Also Directed by Idrissa Ouedraogo
A king’s son takes over when his father dies.
Poverty and misery are rife in Gourga, a village in the Sahel. The inhabitants must choose: stay and await international assistance or leave for more fertile regions in the country.
Short directed by Idrissa Ouedraogo.
Karim's father is missing and presumed dead, which is why his father's brother has taken over the house and is now his stepfather: this is the custom in Burkina Faso. This would be all right with Karim, except that his new stepfather is a harsh, unloving man, who would just as soon beat him as look at him, and he is the same way with the lad's mother. At the same time, Karim has made friends with Sala, a girl from a wealthy family, starting from when he gave her a baby goat-kid. Their friendship prospers enough so that, when Karim and his mother leave the abusive uncle carrying only what they are wearing on their backs, Sala is able to persuade her family to help them settle safely elsewhere. When Karim's father turns up at last, it is icing on the cake, for they are now able to send the obnoxious man who overshadowed their lives away in disgrace.
The beautiful Awa, from a poor background, decides to marry for money rather than love and ends up with the much older Karim. While married, she continues to love the much younger Bouba. On the happy occasion of Awa’s birthday, a macabre plan is to be set in motion.
40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes. The results run the gamut from Zhang Yimou's convention-thwarting joke to David Lynch's bizarre miniature epic.
11 directors show their view on the terrorist attacks on the world trade center in New York.
A small African village. The story focuses on Bila, a ten year old boy who befriends an old woman, Sana. Everybody calls her 'Witch' but Bila himself calls her 'Yaaba' (grandmother). When Bila's cousin Nopoko gets sick it is Sana's medicine that saves her.
Set in a pre-colonial African past, Tilai is about an illicit love affair and its consequences. Saga returns to his village after an extended absence to discover that his father has taken Nogma, Saga's promised bride, for himself. Still in love with each other, the two begin an affair, although it would be considered incestuous.
