Oswaldianas

A journalist is placed upon the management of a large broadcasting company to the capital of Brazil at the time of local elections. She must now face ideological and ethical questions, brought back by a left-wing former boyfriend and her own colleagues. At the same time, a free-lancer spy is sent by an obscure figure in politics to manipulate the elections and its media coverage.

"A Long Journey" tells the story of three siblings who reach adolescence in the late 1960's. The documentary's storyline follows the youngest brother's travels around the world. Worried that he would enter the struggle for freedom against the Brazilian dictatorship, his family sent Heitor to London. There however, he dives head on into the "Swinging London" and, just like the European and American youth of the time period, he experiments with drugs and the mystic allure of India. In the nine years he has traveled around the world, from 1969 to 1978, he has regularly written to his family. The documentary features interviews with Heitor today, his letters and off-screen comments of Heitor's sister, Lúcia Murat, the director of the movie.

Free adaptation of Romeo and Juliet translated to the harsh life in Favela da Maré, one of largest and most violent slums in Rio de Janeiro. Living in a slum divided between two rival gangs of drug traffickers, Analídia is the daughter of one of the gangs' leaders and Jonathan is a childhood friend of the other gang leader. Both study in a dance group situated exactly in the middle of the two territories, looking for solace in art.

Four years after a military coup overthrew the Brazilian government in 1964, all civil rights were suspended and torture became a systematic practice. Using a mix of fiction and documentary this extraordinary film is a searing record of personal memory, political repression and the will to survive. Interviews with eight women who were political prisoners during the military dictatorship are framed by the fantasies and imaginings of an anonymous character, portrayed by actress Irene Ravache.

Stela, a young Brazilian actress, decides to make a work on the letters exchanged between Latin American plastic artists in the 70s and 80s. She travels to Cuba, Mexico, Argentina and Chile looking for her works and testimonies about the reality they lived during the dictatorships that most of these countries faced at the time. In the midst of the investigation, Stela discovers the existence of Ana, a young Brazilian artist who was part of this world, but disappeared. Ana went from southern Brazil, from a small town in the interior to Buenos Aires. Obsessed by the character, Stela decides to find her and find out what happened to her.

Fantasies and clichés about Brazil and Brazilians as reinforced by international films, even those actually shot in Brazil. This documentary features interviews with non-Brazilian directors, writers and stars who have been involved in some of those films.

Camila is a Portuguese therapist who works at Rio de Janeiro State University, where she attends Glória, the university's elevator operator. Throughout the sessions, Camila faces a very violent reality, since Glória was raped by the own father as a child and her brother Jonas is a dangerous bandit that is in prison. Increasingly frightened by the reports she hears, she feels threatened at the same time that Glória sees her as essential in her life.

The Nicaraguan Revolution and the US presence in the country since the 1930s, highlighting the overthrow of the Somoza regime in 1978–79.

A group of friends, who resisted the military dictatorship, and their children will face the conflict between the daily life of today and the past when one of them is dying.

The history of Brazilian popular music in the 20th Century, focusing specially on the life and works of intriguing singer Mário Reis, a loner who, with his special way of singing - whispering and softly saying the words - in a time when singers with potent voices ruled, was in a way a forerunner of Bossa Nova style.

In his film Rua Aperana 52 Júlio Bressane describes the invention of a landscape, the topology of a corner of Rio de Janeiro. The film consists of a series of photographs taken between 1909 and 1955 by, among others, Bressane's parents at and around the address used as a title. These are interlarded with scenes from films made between 1957 and 2005, bringing the total fictional time the film covers to almost a century; one hundred years in which the winding road featured in almost every shot structures the new landscape behind the Aperana, which means 'wrong road'. Rua Aperana 52 is autobiographical, as it is a landscape from Bressane's youth, but it is also not so; it is more a multi-subjective mythology of a place seen through all those films and photographs. Bressane refers to his editing as an intuitive form of thinking aimed at evoking moods which make the viewer the new witness of the fictional landscape. A fiction about a fiction,

An essay around the streets, as an homage to Fernando Pessoa

Sentimental Education centers on the unique relationship between Áurea, a lonely 40 year old teacher, and a young man she has just met by chance – one of these encounters which mythology and literature are full of. A delicate soul who finds itself attracted to a beauty that seems to demand, disturb and move her. That shakes her up entirely. During the days following their first conversation, she will expose all her feelings through classes in which he will let himself be carried away. Until an unusual episode from the past is revealed and changes everything.

The great battles are the backdrop for the unfolding of the Egyptian Queen's personal life. The strategy of Cleopatra is to seduce the Roman General Julius Caesar and Mark Antony to protect their civilization.

Brazilian director Julio Bressane directs this religious biography on the life and work of Saint Jerome, the monk who first translated the Bible into Latin. Set both in the desert and in the posh confines of the Vatican, Jerome (Everaldo Pontes) agonizes over which Latin word would best fit its Hebrew counterpart. ~ Jonathan Crow, Rovi

A delicate and tenacious writer, widowed three years ago, engages in frequent conversations with a parrot. However, she’s always observed by a large portion of raw meat.

In September 2007 Júlio Bressane goes to Ferrara. In the cemetery of the Italian city he ends up making two movies.

A curious couple, whose existence takes place where art arises along a singular metaphysical desire. They search for it through repeated and varied representations, in a setting of light where hope and desperation blend together.

A cinematographic essay, without dialogues, about the months Nietszche spent in Turin, Italy, with narration quoted by his original writings.

Three metropolitan stories entwine in São Paulo. Would-be actress Marina arrives in the city looking for independence, falls madly in love with Justine, a bisexual rock singer, and is swept up into her wild, edgy lifestyle. Marina shares a flat on Avenida Paulista with Suzana, a mysterious transsexual lawyer who begins a relationship with a male colleague who is unaware of her condition. Jay lives a few floors above them. He is a frustrated writer trying to give a meaning to his life by idealizing a stunningly beautiful prostitute, whom he transforms into a sort of muse. Following the frenetic pace of the city, the three "Paulista" characters will experience the euphoria of passion and its downside.

A story about the lies, treachery and vengeance of a middle-class family living on the outskirts of São Paulo. Four characters try desperately to change their lives, but are unable to escape their destiny.

Orson Welles acted in Brazilian culture and music by deeply researching Brazil's historical geology, consciously completing a legendary cultural mission. Although being turned down by Hollywood producers, he developed a triumphantly accomplished mission in the language domain - three friends of Welles' testified his love for cinema, his passion for Brazilian music and people and his obstinate endurance against formidable pressures coming from inside and outside Hollywood regarding his unfinished "It's All True".

Orson Welles goes to Brazil to shoot his documentary It's All True.

Documentary about power and class relations in the sociocultural context of Bahia, considering the history of oil extraction in the state.

Homage to the great Brazilian samba songwriter Noel Rosa (1910-1937).

A short film made with unused footage from The Red Light Bandit and Carnaval na Lama.

João Gilberto receives Caetano Veloso, Gilberto Gil and Maria Bethania during the recording of his album Brasil.

Man tries to decipher a manuscript about an ancient civilization and gets involved in strange situations. In fact, the plot is just an excuse to tackle the subjects of mysticism and human condition.

Sonia Silk dreams of being a singer of the National Radio and in order to survive she surrenders to tourists in Copacabana. Her brother, Vidimar, Dr. Grilo's domestic servant, falls in love with his employer. Sonia's mother and Vidimar thinks that both are possessed by the devil. Sônia, who sees spirits lower in beings and objects strangers, resolves to look for the father of Santo Joãozinho da Gomeia.

Documentary short that synthesizes the evolution of comic books since Yellow Kid until Spirit.