Ana Maria Magalhães
A magical tale about a young photographer who falls madly in love with a woman he can never have, except in his dreams. Late one night, Isaac is summoned by a wealthy family to take the last photograph of a young bride, Angelica, who mysteriously passed away. Arriving at their estate, Isaac is struck by Angelica's beauty, but when he looks through his lens, something strange happens - the young woman appears to come to life. From that moment, Isaac will be haunted by Angelica day and night.
To celebrate the life and the work of a multifaceted creator – playwright, poet, partner of the most important names of Brazilian pop music and, above all, an enlightened character of the Brazilian cultural history - director Miguel Faria Jr. gathered an incomparable cast of partners, singers, friends and rare images from the archives recalling Vinícius’ genial simplicity, with the spontaneity, the humor, and the freedom of a person chatting over a bar table, exactly how the eternal Vinícius would enjoy.
Documentary about Brazilian filmmaker Glauber Rocha, one of the most important names in the Cinema Novo, with interviews with some of his friends and colleagues.
"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."
Four women filmmakers examine sexuality in this anthology. Segment 1 is entitled "Let's Talk About Sex" and is the story of an aspiring actress whose day job is as a phone-sex operator. Tiring of listening to callers' fantasies, she finds a caller who is willing to listen to hers. Segment 2 is called "Taboo Palor" and tells the story of two lesbians, who, for variety, pick up a man for sex. He ends up getting more than he bargained for. Segment 3 is "Wonton Soup." Here an Australian-Chinese man tries to rekindle his affair with a Chinese woman by returning to their roots: both in the kitchen and in the bedroom.
Six episodes set in and focusing on the history of Brasília, the capital of Brazil. Episode list: A Paisagem Natural (dir. Vladimir Carvalho), O Sinal da Cruz (dir. Pedro Jorge de Castro), A Volta de Chico Candango (dir. Roberto Pires), Além do Cinema do Além (dir. Pedro Anísio), Suíte Brasília (dir. Moacir de Oliveira) and A Capital dos Brasis (dir. Geraldo Moraes).
Collective film with five segments around the works and life of brazilian writer Oswald de Andrade.
Maria Eduarda "Duda" Pinheiro is a successful top model. After being hired to model Covery brand clothes, she meets the Kundera brothers, Alex and Gaspar, owners of the company. Gaspar, a former beatnik, is over 40 but still practices surfing, lives in a beach-side house and raises five children: Elvis (named after Elvis Presley), Ringo (Starr), Jane (Fonda), Olívia (Newton-John) and (John) Lennon, all from different mothers who left them with him. Anastácia "Naná" Passos, Duda's friend and mentor, loves him platonically, and rivalizes with Mariza Borges over him. Alex by contrast is a yuppie. He and their mother Morgana have a love-hate relationship and rivalry with his brother over Morgana's attention and the company. Alex begins to love Duda, however she falls in love with Lucas, a graffiti artist who is on the run from the São Paulo police due to his involvement in a crime there. He is also searching for his real father, and thinks it's either Alex or Gaspar.
The friends Curió, Boroca (Dedé Santana), Mexelete and Bateia they venture in search of gold in the mine of Serra Pelada. The area is controlled by the foreigner Von Bermann, whose orders are executed by the bully Bira. Thirsty of being able to, the foreigner smuggles the gold and he wants to take possession of the lands of the Brazilian Ribamar, that refuses to do business before the son's arrival Chicão. With the help of the four dabblers, the boy struggles with the thieves and it helps the father in danger.
Four Third-World Christs try to stop the American industrialist John Brahms in Glauber Rocha's experimental film inspired by Pier Paolo Pasolini's murder.
Noronha is a low middle-class civil servant who lives with his frustrated wife Gorda and their three elder daughters. The youngest one, virginal Silene, is unexpectedly sent back home. Noronha discovers she has been expelled from boarding school for having killed a female cat and her seven newborns in a hysterical fit. Many dark family secrets will emerge from that episode leading to tragic events.
Documentary on famous Brazilian actresses, female directors and the role of women in Brazilian film history.
History of a famous Brazilian bandit of the early seventies and his fight against a death squad.
Life and death of the jesuit who fought for the peaceful relationship between colonists and Indians
A documentary that presents home movies and several excerpts of known films of famous actress Leila Diniz. Friends of the late actress, tragic killed on a plane crash in 1972, discuss about her life, her work and her legacy in Brazilian culture.
Unable to endure the idea that he would go without punishment, a criminal's victim chases him the length and breadth of Brazil for a showdown.
Joana is a sophisticated, beautiful woman, so she has a choice of lovers, and destinies. She will let down Pierre, the French consul at São Paulo, and with him the frivolity of tea-parties and comfort. Her wild inner-soul will develop into the wild forest surroundings of a landlord's farmhouse. To the extent she will defend her land like a 19th century owner - of lands and men alike.
Music manager has to get three of his artists together for a special show, but soon finds out it isn't an easy task.
Brazil, 1594. The Tupinambás natives are friends of the French and their enemies are the Tupiniquins, friends of the Portuguese. A Frenchman is captured by the Tupinambás, and in spite of his trial to convince them that he is French, they believe he is Portuguese. The Frenchman becomes their slave, and maritally lives with Seboipepe.
In a small town in the State of Minas Gerais, Brazil, a woman rebels against local morality after her child dies, with tragic results.
Middle-class teenage girl has a serious boyfriend that her parents approve of. Suddenly, she meets another boy with whom she is shown to have a greater identification.
In another literary adaptation – this time Machado de Assis’ novella O Alienista – and his first color film, dos Santos unleashes an extravagant, maddening excoriation of Brazil’s military dictatorship of the 1970s. As usual, the director exploits all cinematic constituents in his palette – a radically intrusive and discordant soundtrack, non sequitur editing, exaggerated camera angles and all manner of carnivalesque pageantry – to illustrate the tale of a doctor/priest on a mission to discover truth through the study of madness. The population of his asylum grows as his definition of sanity fluctuates until it finally threatens to incorporate the entire town. The film’s own irrational reversals and allegorical codes gleefully mock the arbitrariness of authoritarianism in all its varied guises. -Harvard Film Archive
Chronicles the life of a 17 year-old girl living in the upper-class Rio de Janeiro neighbourhood of Ipanema. Márcia lives a life of parties and spend her days among bohemians, musicians and intellectuals. While seeming happy in the outside, she's extremely anguished inside. Based on the famous song by Antonio Carlos Jobim and Vinicius de Moraes.
Womanizer suddenly finds a woman who makes him change the way he looks at women. He falls in love, and believes she is in fact all women in one. Because of that, he has to face an important decision: to go on with his old life or embrace this special relationship and become a monogamous man.
