11'09''01 - September 11

Film directed by Alejandro González Iñárritu.

A fading actor best known for his portrayal of a popular superhero attempts to mount a comeback by appearing in a Broadway play. As opening night approaches, his attempts to become more altruistic, rebuild his career, and reconnect with friends and family prove more difficult than expected.

Tragedy strikes a married couple on vacation in the Moroccan desert, touching off an interlocking story involving four different families.

It is a drama that, like a kind of fable, exposes a vision of the filmmaker about the political and social modernity of Mexico.

Iñárritu's first three films, Amores Perros (2000), 21 Grams (2003) and Babel (2006) — often labeled his “Death Trilogy” — represent a younger, more volatile Iñárritu. The films are messier and more violent, with smaller budgets, handheld camerawork and stories about unfortunate people and the fates that befall them.

This is a story of a man in free fall. On the road to redemption, darkness lights his way. Connected with the afterlife, Uxbal is a tragic hero and father of two who's sensing the danger of death. He struggles with a tainted reality and a fate that works against him in order to forgive, for love, and forever.

A collective film of 33 shorts directed by different directors about their feeling about cinema.

Clive Owen plays "The Driver," a man who goes from place to place (in BMW automobiles), hired by various clients to provide driving or other services.

Young couple watching Jean-Luc Godard’s “Le mépris” in cinema. Segment from “Chacun Son Cinéma” (To Each His Own Cinema) collective film of 33 shorts directed by different directors about their feeling about Cinema.

A series of events related to a 100 dollar bill.

After his daughter died in a hit and run, Freddy Gale has waited six years for John Booth, the man responsible, to be released from prison. On the day of release, Gale visits Booth and announces that he will kill him in one week. Booth uses his time to try and make peace with himself and his entourage, and even finds romance. Gale, whose life is spiraling down because of his obsession towards Booth, will bring himself on the very edge of sanity. At he end of the week, both men will find themselves on a collision course with each other.

After graduating from Emory University in 1992, top student and athlete Christopher McCandless abandons his possessions, gives his entire $24,000 savings account to charity, and hitchhikes to Alaska to live in the wilderness.

A police chief about to retire pledges to help a woman find her daughter's killer. Based on a story by Swiss writer Friedrich Dürrenmatt.

Miguel, a heroic Spanish doctor, puts himself in harm's way to deliver medical treatment to the victims of military uprisings in Africa.

Two brothers cannot overcome their opposite perceptions of life. One brother sees and feels bad in everyone and everything, subsequently he is violent, antisocial and unable to appreciate or enjoy the good things which his brother desperately tries to point out to him.

A father lives a double life as a counterfeiter, bank robber and con man in order to provide for his daughter.

The story of Zainab and Arif, who live their son, Munna, in Brooklyn. Zainab makes the complicated decision to leave her protected life and follow her heart. One of eight shorts commissioned by the United Nations on themes concerning global society.

The story is inspired by the assassination of Chris Hani, leader of the South African Communist Party.

It is September 11, 2001, and a young man goes missing in New York. Because of his eastern name and his Islamic religion, he is suspected of being involved in the World Trade Center attack. The FBI inquire about him. The neighbors of his family show their disapproval. His family hold out hope that he will be found and exonerated. (Originally appeared as a segment of the omnibus film "11'09"01 - September 11", but later presented as a separate short film.)

The first of four installments in the groundbreaking Heartbeat of the World anthology film series. Comprised of several short films by some of the world's most exciting directors, Words with Gods follows the theme of religion - specifically as it relates to an individual's relationship with his/her god or gods...or the lack thereof. In Words with Gods, each director recounts a narrative centered around human fragility, as well as environmental and cultural crises involving specific religions with which each has a personal relationship; including early Aboriginal Spirituality, Umbanda, Buddhism, the Abrahamic faiths, Hinduism, and Atheism. An animated sequence by Mexican animator Maribel Martinez is woven through each of the film segments, with each segment narratively connected as a feature-length film.

A young girl overcomes her disadvantaged upbringing in the slums of Uganda to become a Chess master.

As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.

In New York, a Pakistani native finds that his American Dream has collapsed in the wake of the 9/11 terrorist attacks.

Before Slumdog Millionaire came Salaam Bombay!, Mira Nair’s Oscar-nominated drama tells the moving story of life on the streets of Bombay as seen through the eyes of Chaipu, a twelve-year-old boy living rough in the city.

One of a four-film series on the AIDS epidemic in India, this film examines the virus as Indian society's great class leveler, following its transmission through interweaving stories that link urban and rural India.

A look at the life of legendary American pilot Amelia Earhart, who disappeared while flying over the Pacific Ocean in 1937 in an attempt to make a flight around the world.

Social change in Britain in the aftermath of the Second World War, including the nationalisation of industries and the formation of the welfare state. Made almost entirely in black & white, so B&W archive footage from the 1940s blend in with interviews made today.

A train travels across Italy toward Rome. On board is a professor who daydreams a conversation with a love that never was, a family of Albanian refugees who switch trains and steal a ticket, three brash Scottish soccer fans en route to a match, and a complaining widow traveling to a memorial service for her late husband who's accompanied by a community-service volunteer who's assisting her. Interactions among these Europeans turn on class and nationalism, courtesy and rudeness, and opportunities for kindness.

Determined to have a normal family life once his mother gets out of prison, a Scottish teenager from a tough background sets out to raise the money for a home.

In 1920s Ireland young doctor Damien O'Donovan prepares to depart for a new job in a London hospital. As he says his goodbyes at a friend's farm, British Black and Tans arrive, and a young man is killed. Damien joins his brother Teddy in the Irish Republican Army, but political events are soon set in motion that tear the brothers apart.

This Ken Loach film tells the story of a man devoted to his family and his religion. Proud, though poor, Bob wants his little girl to have a beautiful (and costly) brand-new dress for her First Communion. His stubbornness and determination get him into trouble as he turns to more and more questionable measures, in his desperation to raise the needed money. This tragic flaw leads him to risk all that he loves and values, his beloved family, indeed even his immortal soul and salvation, in blind pursuit of that goal.

Maya is a quick-witted young woman who comes over the Mexican border without papers and makes her way to the LA home of her older sister Rosa. Rosa gets Maya a job as a janitor: a non-union janitorial service has the contract, the foul-mouthed supervisor can fire workers on a whim, and the service-workers' union has assigned organizer Sam Shapiro to bring its "justice for janitors" campaign to the building. Sam finds Maya a willing listener, she's also attracted to him. Rosa resists, she has an ailing husband to consider. The workers try for public support; management intimidates workers to divide and conquer. Rosa and Maya as well as workers and management may be set to collide.

David Carr is a British Communist who is unemployed. In 1936, when the Spanish Civil War begins, he decides to fight for the Republican side, a coalition of liberals, communists and anarchists, so he joins the POUM militia and witnesses firsthand the betrayal of the Spanish revolution by Stalin's followers and Moscow's orders.

Persona Non Grata in his homeland, protest singer Klaus Drittemann must leave East Berlin, his wife and child and emigrate to West Berlin, where the representatives of an American record company are eagerly waiting for him. They plan to exploit his defection from communism both ideologically and financially. But Klaus, as ill-at-ease in the West as he was in the East, is reluctant to be used as an expendable commodity. Leaving his contract unsigned (or signed in his manner), he leaves for Cambridge to meet his father, a concert player, who -just like him - left East Berlin thirty years ago as Klaus was a little boy. He is accompanied by a young French journalist, Emma, who knows where his father has been living since he disappeared for more than a decade. The young lady is cooperative but might hide things from him...

Ken's Loach's first production for The Wednesday Play is a story of a group of criminals planning a robbery, with the unwitting aid of a wealthy, well-connected society acquaintance. But who is the greater villain?

Ken Loach's censored production for the Central Office of Information.

A war photographer and absent father, who spends more time taking care of his camera than his four daughters, enjoys a happy life in the Alps with his new girlfriend. But his life is turned upside down the day that his best friend tries to reconcile him with his family by telling them a big lie.

François Toledo, married businessman and father, falls head-over-heels in love with Janine, a work colleague. However, he is soon found out: after three dates, he strangles some prostitutes, when, the victim of blackmail, he becomes dishonored. He is taken to court, and sentenced to be killed by a guillotine.

In seven different parts, Godard, Klein, Lelouch, Marker, Resnais and Varda show their sympathy for the North-Vietnamees army during the Vietnam-war.

This film is best understood after watching Albert Lamorisse's Baadeh Sabah, an ostentatious propaganda film of the same commission that was originally rejected for it's inadequate portrayal of Iran's nouveau-modernism (urban youth, industrial marvels) and it's overly-lyrical style. In LeLouche's rendition, there are no such inadequacies. The focus is on culture - heritage, modernity and (what soon would be named) Westernization. Past and present meet - veils and miniskirts, camels and helicopters, remains of ancient Persia, the highlights of Islamic art, caviar and the oil fields and gas pumps.

The movie follows the lives of a woman and a man starting from several generations earlier. The story spans a whole century and several continents.

Françoise has gone into business seducing men whose wives want to divorce them, and who need incriminating evidence against them. In addition, she has a little blackmail operation going on on the side with politicians who can't afford a scandal. She got started on this business after she was raped, and hasn't looked back since. Now the police are on her trail, and she avails herself of the services of a couple who make a profession of hiding wanted criminals. At the hideout, she meets Simon, a second-generation mobster. As the police close in, Françoise and Simon go on the run together, pulling off occasional heists for operating money. Before long, they have also fallen in love.

The film is a road movie that follows a middle aged man who gives a young woman a lift. On the car radio, news bulletins warn the population against a recently escaped sadist who is known to prey on young women and children. Lelouch often cuts away from the main story, if only briefly, to parallel events that are not necessarily crucial to the story but illustrate what is suggested by the radio.

Famous TV newscaster Robert Colomb is married to Catherine, but is continually unfaithful to her. Then he meets, and becomes fascinated with Candice.

Robert #1 is played by Charles Denner, while Robert #2 is played by Jacques Villeret. Beyond their common name, the two Roberts are as different as night and day. Oh, there is one more resemblance: both Roberts are lonely, and both hope to meet suitable mates through a computer dating service. As they await the arrival of their new dates, Robert et Robert become fast friends. Of the three favorite film subjects of writer/director Claude Lelouch--romance, crime, and politics--Robert et Robert falls firmly into the first category.

An essay on what provokes the "object woman".

This concise masterpiece began as a commission by French TV for the news series Envoyé spécial. By filming Cairo with his unique sense of artistic digression, Chahine transformed this portrait of a city into the self-portrait of a filmmaker.

The story is set in the 12th century in Arab-ruled Spanish province Andalusia, where famed philosopher Averroes is appointed grand judge by the caliph and his liberal court judgements are not liked by everyone. The caliph's political rivals, centered around the leader of a fanatical Islamic sect, force the caliph to send Averroes into exile, but his ideas keep on living thanks to his students.

Set against the panoramic backdrop of war-torn Egypt, director Youssef Chahine tells a highly personal tale of love and determination. Amid the poverty, death and suffering caused by World War II, 18 year-old Yehia, retreats into a private world of fantasy and longing. Obsessed with Hollywood, he dreams of one day studying filmmaking in America, but after falling in love and discovering the lies of European occupation, Yehia profoundly reevaluates his identity and allegiances.

Adapted from Abdel Rahman Al-Sharqawi's well-known novel of the same name, this classic film by Egyptian master Youssef Chahine was eight years in the making. Chronicling a small peasant village's struggles against the careless inroads of the large local landowner, The Land shows why political oppression does not necessarily lead to a sense of solidarity among the disinherited

Egypt, 1947: in the midst of a cholera outbreak. A washerwoman tries to take care of her family, while at the same time resisting the advances of a charming suitor who's half her age.

1950 Cairo, Amin is a simple employee who lives with his family of three, his wife Zahira, son Nabil and daughter Hoda. Amin’s friend Mabrouk convinces Amin to invest his life savings in a project, which he promises, will get him rich. Amin agrees but forgets to take a receipt. Amin suddenly dies and watches on from the after life.

Hemaidah is a Farmer who hates country life. He hates working in fields and taking care of the animals in his farm. Though unsatisfied with her, he marries Zebeidah, a woman in the same village.

Directed by Youssef Chahine.

The story of a 40-year-old married woman who has fallen into idleness and does not know how to approach the revolutionary events in her country. She finds a new meaning in life when she falls in love with an aspiring young student. “I shot FAGR YOM GUEDID in 1964. I count it among my best films and still stand by it completely. It is about the class whose assets were nationalized after the 1952 revolution. I explored the question of whether this class still had a place in Egyptian society.”

(Syed) is a famous writer who climbed the top of the social and political pyramid in search of more. He is married to Sherifa, and is preparing to travel abroad to work for the United Nations, but he reads in a newspaper the news of the killing of his twin (Mahmoud), so he postpones his travel and calls the police to search for the killer of his brother, and it begins. On the search trip, the police officer has doubts about Syed.

A young couple marry in France in the 1940s and the film follows the arc of their marriage over the next decade. As France recovers from the trauma of the war, the wife finds herself increasingly caught up in acquiring material possessions while the husband prefers a more traditional lifestyle.

Life in a Tel Aviv apartment complex, an urban mosaic whose seedy characters, try as they might, can't get out of one another's faces. Gabi, a bobbed haired sexpot, and her lover Hezi—who's older, balding and married—rent a room to have an affair, while Ezra, a pot bellied divorcee, supervises an illegal construction site next door. All this racket drives Schwartz, a Holocaust survivor, to a mental breakdown. Other characters include illegal Chinese immigrants, a teenage boy who's afraid to serve in the army, and a corrupt police detective.

The first of four installments in the groundbreaking Heartbeat of the World anthology film series. Comprised of several short films by some of the world's most exciting directors, Words with Gods follows the theme of religion - specifically as it relates to an individual's relationship with his/her god or gods...or the lack thereof. In Words with Gods, each director recounts a narrative centered around human fragility, as well as environmental and cultural crises involving specific religions with which each has a personal relationship; including early Aboriginal Spirituality, Umbanda, Buddhism, the Abrahamic faiths, Hinduism, and Atheism. An animated sequence by Mexican animator Maribel Martinez is woven through each of the film segments, with each segment narratively connected as a feature-length film.

1992. In Wuppertal, in Germany, two skinheads killed a man who claimed to be Jewish. Amos Gitai questions the witnesses, the residents, and the protagonists of the trial.

Itzhak Rabin's murder ended all efforts of peace, and with him the whole left wing of Israel died. The movie shows the last of his days as prime minister, and what led to his murder.

Documentary about a house and its politically divided ownership over time.

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

With the feel of experimental film, Gitai mixes storytelling, readers' theater, cityscapes (usually seen from moving trains), and desolate landscapes to mediate on the act of creation. What if a golem were fashioned out of dirt, much like Adam, and came to life? The film imagines it, in the desert and in Moscow. Interspersed are stories of a 14th-century Tuscan artist's creation of a tower that plays music when the wind blows, of a film director, and of Jeremiah and Sirat. In what ways is making a movie like creating a golem?

1974 Gitai super8 short film

A newly unemployed salaryman meets a particularly sexual woman.

In a small village in a valley everyone who reaches the age of 70 must leave the village and go to a certain mountain top to die. If anyone should refuse he/she would disgrace their family. Old Orin is 69. This winter it is her turn to go to the mountain. But first she must make sure that her eldest son Tatsuhei finds a wife.

A rumbunctious and ribald tale of a troupe of travelling actors who alternate highlights of kabuki theatre with strip shows.

Tokyo engineer Kariya arrives on a primitive tropical island, where he interacts with the Futori clan, to drill a well to power a sugar mill.

Famed filmmaker tracks down former Japanese soldiers in Malaysia.

Part 2 of Imamura's quest for Japanese soldiers who stayed behind after the war.

“In Search of Unreturned Soldiers was about former soldiers of the Japanese army who chose not to return to Japan after the war. I found several of them who had remained in Thailand. Two years later, I invited one of them to make his first return visit to Japan and documented it in Outlaw-Matsu Returns Home. During the filming, my subject Fujita asked me to buy him a cleaver so that he could kill his ‘vicious brother.’ I was shocked, and asked him to wait a day so that I could plan how to film the scene. By the next morning, to my relief, Fujita had calmed down and changed his mind about killing his brother. But I couldn’t have had a sharper insight into the ethical questions provoked by this kind of documentary filmmaking.” —Shôhei Imamura

Karayuki-san, the Making of a Prostitute is a 1975 Japanese film by director Shohei Imamura. It is a documentary on one of the Japanese "karayuki-san," who were women that were taken from their homes in Japan and used as prostitutes in the post-war period. Many of these women were told that they were doing this to support their families because of the extreme poverty that the war left much of Japan to live in. Imamura focuses on a particular such woman who was sent to Malaysia and never returned to Japan. Joan Mellen, in The Waves at Genji's Door, called this film, "Perhaps the most brilliant and feeling of Imamura's fine documentaries."

The story of the aftermath of the Hiroshima bombing, based on Masuji Ibuse's novel.

The film tells the story of four orphans living in an impoverished mining town. An adaptation of a best-selling book based on the diary of a ten-year-old zainichi (ethnic Korean Japanese) girl, it was one of the first films to deal with the subject of zainichi identity and struggles in Japan.

After twelve years of imprisonment by their own parents, two sisters are finally released by social workers to face the outside world for the first time.

Itinerant Kurdish teachers, carrying blackboards on their backs, look for students in the hills and villages of Iran, near the Iraqi border during the Iran-Iraq war. Said falls in with a group of old men looking for their bombed-out village; he offers to guide them, and takes as his wife Halaleh, the clan's lone woman, a widow with a young son. Reeboir attaches himself to a dozen pre-teen boys weighed down by contraband they carry across the border; they're mules, always on the move. Said and Reeboir try to teach as their potential students keep walking. Danger is close; armed soldiers patrol the skies, the roads, and the border. Is there a role for a teacher? Is there hope?

Nogreh is a young Afghani woman living with her father and her sister-in-law, Leylomah, whose husband, Akhtar, is missing. Beyond the issue of Akhtar, Leylomah is most concerned with how to feed her baby. She cannot provide milk for her baby as her own hunger is preventing her from lactating. Nogreh, however, aspires toward a life in a western styled democracy. Although the Taliban are no longer in power in Afghanistan, traditional forces are still active in the country. Nogreh often displays signs of rebellion, such as wearing a pair of white pumps instead of the traditional slipper beneath her burqa. But mostly, Nogreh wants to be educated. Without her father's knowledge, Nogreh is attending a secular girls school. Ultimately, she wants to become President of Afghanistan. With the help of a Pakistani refugee who likes her as a woman, Nogreh tries to understand exactly what forces led to current world leaders being elected, those forces which she wants to emulate.

A wealthy boy hires a poor child to carry him around like a horse.

Directed by Idrissa Ouedraogo.

A king’s son takes over when his father dies.

Poverty and misery are rife in Gourga, a village in the Sahel. The inhabitants must choose: stay and await international assistance or leave for more fertile regions in the country.

Short directed by Idrissa Ouedraogo.

Karim's father is missing and presumed dead, which is why his father's brother has taken over the house and is now his stepfather: this is the custom in Burkina Faso. This would be all right with Karim, except that his new stepfather is a harsh, unloving man, who would just as soon beat him as look at him, and he is the same way with the lad's mother. At the same time, Karim has made friends with Sala, a girl from a wealthy family, starting from when he gave her a baby goat-kid. Their friendship prospers enough so that, when Karim and his mother leave the abusive uncle carrying only what they are wearing on their backs, Sala is able to persuade her family to help them settle safely elsewhere. When Karim's father turns up at last, it is icing on the cake, for they are now able to send the obnoxious man who overshadowed their lives away in disgrace.

The beautiful Awa, from a poor background, decides to marry for money rather than love and ends up with the much older Karim. While married, she continues to love the much younger Bouba. On the happy occasion of Awa’s birthday, a macabre plan is to be set in motion.

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes. The results run the gamut from Zhang Yimou's convention-thwarting joke to David Lynch's bizarre miniature epic.

A small African village. The story focuses on Bila, a ten year old boy who befriends an old woman, Sana. Everybody calls her 'Witch' but Bila himself calls her 'Yaaba' (grandmother). When Bila's cousin Nopoko gets sick it is Sana's medicine that saves her.

Set in a pre-colonial African past, Tilai is about an illicit love affair and its consequences. Saga returns to his village after an extended absence to discover that his father has taken Nogma, Saga's promised bride, for himself. Still in love with each other, the two begin an affair, although it would be considered incestuous.

No overview found.

Senada is 31 and she lives in Poljice neighborhood in Lukavac municipality with her partner and two daughters. She is pregnant with her third child for approximately five months. Since she didn’t have health insurance, she does not go to the doctor’s. When she started bleeding, she goes to the hospital. The doctor told Senada that she needs an emergency surgery and she needs to pay 500 EUR. Without a health insurance card and without money, Senada returns home.

A window washer in London lives an existence where he feels that people see right through him.

A New York detective investigates the death of his daughter who was murdered while on her honeymoon in London and recruits the help of a Scandinavian journalist when other couples throughout Europe suffer a similar fate.

Surrounded by minefields and destruction from the Bosnian war and not welcome by everyone, thousands of migrants are still stranded in the northern part of the war-torn country. Their flimsy tents set up in the woods or abandoned socialist era buildings offer no protection from the harsh Bosnian winter. The food, clothes, firewood and communication are problems but nothing compared to the serious and constant violation of basic human rights these migrants are subjected to on a daily basis. In this visually driven film, Danis Tanovic and Damir Sagolj show the brutality and inhumanity of the everlasting story of people "on the move" trying to reach the EU, where they are hoping for a better life.

Three sisters share a connection to a violent incident from their childhood reunite to for the chance to come to terms with their past.

The wife of a photojournalist sets out to discover why he came home from a recent assignment without his colleague.

Sarajevo on 28 of June, 2014. At the Hotel Europa, the best hotel in town, the manager Omer prepares to welcome a delegation of diplomatic VIPs. On the centenary of the assassination that is considered to have led to World War I, an appeal for peace and understanding is supposed to start from here. But the hotel staff have other worries: having not been paid for months, they are planning to go on strike. Hatidza from the hotel laundry is elected strike leader even though her daughter Lamija, who works in reception, is firmly against industrial action. Meanwhile, in the sealed-off presidential suite, a guest from France rehearses a speech. Elsewhere, a television reporter conducts interviews about war and its consequences. Was Gavrilo Princip, the 1914 assassin, a criminal or a national hero? What long shadow does his deed cast into the present?

A story set in the former Yugoslavia and centered on a guy who returns to Herzegovina from Germany with plenty of cash and hopes for a good new life.

Two soldiers from opposite sites get stuck between the front lines in the same trench. The UN is asked to free them and both sides agree on a ceasefire, but will they stick to it?