Mit mir nicht, Madam!

He could have had women, he could have climbed the ladder of his accountancy career, and he could have stood on the podium next to the highest in the land. If only he had wanted to! But Farssmann, shaken by divorce and unwilling to better himself, wants to remain what he is: an ordinary bookkeeper like you and me. And so the dollar deal with Mr. Osbar from Utah (USA) is not the first time he comes into conflict with the very palpable unreality of a country called the German Democratic Republic.

A story about two young lovers in an East German coal mining town.

Film by Roland Oehme.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite. In contrast with other television crime series, in which killings are practically the primary focus, while Tatort handled homicide cases, the cases handled in the GDR TV's Polizeiruf were more often the more frequent, and less serious, crimes such as domestic violence, extortion, fraud, theft and juvenile delinquency, as well as alcoholism, child abuse and rape. Contrary to Tatort, which concentrated on the primary characters and their private lives, police procedure was the center of attention of Polizeiruf, especially in the earlier episodes. The scriptwriters attached particular importance to representation of the criminal and his state of mind, as well as the context of the crime. Many episodes aimed to teach and enlighten the audience about what does and what doesn't constitute appropriate behaviour and appropriate thought, rather than just to entertain. Polizeiruf was one of the few broadcasts by GDR media in which the real problems and difficulties of the supposedly more advanced socialist society could be displayed and discussed to some extent, albeit in a fictionalized and pedagogicalized environment.

Mechanic Hannes Blaschke and his wife Maxi, who works as a bus driver, have just become happy parents of twins. Now they have a serious transportation problem: Their Trabant is far too small for the grown family that furthermore includes two sons and a dog. Thanks to the support of a state secretary and of his brigade, Hannes acquires a Tschaika – a limousine that is normally restricted to representational purposes – for a small price. Whereas Maxi views the state carriage only as a useful means of transportation, Hannes enjoys the unusual pre-emption he is receiving for the spectacular car. Hannes, who normally is just a humble guy, starts to grate his colleagues with his new affectations. Thus, they teach him an effective lesson: They decorate the state carriage with flowers and thus bring Hannes back down to earth in a humorous way.

Günter and Gudrun Piesold are very busy with their careers as a TV comedian and an actress, so Grandma takes care of household chores and childcare. But when Grandma remarries, the Piesolds are faced with chaos at home and a burning question: Who will take care of the household?

Inge Herold is in her mid-thirties. She is divorced and lives with her 15-year-old son. She works as a psychologist and social worker and is involved with a married man. Suddenly, Inge finds out she may have breast cancer, which would mean an operation the very next day. The 24 hours before the planned surgery puts her under enormous psychological pressure and she begins to reevaluate her life. With heightened awareness of matters of everyday life, she realizes that what she previously considered meaningful, was actually void of any real meaning.

The story of a young, idealistic doctor and his on-the-job training as a rookie surgeon. Dr. Heiner Sommer moves to a small town in the GDR where he will complete his training under the senior physician, also named Dr. Sommer.

The former athlete Barbara follows her husband to the province and attempts to masters her new life, even after her separation from him.

For five years Rogelio, a Chilean exile, has been in the GDR, where he works as a lighting technician at a theater. Though his colleagues try to make him feel welcome, he feels lonely and isolated.

A classic love triangle is transposed onto the lives of three medical students in Leipzig. Udo loves Tini, his friend Tommy’s fiancée. Tini is torn between choosing one man over the other. Meanwhile, Britta has renewed her studies after giving up on acting, and wonders if she has made the right decision.

Uwe Polzin, a highly talented biologist publicly stands the defence of his doctorate and this crucial day prompts him to look back on his life so far. These reminiscences are not altogether positive and he and his family still face almost unsolvable problems. For; while Ruth, Uwe's sister, consciously goes without family life and private happiness in order to devote herself fully to her vocation as a doctor; he tries to reconcile career and family. He has found in Alla, his wife - an interpreter - not only a truly loving partner but also someone who shares his basic view of life. Still, their marriage is undergoing a crisis. Uwe's job has become so demanding that he expects her to cope with a great deal of domestic problems. Alla senses that her husband is exploiting her love towards him and that he expects her only to make sacrifices for him. This is why she is contemplating divorce.

After a hot and steamy company party, Sibylle and Harald, both in their late thirties, spend the night together. He is a widower with two sons, with the younger son just entering school. She is single and relatively satisfied in her current relationship with a married colleague. When they meet again later, they resolve to enter into a strictly intellectual relationship.

Last years in the Life of german Dramatican Georg Büchner. Around the year 1830 he and his fellow students try to initiate a revolution in Germany, but they are not successful. Büchner has to leave the country and seeks exile in France and Switzerland, where he falls ill with typhus.

The fun-loving, 26-year-old architect Franziska Linkerhand (Simone Frost) works for a famous professor. Yet, she feels restrained by her dependence on him and longs to take risks. When her marriage falls apart, she moves to a small town for a fresh start. Franziska approaches her new life with vigor and idealism. Many of her colleagues have given in to the dictates of economic restrictions and prefabricated apartment blocks; but Franziska hangs onto her ideals and, as in her private life, is not willing to compromise…