Meine Frau Inge und meine Frau Schmidt

He could have had women, he could have climbed the ladder of his accountancy career, and he could have stood on the podium next to the highest in the land. If only he had wanted to! But Farssmann, shaken by divorce and unwilling to better himself, wants to remain what he is: an ordinary bookkeeper like you and me. And so the dollar deal with Mr. Osbar from Utah (USA) is not the first time he comes into conflict with the very palpable unreality of a country called the German Democratic Republic.

Accompanying a GDR fashion team, journalist Thomas takes a plane to an haute couture festival in an exclusive Mediterranean seaside resort. A French Padre, who could be mistaken for Thomas's twin brother, is a fellow passenger. Precisely for this reason, the journalist is plunged into the most extraordinary and very precarious situations.

A story about two young lovers in an East German coal mining town.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite. In contrast with other television crime series, in which killings are practically the primary focus, while Tatort handled homicide cases, the cases handled in the GDR TV's Polizeiruf were more often the more frequent, and less serious, crimes such as domestic violence, extortion, fraud, theft and juvenile delinquency, as well as alcoholism, child abuse and rape. Contrary to Tatort, which concentrated on the primary characters and their private lives, police procedure was the center of attention of Polizeiruf, especially in the earlier episodes. The scriptwriters attached particular importance to representation of the criminal and his state of mind, as well as the context of the crime. Many episodes aimed to teach and enlighten the audience about what does and what doesn't constitute appropriate behaviour and appropriate thought, rather than just to entertain. Polizeiruf was one of the few broadcasts by GDR media in which the real problems and difficulties of the supposedly more advanced socialist society could be displayed and discussed to some extent, albeit in a fictionalized and pedagogicalized environment.

Mechanic Hannes Blaschke and his wife Maxi, who works as a bus driver, have just become happy parents of twins. Now they have a serious transportation problem: Their Trabant is far too small for the grown family that furthermore includes two sons and a dog. Thanks to the support of a state secretary and of his brigade, Hannes acquires a Tschaika – a limousine that is normally restricted to representational purposes – for a small price. Whereas Maxi views the state carriage only as a useful means of transportation, Hannes enjoys the unusual pre-emption he is receiving for the spectacular car. Hannes, who normally is just a humble guy, starts to grate his colleagues with his new affectations. Thus, they teach him an effective lesson: They decorate the state carriage with flowers and thus bring Hannes back down to earth in a humorous way.

Günter and Gudrun Piesold are very busy with their careers as a TV comedian and an actress, so Grandma takes care of household chores and childcare. But when Grandma remarries, the Piesolds are faced with chaos at home and a burning question: Who will take care of the household?