Patrick Tam Kar-Ming
After his mother flees the family home, a son turns to thieving in order to support his father, an abusive sort who is addicted to gambling.
A young woman searches for information about her father who starred in the classic movie 'Days of Tomorrow', which she is helping to remake. She finds out about his restless youth, career in the 1970s Hong Kong film industry, and tragic love affair.
Yuddy, a Hong Kong playboy known for breaking girls' hearts, tries to find solace and the truth after discovering the woman who raised him isn't his mother.
The triangular relationship between Lap. Rick and Cheung is the backbone of this film. Lap's father was once a triad; he retired and opened a bar near seashore. Rick worked there and was a couple with Lap. Force by an old partner, Lap's father assisted in trafficking of his father, Lap became the mistress of Godfather Shen. Cheung was her driver and loved her deeply. Six years later, Rick became a professional assassin and returned to Hong Kong for a job. He met Lap, and Lap decided to leave Godfather Shen. Of course Godfather Shen wouldn't let his woman get away from him. Cheung helped them to exile. Lap, Rick and Cheung united to confront Godfather Shen and his followers. A bloody gun battle begin. Could every one survive at the end?
A young woman is forced to marry an older man who runs a roadhouse saloon. She is constantly being raped by her husband, a drunken loutish brute. She harbors a young man wanted by the police in a murder case, and soon the fugitive and the young wife have a torrid affair as she continues to hide him from the authorities.
Shy and timid Hung is asked by his jailbird brother to look after his mistress and his unsuspecting wife. Chaos and many hilarious situations arise when Hung is caught between the two women.
The beautiful Cherie Chung plays the title character, an exercise teacher who is wooed by a rich, older businessman (Yuen Chor) and a young photographer (Tony Leung Ka-fai). You watch Cherie as she bounces between these two, not really liking the businessman, while the photographer is more in love with her image as his model than as a true love.
Set in a surprisingly minimalist San Francisco, Patrick Tam’s stylish slasher movie manages to evoke both Antonioni and Mario Bava in this tale of a ravishing young co-ed (Brigitte Lin) whose studly boyfriend (Chang Kuo-chu) turns into a demented stalker after the suicide of his sister.
Li Mak-Jan is a swordsman who has wandered for a number of years searching for the reclusive master swordsman Hua. After encountering two fellow swordsmen, Li comes across his old love, who tells him that not only has their town fallen on hard times (the temple is in ruins) but, worst of all, in the time he has been away she has moved on and married another man. Turns out, her husband is quite evil, of course, and just a little bit insanely jealous as well as very interested in swords, particularly those belonging to masters. The husband sends his henchman to kill Li, but Li escapes.
