Muñecas de trapo

The story of the relationship between a showgirl and a former toreador.

Countess Elizabeth Bathory conspires with her husband to acquire the blood of virgins to maintain her youth and beauty.

An expressionist reimagining of the classic Greek myth involving Acteón and Diana, transposed to Spain's Costa Brava by a future auteur of horror cinema. Based on the myth from Ovid's Metamorphoses in which Acteón accidentally catches a glimpse of Diana, the goddess of love, and is subsequently turned into a deer for his dogs to devour, Jorge Grau's modernist retelling resets the story to contemporary Spain, where a fisherman – played by Martin LaSalle, star of Bresson's Pickpocket – follows an enchanting, flirtatious stranger into the city.

Daniel is a man who wants to escape from a reality that overwhelms him. That is why he imagines, invents and lies for pleasure. Such invention will lead him to live strange and unusual adventures, giving rise to a magical comedy about everyday life seen through his eyes.

A chronicle of the different reactions of a girl when she finds that her boyfriend decides to end their relationship.

Spain 1640, the reverend superior nun Mariana, attends the death of her younger sister, Isabel's husband, who is overcome with hopelessness and heartache. Isabel then kisses and caresses the cadaver's exposed body as if he were still alive. Mother Mariana

The seemingly peaceful life of a little village located in the Spanish Levant hides the most turbid and ardent passions. Calixto, a repairman of television antennas, is required by the fiery midwives to quench their sexual instincts.

Barcelona 1967. The pop culture revolution. Jordi (Patrick Bauchau) is a rich playboy who runs around with a bunch of high-end hippies, smoking, drinking, dancing and daydreaming about Tuset Street, an effort to develop a popular street in the newer section of Barcelona after the models of Haight Ashbury Street in San Francisco and Carnaby Street in London. Jordi and his gang represent the new Barcelona, wealthy, artificial and striving for imported sophistication. On the older side of the city is El Paralelo, the theater district. At El Molino, one of its many music halls, performs Violeta (Sara Montiel), a showgirl in the old style tradition who supplements her singing income with prostitution. Somehow Violeta represents the old values, the "real world" living along side an artificial creation such as Tuset.

An aspiring young writer lives with his pregnant wife and works for a newspaper to provide for his growing family. When his sister-in-law comes to visit, there is a mutual attraction between the guest and the writer.

An ageing judge's use of the death penalty comes back to haunt him.