Pedro Díez del Corral

Celia is a Spanish children's television series created by José Luis Borau in 1992 for the national Spanish public-service channel Televisión Española. It is based on the classic Spanish children's novels of the same name by Elena Fortún, primarily Celia, lo que dice and Celia en el colegio. The books and television series tell the stories of a wild seven-year-old girl named Celia Gálvez de Moltanbán. In addition to focusing on Celia, the show touched lightly on Spanish life in the 1930s, such as the upcoming civil war, a changing nation, and the social issues and ideas at the time. Cristina Cruz Mínguez was cast as the titular character, and the script was adapted by author and screenwriter Carmen Martín Gaite. The creator, Borau, directed and produced the series. Though successful when it originally premiered, Celia was cancelled after six episodes. The sixth and final episode ended with a "to be continued", but the following episode has yet to be released.

After a robbery at a bingo hall, the girlfriend of one of the robbers escaped with the help of another woman tries to recover the loot from the raid. The problem is that some cops also want to do with the loot, to finance political assassinations.

This is a Spanish Drama starring Antonio Banderas

This is the story of a man fighting with all his might for his life and his freedom. Eleuterio (”El Lute”) embarks upon an action-packed future, fuelled by the notions of freedom and dreams of living just as his countrymen, ever-growing in his mind. Nothing and no-one can stop him. After escaping the Puerto de Santa María prison, the reunion with his family is just the beginning of what will become an endless escape.

After a period of inactivity, Crisanto, a police inspector, returns to the service. When a friend of his is murdered, he decides to take over the investigation.

A set of nine stories whose central theme is eroticism. The different directors of the film deal from philosophical aspects to others that are almost pornographic, but always with a common denominator: sensuality.

José is a happily married executive, with children, a flat in Madrid and a house in the suburbs. It's Friday and the weekend seems to follow the usual pattern: football match with mates, travel to the mountains and family visit. Nevertheless, José feels no motivated by his routine, he no longer distinguishes leisure from their obligations, all of which result in an unexpected final decision by his attentive wife.

Spain, 1977. The first general elections are about to take place after the long dictatorship and the progressive environment of Madrid is easily palpable. Protagonists, Carmen and Juan were once married and now living separately, both have a child. It's one of the only reasons they maintain cordial to one another. Their separation, the political context and the contradictions of the progressives of the time will not defeat the affinity between the two.

The particular storyline concerns memory, specifically the transference of chief scientist Professor Ulop’s memories to a mentally vacant physical subject. Considering this is a banal idea, and more-or-less certain to go horribly wrong (the alternative atavistic title Beasts Shouldn’t Look in the Mirror hints how), the visuals had better be good if this story is to keep the audience’s interest. And against expectations they actually are.

Given the proximity of death, the experiences of the past come to the memory of Juan. In a fragmented, sometimes confused way, Juan relives the crucial moments of his life, always linked to the names of women. Moments that remind him of having missed numerous opportunities to be happy.

The lieutenant Miguel Aguirre's dream is to become a military pilot, but a dispute with a superior is about to make him abandon his studies, had it not been for the intervention of his mother and his girlfriend, Luisa. Miguel's first destination is Granada Air Base. There he meets an attractive young woman, Patricia, whom he takes for an American tourist.

The story of two loves: a young boy that fall sin love with a girl of his school, but she is more mature and finally forgets him; and the story of a man and a woman that live in an hospital for old people and can't see each other.