Nooravathu Naal

A 1994 Tamil drama film written and directed by Manivannan. It stars Sathyaraj and Ranjitha in the lead roles.

A 1994 Indian Tamil action drama film, directed by Manivannan.

Amavasai (Sathyaraj) turns Nagaraja Cholan, a successful politician. Corrupt to the core, the movie begins from where the first part ended. He rises to become a Deputy Chief Minister. The tantrums and political game played by Nagaraja Cholan forms the movie's crux.

Paramasivan has two sons : Subramani and Ganesan. Ganesan, the eldest, gets married with Segamalam. In the meantime, Subramani and Segamalam's sister Parimala fall in love with each other, even if they are from different villages. Devaraj, the owner of a gambling club, wants to get married with Parimala but she refuses and ridicules him. So Devaraj decides to take revenge. Ganesan is a gambler and he even landed his family's bungalow to Devaraj. Later, Devaraj tries to sell it but Subramani settles the amount at time. Devaraj wants to absolutely split the lovers. What transpires later forms the crux of the story.

A 1985 Telugu, Action thriller film, produced by R. Ramakrishnam Raju on Sri Vijayalakshmi Arts banner and directed by Manivannan.

A 1989 Telugu drama film produced by Vijaya Durga Cine Creations banner.

Veetula Raman Veliyila Krishnan is a 1983 Indian Tamil film, directed by Manivannan and produced by Panchu Arunachalam. The film stars Sivakumar, Radhika, Suhasini and M. R. Krishnamurthy in lead roles. The film had musical score by Ilayaraja

A 1983 Tamil Indian feature film directed by Manivannan. The film stars Mohan, Sasikala and Sukumari in the lead roles.

From being a homeless pauper, Amavasai works his way up to become an acclaimed helper in a political party. Craving for more power, he employs all his evil tricks to become a top politician.

Priya , a rich girl, is in love with Sundar, a poor youth. Priya tries to elope with him but she fails and her father and her mother lock her in her bedroom. From there, Priya witnesses the murder of Shanthi by her husband Sabapathy in the opposite building. She takes photos of this murder and Sabapathy notices this act. Gopi, Shanthi's brother, only knows that his brother-in-law tortured his sister for a long time. He is the only one who suspects Sabapathy whereas their relatives considers him as a perfect gentleman. Gopi files a complaint secretly against Sabapathy. However, Sarath, an honest police officer, gives up the case due to the lack of evidence. What transpires later forms the crux of the story.