Mme. Olga's Massage Parlor

This last gasp of the grindhouse "Olga" series is a tossed off shrug of a movie that nonetheless entertains in a tacky, surreal style. Audrey Campbell no longer stars as the sinister femme fatale Olga, and her replacement retains none of her clumsy menace. Instead she languidly lounges about the flimsy sets smoking cigarettes and looking pale and sweaty. This new Olga is apparently too bored by the proceedings to even torture her white slaves. Instead the dirty work is handled by her partner Nick (Larry Hunter), a slimy, weasel faced man who lures innocent housewives into prostitution by offering them jobs as "dance instructors" in Olga's dance hall. Group sex, nude dancing and pretty ladies wrestling in their underwear are the results, along with several long, seemingly impromptu scenes where the characters talk endlessly and in circles.

In this third installment of the "Olga" series, our heroine adds jewel smuggling to her repertoire of dope pushing and white slavery. As the vicious Olga (Audrey Campbell) expands her criminal empire, she also encounters more resistance as a string of once-trusted partners turn traitor in an effort to steal the successful racket out from under her. The result is exactly what fans of the series expect, a barrage of torture scenes featuring soldering irons, floggings, spankings, and even an electric chair. As with its predecessors, Olga's House of Shame is a silent black and white film with narration to explain the action, but even with direct commentary it's difficult to keep track of the characters and Campbell (who is occasionally caught laughing out loud at the absurdity of it all) has all the menace of a kindergarten teacher, even when wielding a machete.

A vicious underworld leader brings the pain for her female underlings in this celebrated sexploitation "roughie," a sequel to White Slaves of Chinatown. Olga (Audrey Campbell) is a woman who, working with "the Syndicate" (a criminal network that encompasses the local mafia and several Russian and Chinese communist operatives), oversees a stable of women who do double duty as prostitutes and drug pushers. Olga is a cruel woman who will tolerate no misbehavior among her charges (many of whom are addicted to "the Big H" and work for her to feed their habits), and subjects them to periodic torture sessions when she feels they aren't living up to her expectations. When Olga discovers that one of her girls has turned informant, she takes it upon herself to beat the truth out of the women until she finds out who has betrayed her, leading several embittered hookers and addicts to turn against their cruel mistress...though Olga ends up having the last word.

Ambitious driver, wanting to get to the top of the stock-car circuit, gets mixed up with gangsters.

Three white kids travel down to Mississippi to help with voter registration. Murder, sex slavery and general unsavoriness follow.

This exploitation classic purports to expose the secrets of the 1960s lesbian underworld.

Cuban fantasy-comedy about a lost civilization where women are the dominant social group. Guest appearances by Mexican comedians TinTan y Marcelo.

The beautiful, brutal Olga procures prostitutes and pushes heroin for the syndicate, confining and torturing her pretty victims in a private dungeon located in New York City's sinister Chinatown.

Cut-n-paste pseudo-documentary about the history of censorship in cinema and the changing mores of the '60s, comprised mostly of footage from the films of Joseph Mawra (who also directed this under the pseudonym of "Carlo Scappine"). Likely the only way to catch footage from Mawra's lost MME. OLGA'S MASSAGE PARLOR.

A woman in prison relates her downfall from precocious thief of her mother's boyfriends to murderess. Plus, stripping! And a dude in an ape costume!