Modern Times: A Closer Look

Charlie Chaplin composed most of his own scores, beginning with CITY LIGHTS in 1931. He also returned to his earlier silent films and composed new scores for their rereleases. In this 2012 interview, composer and conductor Timothy Brock discusses Chaplin’s musical achievements, as well as his own work reconstructing and conducting Chaplin’s scores.

In this 2010 program, Craig Barron and Ben Burtt, leading experts in the fields of visual and sound effects, respectively, discuss the techniques used and choices made by Charlie Chaplin and his crew on MODERN TIMES.

This forty-minute program was produced by the Criterion Collection in 2014

In this 2010 program, Craig Barron and Ben Burtt, leading experts in the fields of visual and sound effects, respectively, discuss the techniques used and choices made by Charlie Chaplin and his crew on MODERN TIMES.

A retrospective look at the career of Paul Robeson and his legacy as both an American and a citizen of the world.

A documentary explaining why Charles Chaplin re-edited his 1925 film The Gold Rush.

In this visual essay, Charles Chaplin biographer Jeffrey Vance, author of "Chaplin: Genius of the Cinema", draws upon a wealth of photography as well as a wide range of interviews (Paulette Goddard, Sydney Chaplin, Chuck Jones, Leni Riefenstahl, Mel Brooks, Joan Collins et al.) to examine the production history of "The Great Dictator", the film's importance as a satire, and legacy.

Charlie Chaplin composed most of his own scores, beginning with CITY LIGHTS in 1931. He also returned to his earlier silent films and composed new scores for their rereleases. In this 2012 interview, composer and conductor Timothy Brock discusses Chaplin’s musical achievements, as well as his own work reconstructing and conducting Chaplin’s scores.

In this 2010 visual essay, Chaplin historian Jeffrey Vance, author of “Chaplin: Genius of the Cinema,” draws from a wealth of production photography to discuss the making of MODERN TIMES.