Nomad

Li Mak-Jan is a swordsman who has wandered for a number of years searching for the reclusive master swordsman Hua. After encountering two fellow swordsmen, Li comes across his old love, who tells him that not only has their town fallen on hard times (the temple is in ruins) but, worst of all, in the time he has been away she has moved on and married another man. Turns out, her husband is quite evil, of course, and just a little bit insanely jealous as well as very interested in swords, particularly those belonging to masters. The husband sends his henchman to kill Li, but Li escapes.

Shy and timid Hung is asked by his jailbird brother to look after his mistress and his unsuspecting wife. Chaos and many hilarious situations arise when Hung is caught between the two women.

After his mother flees the family home, a son turns to thieving in order to support his father, an abusive sort who is addicted to gambling.

The beautiful Cherie Chung plays the title character, an exercise teacher who is wooed by a rich, older businessman (Yuen Chor) and a young photographer (Tony Leung Ka-fai). You watch Cherie as she bounces between these two, not really liking the businessman, while the photographer is more in love with her image as his model than as a true love.

The triangular relationship between Lap. Rick and Cheung is the backbone of this film. Lap's father was once a triad; he retired and opened a bar near seashore. Rick worked there and was a couple with Lap. Force by an old partner, Lap's father assisted in trafficking of his father, Lap became the mistress of Godfather Shen. Cheung was her driver and loved her deeply. Six years later, Rick became a professional assassin and returned to Hong Kong for a job. He met Lap, and Lap decided to leave Godfather Shen. Of course Godfather Shen wouldn't let his woman get away from him. Cheung helped them to exile. Lap, Rick and Cheung united to confront Godfather Shen and his followers. A bloody gun battle begin. Could every one survive at the end?

Set in a surprisingly minimalist San Francisco, Patrick Tam’s stylish slasher movie manages to evoke both Antonioni and Mario Bava in this tale of a ravishing young co-ed (Brigitte Lin) whose studly boyfriend (Chang Kuo-chu) turns into a demented stalker after the suicide of his sister.

An seven-part anthology film exploring the history of Hong Kong from the 1940s to present day.

A young woman is forced to marry an older man who runs a roadhouse saloon. She is constantly being raped by her husband, a drunken loutish brute. She harbors a young man wanted by the police in a murder case, and soon the fugitive and the young wife have a torrid affair as she continues to hide him from the authorities.

An action comedy starring Leung Kar-Yan, Norman Chu and Phillip Ko Fei.

tells the story of a rookie gigolo (Michael Chow Man-Kin), who is propelled into a relatively high ranking position in the triads after saving the family head's life. His violent personality makes him feared and perhaps respected, but eventually gets him into trouble. He p***es off the family, and to such a degree that no little finger is going to get him off the hook. The stage is set for a small scale gang war.

CAT III mondo "documentary" starring Lee Chung-Ling and Pauline Chan.

The popular Pygmalion formula popularized in the Hollywood musical My Fair Lady gets a decidedly Hong Kong cinema twist in this bawdy comedy. The suave and dapper Simon Yam stars as Sam, a successful gigolo whose skill with the ladies is only exceeded by his impeccable taste. When he meets fresh-off-the-boat Mainland girl Chung (Lau), his affluent and materialistic lifestyle dazzles her. Right then she decides: she'll become a prostitute, and who better to school her in the world's oldest profession than Sam, Hong Kong's most successful gigolo! Sam schools Chung on how to dress, act, pick up potential marks and - when it's required - embellish her appreciation of a man's sexual prowess! But will the teacher eventually fall for his pupil? Though the premise sounds somewhat sleazy, Gigolo and Whore looks past its politically-incorrect subject matter to become a funny and even romantic comedy about two displaced individuals who find a connection in fast-paced, cosmopolitan Hong Kong.

A widow by the name of Lee Jiu Jin, willingly sold herself to a farway outskirts village without knowing that she is to be shared by 7 men, so as to raise the money for her son's wedding. As these villagers are extremely poor, the men could not afford to keep a wife. This kind of transaction was common in China for women to be sold as brides, but the Government intend to put a stop to such practices by enforcing laws which results in the exile of lawbreakers. Bearing this in mind, Lee and her 7 husbands lived in constant fear of being caught and as for Lee the sufferings and hardships were more than she could bear. As the time passes, Lee grew to understand all 7 men's background, and her hatred for them turn into pity. This relationship at last ended in tragedy.

Alan Tang Kwong-Wing is a young family man in San Francisco whose sense of obligation to his gangster cousin conflicts with his home life. When he is falsely accused of the murders of some Vietnamese gangsters, Tang flees to his native Hong Kong, followed closely by his wife and small child, a corrupt CIA agent (as if there were anything else), and the remaining Vietnamese gang members out for revenge. The wife and kid get kidnapped, but Tang and a friend kick everyone's ass, with the wife helping out in rather unexpected ways.

In this Hong Kong remake of Seven Samurai, a team of seven mercenaries must defend a helpless village against a group of vicious bandits.

One of the three Hong Kong movies entitled Fatal Love that came out in 1993. Starring Lester Chan and Lau Wai-Man.

Ko leads a team of Hong Kong assassins that are taken out one by one. Ko manages to flee to the countryside, where he aims to find out who's behind this and to gain the strength to fight back. Helping him is local girl Tong, whilst chasing Ko is the long arm of the law, represented by cop Chung.

Yang Hsiu Shan was grown up in Hong Kong and her folks were emigrated to Canada. She felt in love with her boss, Chen Kai Ping, and in order to set up her business. So she decided to stay in Hong Kong. Yang's sister-in-law, Luk Ping Ting, was emigrated from China and was living in her house. Both Yang and her room-mate, Chan Pei Lien, an air hostess, were taken care of her. In the meantime, Chen's daughter, Fong, came from Taiwan to visit him. She realized that Yang was kind to others and helpful to her father's business so she got to like her more. Luk and Chen had developed a secret love affair. Yang was stunned by the news and became to hate Luk. Yang, Fong, Chan and Luk finally became reconcile.