuous 14-year-old, is caravan camping with her family in Biarritz. She's self-aware and holds her own in a café conversation with a concert pianist she meets, but she has a wild streak and she's testing her powers over men, finding that she doesn't always control her moods or actions, and she's impatient with being a virgin. She sets off with her brother to a disco, latching onto an aging playboy who is himself hot and cold to her. She is ambivalent about losing her virginity that night, willing the next, and determined by the third. The playboy's mix of depression and misogyny ends their unconsummated affair, so Lili has to hunt elsewhere.
Mireille Molyneux, police inspector, tracks down pimps. With the complicity of Yasmina, a prostitute, she arrested Charlie, her pimp. To take revenge on Mireille, Jean-Pierre, another pimp, accuses him of corruption. It was then the subject of an investigation by two IGS inspectors: Blondel and Lacroix. Soon after, Charlie was released for lack of evidence. To keep Yasmina, he kidnaps his son and threatens to kill him.
After a feminist is found murdered in her own home, a police detective investigates the crime with the help of several determined women.
An absurdly brutal and minimalist examination of the desperate search for financial backing by two small-time filmmakers, 'Rise and Fall' is knowingly self-referential, sad, and appropriately enough, a film shot on a miniscule budget in 16mm. Based on a novel by James Hadley Chase, with script by Jean-Luc Godard.
A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.
Emile Chenal and his wife, Françoise, leaned on boxing manager Jim Fox Warner to cough up the considerable sum of money that he owes them, with both the police and the mob circling the situation. In the same hotel, Inspector Neveu looks into a murder that took place years before, and his storyline overlaps with the arc of the Chenals.
Telefilm directed by Pierre Kast broadcast in 1985, based on the eponymous novel by Boris Vian.
Péter tries to make a film on "Swan-Lake". At the weekend, shooting stops and the staff goes home. Péter leaves for home with his wife, Judit, but as he catches sight of a girl at the station, he cannot resist the temptation and gets off the train.
In 1943, during the war, Francesca, widowed, moves with her three daughters to her country house, to get away from the bombing of Bologna. In the villa she finds her childhood friends and her old love Guido, who has not forgotten her. Francesca has a passion for everything that comes from America, like music and cinema. She even tells her daughters that her husband who died in the war would actually leave for the USA, where he would live.
Beginning with "The 400 Blows," director Francois Truffaut made a series of films about the impetuous Antoine Doinel, in which this is the last. Antoine is now 30, working as a proofreader and getting divorced from his his wife. It being the first "no-fault" divorce in France, a media circus erupts, dredging up Antoine's past. Indecisive about his new love with a store clerk, he impulsively takes off with an old flame.
In a deliberately erratic and disjointed fashion, this film follows the adventures of Bernard (Jean-Pierre Leaud). A young man from the provinces, he makes his pilgrimage to Paris and seeks adventure while living on a barge.
Aimless young Alexandre juggles his relationships with his girlfriend, Marie, and a casual lover named Veronika. Marie becomes increasingly jealous of Alexandre's fling with Veronika and as the trio continues their unsustainable affair, the emotional stakes get higher, leading to conflict and unhappiness.
A committed film director struggles to complete his movie while coping with a myriad of crises, personal and professional, among the cast and crew.
A young Parisian woman begins a sordid affair with a middle-aged American businessman who lays out ground rules that their clandestine relationship will be based only on sex.
Out 1: Spectre begins as nothing more than scenes from Parisian life; only as time goes by do we realize that there is a plot—perhaps playful, perhaps sinister—that implicates not just the thirteen characters, but maybe everyone, everywhere. Real life may be nothing but an enormous yarn someone somewhere is spinning...
At the beginning of the 20th century, Claude Roc, a young middle-class Frenchman meets in Paris Ann Brown, a young Englishwoman. They become friends and Ann invites him to spend holidays at the house where she lives with her mother and her sister Muriel, for whom she intends Claude. During these holidays, Claude, Ann and Muriel become very close and he gradually falls in love with Muriel. But both families lay down a one-year-long separation without any contact before agreeing to the marriage. So Claude goes back to Paris when he has many love affairs before sending Muriel a break-off letter...
The intense and twisted relationship between a man and a woman in a bizarre wilderness, as a seductress accompanies a gunslinger fleeing from a posse.
Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.
In 1798, a feral boy is discovered outside the town of Aveyron, France. Diagnosed as mentally impaired, he is relegated to an asylum. A young doctor named Jean Itard becomes convinced that the boy has normal mental capacity, but that his development was hindered by lack of contact with society. He brings the boy home and begins an arduous attempt at education over several years.
An allegory about Brazil's history and the struggle for power since the 1930 Revolution until the advent of the TV.
Invoking Africa’s brutally violent and complex colonial histories in the film’s polyglot, hydra-headed title, Glauber Rocha transposes his radical allegory of oppression from the Brazilian backlands of his Cinema Novo classic Antonio das Mortes (1968) to the Congolese savanna. A white-robed preacher wanders and sermonizes across African lands; European communists and CIA spies conspire out of mutual self interest to engineer the appointment of an African bourgeois to a puppet government presidency; and a revolutionary group marches in exile.
Two dramatic stories. In an undetermined past, a young cannibal (who killed his own father) is condemned to be torn to pieces by some wild beasts. In the second story, Julian, the young son of a post-war German industrialist, is on the way to lie down with his farm's pigs, because he doesn't like human relationships.
Night after night, not long before dawn, two young adults, Patricia and Emile, meet on a sound stage to discuss learning, discourse, and the path to revolution. Scenes of Paris's student revolt, the Vietnam War, and other events of the late 1960s, along with posters, photographs, and cartoons, are backdrops to their words. Words themselves are often Patricia and Emile's subject, as are images, sounds, and juxtapositions.
Paul (Jean-Pierre Leaud) leaves his wealthy parents behind to go on a spiritual quest. He meets up with Yvan (Jean-Pierre Kalfon), leader of a vegetarian cult whose members survive by begging for food in uncomfortable robes. The religious fanatics draw the ire of local peasants when they are arrested for stealing eggs. Yvan butchers a goat and has a carnivore carnival orgy on the meat. Marianne (Bernadette Lafont) is one of the followers, and she and Paul go to a remote island to live off seaweed and vegetation, but a development company moves in to wreck the paradise. Paul is brokenhearted when Mariane goes off with one of the greedy developers in this symbolic film that decries the allure of the material world.
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
"Using the same, three times repeating dialogue – dramatic conversation between man and woman – Jerzy Skolimowski from Poland, Slovak director Peter Solan and Czech director Zbynìk Brynych shot three different stories. The result was an extraordinary experiment in the world cinema, which we can call an insight in the relationships of men and women of different age groups, an analysis of love and marriage of those who are at the beginning, in the middle or going towards the end of their life."
La Concentration features an androgynous young man (Jean-Pierre Léaud) and woman (Zouzou), dressed only in their underwear, locked in a room with a bed.
A collection of sketches on prostitution through the ages. 1) "The Prehistoric Era": A caveman discovers that a cavewoman is more attractive when cave paint is applied to her face. And she can earn more seashells that way. 2) "Roman Nights": The Emperor goes out seeking a little nocturnal amusement, only to find that the high-priced, Oriental courtesan he hires is his wife, the Empress. 3) "Mademoiselle Mimi": In revolutionary France, Mimi finds that her client, the nephew of a marquis, is more interested in watching the guillotinings out her window than he is in going to bed. 4) "The Gay Nineties": When Nini discovers by accident that her antiquated customer is a banker, she pretends to be an honest woman who has fallen in love with him. She even pays him, just like a gigolo! 5) "Paris Today": Two girls pick up clients by driving around in a car...
A fast-paced comedy about a young Belgian car nut and hairdresser's apprentice, his girlfriend, and their legal and illegal attempts to get a Porsche under him for his nearing debut race.
A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.
Demetrius has just arrived on Earth from another galaxy. But the girl brought to him by the commissar, Hostess 703, is not a "physical love" girl; she's a "sentimental love" one, who only knows how to excite men with language
Paula Nelson (Anna Karina), a female version of Humphrey Bogart's hard boiled detectives, goes to Atlantic City to meet her lover, Richard Politzer, at an unknown point in the future (maybe 1969). Once there, she learns that Richard is dead and decides to investigate his death. In her hotel room, she meets Typhus, whom she ends up knocking out. His corpse is later found in the apartment of David Goodis (Yves Afonso), a writer. Paula is arrested and interrogated. From then on, she encounters many gangsters.
Daniel needs some money to buy a duffle coat that is in fashion, so he agrees to work for a photographer by dressing up as Santa Claus. He discovers that it is much easier to meet girls when he is in his costume.
With Masculin féminin, ruthless stylist and iconoclast Jean-Luc Godard introduces the world to "the children of Marx and Coca-Cola," through a gang of restless youths engaged in hopeless love affairs with music, revolution, and each other. French new wave icon Jean-Pierre Leaud stars as Paul, an idealistic would-be intellectual struggling to forge a relationship with the adorable pop star Madeleine. Through their tempestuous affair, Godard fashions a candid and wildly funny free-form examination of youth culture in throbbing 1960s Paris, mixing satire and tragedy as only Godard can.
Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.
An American private-eye, arrives in Alphaville, a futuristic city on another planet which is ruled by an evil scientist named Von Braun, who has outlawed love and self-expression.
During her holiday in Brest, a young Parisian falls in love with a sailor. But autumn comes and the two lovers have to part. They write to each other. Will their love resist at a distance, each living his life, him in Brest with his friends, she in Paris who keeps waiting for him? An impossible love story and the cross-portrait of two cities, Paris and Brest, between the realism of the color images and the poetry infused by the sepia black and white images, lives to the rhythm of the nostalgia of the two lovers...
A superficial woman has conflict between choosing her abusive husband and her vain lover.
Pierre Lachenay is a well-known publisher and lecturer, married with Franca and father of Sabine, around 10. He meets an air hostess, Nicole. They start a love affair, which Pierre is hiding, but he cannot stand staying away from her.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.
Boulevard focuses on Georges 'Jojo' Castagnier, an adolescent who lives in a poor room under the roof of a block of apartments in the Pigalle section of Paris. He ran away from home when he realized that his step-mother hated him from day-one. Among Jojo's many neighbors is the gorgeous Jenny Dorr , a nightclub dancer, whose lover he dreams of being. But, to Jojo's disappointment, Jenny becomes the lover of Dicky, a former boxer, who spends his time loafing about the Pigalle cafés. Jojo lacks for steady work, but manages to meet his financial obligations with a series of odd jobs. He tries selling magazines, which is a success for a while, though posing as Narcissus for two gay artists proves to be something of a disaster. Eventually, he woos Marietta, one of his other neighbors and a girl more suited to his age. But when things go really awry, Jojo becomes desperate and tries to commit suicide by jumping off the roof of his building
Outside time and reality, the experiences of a poet. The judgement of the young poet by Heurtebise and the Princess, the Gypsies, the palace of Pallas Athena, the spear of the Goddess which pierces the poet's heart, the temptation of the Sphinx, the flight of Oedipus and the final Assumption. This film is the third part of Cocteau's Orphic Trilogy, which consists of The Blood of a Poet (1930), Orpheus (1950) and Testament of Orpheus (1960).
For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.
Henri La Tour, a strolling player, is also a daring adventurer. So, when, after accomplishing a brilliant feat, he is awarded a title by King Louis XV, the Duke of Saint-Sever takes offense at it and challenges Henri to a duel. However, while they fight, a group of Austrian soldiers appear suddenly and the two rivals instantly unite to repel their enemies. Unfortunately, Saint-Sever is mortally wounded and, feeling he is about to die, he entreats his new friend to offer protection to Toinon, his natural daughter, whose life is being threatened...
Jean-Pierre Léaud wanders among the graves of Montparnasse Cemetery in search of several ghosts of the cinema...
