Persian Carpet

Irreverent city engineer Behzad comes to a rural village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.

A train travels across Italy toward Rome. On board is a professor who daydreams a conversation with a love that never was, a family of Albanian refugees who switch trains and steal a ticket, three brash Scottish soccer fans en route to a match, and a complaining widow traveling to a memorial service for her late husband who's accompanied by a community-service volunteer who's assisting her. Interactions among these Europeans turn on class and nationalism, courtesy and rudeness, and opportunities for kindness.

We can see rocks on a sea shore, with cavities, in one of them, the highest, there are 3 seagull eggs, and the waves slam that rock.

Abbas Kiarostami shoots a documentary about the AIDS crisis in Uganda.

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.

A middle-aged Tehranian man, Mr. Badii is intent on killing himself and seeks someone to bury him after his demise. Driving around the city, the seemingly well-to-do Badii meets with numerous people, including a Muslim student, asking them to take on the job, but initially he has little luck. Eventually, Badii finds a man who is up for the task because he needs the money, but his new associate soon tries to talk him out of committing suicide.

After the earthquake of Guilan, the film director and his son, Puya, travel to the devastated area to search for the actors of the movie the director made there a few years ago, "Where Is My Friend's House?" (1987). In their search, they found how people who had lost everything in the earthquake still have hope and try to live life to the fullest.

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

Plot unknown.

During breaktime, Dara and Nader have a fierce argument about a torn exercise book that the former has given back to the latter. There are two possible outcomes, which the film shows one after the other. One is that Dara wants to get his own back, and the two boys start a violent fight; the other is that they work together to mend the exercise book with a little glue.

A man contemplates life and compares it to a pear tree in his yard which stops producing fruit.

Sara is the perfect young housewife. When husband Hessam requires an expensive emergency operation abroad, it is she who works for the funds. For the next three years she labors secretly to pay the shady loan shark and save Hessam - until the truth is revealed and with it, the reality of her marriage.

The story of a professional photographer Hamed Aban and the radical change in his life. The teacher of his son gives him a book about nature and the cleaning of it. This changes him radically. He goes and hires himself in the municipality, wearing the orange suit like them and cleaning the streets, collecting garbage. Meanwhile his wife who is in Europe back home and is very angry with him. She insists on him to get back to his former work but he refusing. Then she wants a divorce and to take the son with herself to Europe.

A satirical comedy about the oddball inhabitants of a Tehran apartment building and their landlord.

Set against the stunning landscape of rural Iran, Shirak is a symbolic rural drama centered on a young boy who lives in a small agricultural village that is being terrorized by wild boars. When his father is mauled to death by the boars during an attack on one of the village fields, Shirak suddenly finds himself the head of the household. Determined to hunt down the dangerous animals and kill them, he picks dates in order to be able to purchase a watchdog from one of the local villagers. Together, Shirak and his dog confront the beasts when they attack the village.

Ali is son of a well-off family who plays the santoor (an Iranian instrument) and has earned some reputation through his concerts and teaching music but is rejected by his family because of this profession, which they despise. He falls for one of his music students but after a short blissful period, life doesn't treat him as well as before and also his addiction agonizes him in his numbered days before redemption.

A woman tries to escape from the much older man she was forced to marry.

Laminar, means the first step and chords that guitar learners learn. This movie is about a girl musician.

A mother of a poor family, has guests coming over, yet doesn't know how to get the dinner party altogether with limited resources.

This is the first fiction short movie of Panahi, who offers us his vision on what it is like to be a young boy and is considered to be an homage to Abbas Kiarostami's 'Bread and the Alley'

A yellow cab is driving through the vibrant and colourful streets of Tehran. Very diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comedic and dramatic drive…

When a young Iranian's mother doesn't meet her after school, she tries to negotiate the streets of Tehran by herself.

Jafar Panahi's short film, shot with one uninterrupted long take, about siblings trying to sell a carpet in need of money.

Renowned Iranian director Jafar Panahi received a 6-year prison sentence and a 20-year ban from filmmaking and conducting interviews with foreign press due to his open support for the opposition party in Iran's 2009 election. In this film, which was shot secretly by Panahi's close friend Mojtaba Mirtahmasb and smuggled into France on a USB stick concealed inside a cake for a last-minute submission to Cannes, Panahi documents his daily life under house arrest as he awaits a decision on his appeal.

A portrait of the Panahi family's matriarch as the pandemic makes it more difficult for intergenerational connection.

Various women struggle to function in the oppressively sexist society of contemporary Iran.

Roughly titled Where Are You, Jafar Panahi?, it follows the filmmaker and Iranian director Majid Barzegar on a 20-minute drive to Kiarostami’s grave, during which time “the two friends speak appropriately of cinema, but also censorship and festivals, police power and ideology.”

A man, his dog, a young woman and a filmmaker in a house by the Caspian Sea. All three are wanted, but they are also in search of each other. Thus begins an absurd game in which reality and fiction merge.

The famous actress Behnaz Jafari has no idea what to do when she receives a video in which a young girl is begging for help after her family did not allow her to study at Tehran Theatrical University. Behnaz abandons her shoot and turns to the director Jafar Panahi so that they can help the girl deal with her problems together. They drive to the northwest of the country, where they meet the charming and generous people of a mountain village. But Behnaz and Jafar also observe that in these places, it is the traditions of their ancestors that completely determine the way of life.

Farhad has lost his eyesight due to an injury sustained in battle. As part of his recovery, he is transferred to a temporary hospital, where he encounters young nurse Sheida. Sheida is surprised by his tolerance to the pain of his injury, but soon realises that her recitation of Quran verses has a miraculous calming effect on him. And as the two start to grow closer and Farhad begins to heal, they find themselves on the path between faith and hope, and the true nature of both is revealed to them.

Ghodrat Samadi wants to become a member of parliament, but he has a reputation for recklessness and taking arbitrary action. Deciding his best course of action is negotiating with assorted parties and politicians, none take him seriously until he's connected to a single, notorious incident.

During the Iran-Iraq war, a television cinematographer, having financial problems, needs to get a loan from the TV to complete his half-built flat so one of his colleagues suggests him going to the war zone under the pretext of making a documentary about the Iraqi captives for the sake of accompanying another man who is so influential in TV's treasury, so that he can take his loan more easily. However he doesn't want to get to the line of fire, his sanctimonious demeanor leads him to something more precious than what he started his journey for.

The adventure of a plane crash with passengers who have different secrets; the secrets that are not supposed to remain hidden forever...

Japan and Iran are not in close relationship. More than 4 centuries ago, however, Persian carpets were used in the festival of Takayama, a historic city in mountainous area of Honsyu. A man planned to resume the carpet in the festival, and asked Kinue, a Persian carpet designer, to design it. Kinue's husband, Makoto, is a carpet importer. They send the design to Iran to weave the carpet. But just before Makoto goes to Iran to receive the carpet, Kinue dies of a traffic accident. A month before the festival, Makoto went to Isphahan, Iran, to receive the carpet. He brings his daughter Sakura, who does not open her heart after she lost her mother. To surprise, the carpet production has not even started. It will take 3 months from the start. For Makoto it means he betrays not only the festival planners but also his late wife.

A television series about Mohammadhossein Shariar's life, directed by Kamal Tabrizi, aired on IRIB channel 2.

The satirical commentary on clergymen in post-revolutionary Iran. While in prison, petty criminal Reza (Parviz Parastui) comes across a clergyman, sparking a plan for escape. Reza dons his new acquaintance's clerical robes and makes a bid for freedom. He soon learns that being a clergyman brings little respect from the public. Reza travels to the outlying villages, from where he plots to escape the country. However, his plans must be put on hold when the villagers accept him into their community and expect him to perform religious duties. Will Reza's prison break transform him into an unlikely pillar of the community?

In a sanitarium for injures of war some ghosts are waiting and wandering about but for different reasons.

This documentary is about Eskandar Firouz, a distinguished Iranian conservationist, and former Director of the Department of the Environment in Iran.

A mother's courage, hardship, and love, in times of war. In 1988, during the Iran-Iraq war, Gilane escorts her pregnant daughter, Maygol, from the relative calm of their village, Espili, into war-torn Tehran to search for Maygol's husband, Rahman. The journey is arduous and what they find when they reach the capital is dismaying and frightening. Fifteen years later, as another war begins in Iraq, Gillane is at home caring for her son Ismael, who suffers from epilepsy, a byproduct of war. As she cares for him, she hopes for a visit from the doctor and from another daughter, Atefah. "Better be a dog than a mother," she says.

Morteza Olfat is an ordinary employee who has lots of problems in his life. One day, he happens to find fifty thousand dollars. He says nothing to anyone and tries to exchange the cash.

After spending all his money buying a piece of land that was already sold to someone else, Nasrallah Madadi finds himself in trouble. To solve his money problems, he then decides to be the offender of fraud rather than its victim. Getting himself involved with a pair of criminals, he begins a crooked business selling a same yellow taxi to different buyers, only to steal it back from them and sell it again. In a fascinating portrayal of human nature, Canary Yellow follows Nasrallah through the ups and downs of his double-sided experience of crime. But will it all end with the better life for his family he hopes for?

An elderly owner of a tomato farm and sauce factory, after his wife's death, falls in love with one of the workers of the factory endangering his relationship with his daughters and in-laws. While everybody in the big family persuades the old man to abandon the relationship with the poor girl, the old man makes his final choice of love.

Aboard the top deck of a cruise ship, Baran, a young wealthy girl, notices a native boy who is dancing joyfully to beating drums. Baran arrives at a plush hotel on the mainland, however she seems somewhat disconsolate. Later she finds the native boy again and they begin to bond, playfully exploring the beach resort together. Later, the two go aboard a row-boat and the native dives down into the water to collect a pearl from the seabed for her. However, the ending leaves the audience to wonder if he was a figment of Baran's longing imagination all along. Well-shot and with a strong performance from Baran Kosari, this film perfectly captures the bittersweet pangs of young love.

A sharp-edged look at people who live outside the constraints of Islamic law.

Tuba works daily at a grueling textile factory in Iran, returning home every night to deal with the rest of her problematic family, which includes: a pregnant daughter whose husband beats her regularly; a teenage son, who's been getting into trouble due to his burgeoning career in radical politics; and an older son who goes to great lengths--such as attempting to sell the family's meager house--in order to get an engineering job in Japan as a means of getting out of Iran.

Forough Kia is a film-maker who got divorced from her husband many years ago and now is living with her son Maani. She decides to make a documentary about perfect mothers. In order to do so she meets many mothers to chose the perfect mother among them. She finally decides to quit making this film because of tiredness but doctor Rahbar wants her to continue. Maani is teasing her every day preventing her from marrying doctor Rahbar but she finally decides that she wants to marry him.

Directed by Rakhshan Bani-Etemad.

Death surrounds Bahman, a director who hasn't made a film in 24 years (he can't get past the censors). He's working on a documentary, for Japanese TV, on Iranian burial practices. On the anniversary of his wife's death, a hitchhiker tells him a story of spousal abuse and infant mortality, he discovers that someone has been buried in his plot next to his wife, and he needs the help of his attorney, a well-connected fixer. He dreams of death, even as he investigates it for his film. His niece's husband, a well-known writer, fails to return home; he searches hospitals for an unclaimed body. His heart disease is flaring up. Is he prepared for death? Is that all that's left?

Prince Ehtejab, one of the last remaining heirs of the Qajar royal family, is suffering from tuberculosis, which he knows is fatal. He spends his last days alone in the magnificent rooms of his wintry palace, from where he recollects the glory days of his ancestors as well as days of degradation. Among the latter are the gruesome manner in which his cruel grandfather murdered his mother and brother, and the way that he himself caused the death of his wife.

Two old writers who one of them is returned to Iran after 38 years because of his son's suicide, are going on a trip to the grave of that son.

Director Bahman Farmanara's second film following a 20-year exile from his native Iran depicts the spiritual crisis of a middle-aged man. In the film's dreamlike opening scene, Dr. Reza Sepidbakht (Reza Kianian), a well-off Tehran gynecologist, thinks he runs over an angel while driving home at night with a call girl. The next morning at the hospital where he works, he is shown a comatose boy who is famous for having memorized the entire Koran. These two events cause him to rethink his cynical outlook on life and his relationships with his elderly father, wayward son, and the women he has mistreated since becoming estranged from his wife. When the boy awakens from his coma, Dr. Sepidbakht begins to look to him for answers.

Taher Mohebi is a well-known writer who, after witnessing a violent murder, breaks down and spends three years in a mental institution. After release he is told that things are just as they were before, but his relentless hallucinations make him want to return to the institution.

Based on a short story by Houshang Golshiri, who also collaborated with director Bahman Farmanara on his breakout feature Prince Ehtejab (1974), this film centers on mysterious and chilling events that take place in a village. A group of superstitious inhabitants have erected a scarecrow for protection but soon find themselves terrorized by it. Made at the end of the Shah’s reign, the film offers a metaphorical reflection on power relations — how people create their own idols who turn around to terrorize them. The film’s alleged political message was found so dangerous that it was banned both pre- and post-revolution. It was presented to great acclaim in Cannes Film Festival’s Critics' Week section.

Bahram Farzaneh is a writer who has long been unable to write a story. Suddenly, due to a car accident, a song is repeated in his mind that brings him to dance. The same thing stirred up the passion for writing.

Mr. Namdar is an artist who lives by himself alone in a remote village peacefully. But when his niece comes from the city to the village to visit him his life changes radically and for ever.

An artist's life who lives in a village of Kurdistan,Iran has been changed because his nephew enters to the village.

Chakameh who has lost both her husband and child in a car accident meets a guy who recently been released from prison. While she is under pressure from the lawyers to compromise with the arrested driver, the guy told her his story of why getting arrested and then released from prison.

Ghali-e sokhangoo in Persian Carpet

A young man, suffering from loss of memory, drifts in on a canoe onto the shore of the Persian Gulf. He falls in love with a beautiful village woman and settles down, until strangers come from the sea and attack the village. The young man decides to return to the sea to save the village from further harassment.

Approximately year eighty of the Persian calendar. In a busy crossroads of Tehran, a woman and a man run into one another, torn apart by the events of the last fifteen years.

Famed actress Susan Taslimi plays three roles here: Kian, who doubts her identity; Vida, the twin sister, a self-assured artist; and their mother, who gives up one child out of fear of poverty, then deprives the other of affection because she deeply regrets the child whom she has abandoned.

The story is about two poor boys’ search for their father through a Journey from downtown to uptown. Two hungry boys are forced to move through the events, people and unrealistic and risky places in a nightmarish way. A daily journey in search of their lost identity and worth!

A young woman's wedding becomes a ritual of mourning when her sister and family die in an auto accident on the way to the wedding. The sisters' mother refuses to accept her daughter's death, and in the midst of wedding guests and mourners, including the drivers of the truck that caused the accident, she orders the wedding to take place. But how can the daughter marry in the midst of a wake and without the family's traditional mirror, which the sister was bringing to the service?

A lonely old man takes to terrorizing the kids who build a football pitch next to his house.

A well educated and humble teacher arrives in a new city and at a new job in the pre-revolutionary Iran. He falls in love with a hardworking underprivileged young woman that nurses her very old mother and raises her young brother. In an environment where commitments and social problems often stand in the way between people and their dreams.

A newly released prisoner and an ostensibly rich youth become aware of the place of Tsar's long lost treasure by a twist of fate.

When his business partner is hurt in a car accident, happily married Mahmoud (Fariborz Arabnia) must travel to Tehran, where he falls for the beautiful Sima (Hedye Tehrani). The two agree to a "temporary marriage," but problems arise when Sima doesn't want the arrangement to end. Sima's reluctance to play her expected role in this common Islamic practice soon turns to obsession in this smash hit from Iran.

A group of anti-revolutionary monarchists based in Paris plot the overthrow of the Iranian government, with the help of powerful but shadowy American forces. They are arranging for the gradual smuggling of components into Iran to build a small nuclear weapon, for which they use eleven mules, each carrying a different part. The plan is that one week before the International Atomic Energy Agency is to inspect Iran’s nuclear facilities, they will detonate the bomb near a famous sports stadium in Tehran in order to cause mayhem and mass destruction and discredit the Iranian government. Written and directed by Behrouz Afkhami, from a story that is loosely based on the novel The Fourth Protocol by Frederick Forsyth.

Nyatollah is a rich stingy guy who loves money. One day when he goes to the court to do a job for a friend he is thrown from the roof. This is the beginning of his acquaintance with Djin and the beginning of his adventure.

Ali Hatami's film on the life of Iranian wrestling champion Takhti remains unfinished. Another director is assigned by the I.R. Intelligence Ministry to finish the project. The new director wants to carry out research on the life of the champion, and it would seem that he will have to solve numerous problems before he can finish the job.

An Alzheimer's patient is checked into a long-term care facility while he believes his wife to be missing.

Shahdokht who is the wife of the famous actor Parviz, accidentally enters the world of cinema by being cast as an actress in Parviz's last film and becomes a serious rival for him. He becomes jealous of her and their relationship becomes sour. Until their daughter who lives in Europe is suddenly return home without a notice.

A young man leaves his birthplace, Isfahan, to come to capital city ,Tehran, to forgot his childhood memories. He is the storyteller and he tarts revealing his dreams which have been started a few months after the death of his father. In these dreams father persuades him to go to the Gav Khuni Swamp

A mother and wife is on the brink of an attack. Hengameh Tahareh Ghaziani lives with her husband, her son and daughter in a middle class neighborhood, and spends his days taking care of their needs.

On New Year's Eve, a young soldier is looking forward to going home but is given orders to escort a juvenile delinquent to a distant reformatory. He sets off with the child handcuffed to him.

Dr. Alam, a very profiled specialist in neurology and a successful surgeon, is drowned in his professional and social work, in a way that he has totally forgotten all about his son Saman. Samantha the beautiful nights of desert with it starfull sky attracts Saman to itself and the young boy falls in love with night sky and observation of stars. Due to an event the doctor leaves his profession and work behind and goes through the desert to find his son.

A Film By Reza Mirkarimi

Seyyed Hassan, a young seminary student, is preparing to don the clerical attire. While the other students are also busy with similar preparations, Seyyed Hassan's supplies are stolen by a small boy. To identify the culprit, Seyyed Hassan sets out for the suburban area where he meets people who have never met a cleric and know nothing about the clerical profession. Under such unfamiliar circumstances, Seyyed Hassan acquires a new understanding of society and human beings.

A Tehran taxi driver becomes the impromptu protector of a desperate young pregnant woman after he rushes her to hospital, in this delicate, deceptively small-scale drama from award-winning Iranian director Reza Mirkarimi.

Throughout the two days preceding her long-awaited wedding, amid the flurry of arriving relatives and the preparation of a seemingly endless array of colorful, culinary delights, young bride-to-be Pasandide finds herself the center of attention. The event also proves an occasion for extended family to reconnect, reminisce and rejoice in the pleasures of familiar company. The family compound of aged Uncle Ezzatolah proves an ideal site for this summer reunion among three generations, with its lush courtyard gardens, labyrinthine parlors and passageways and erratic electrical system (subject to untimely city blackouts).

When the mother of a separated family dies, Jalal the father returns to sort things out but he does not want to take the children with him.

Ghodrat is a disabled simple young boy who lives with a watchman of a shrine in a village. The watchman thinks that the people of village are having a misbelief to the shrine and they seldom come there like before. On the other hand people have lost their faith since none of their wishes and requests have been fulfilled by the shrine. During this time the watchman leaves the village for some time and puts Ghodrat in charge of shrine works. Ghodrat has this gift to communicate with spirits of those buried in shrines garden. Being so simple he spends all the belongings and the money of the shrine for the people and very soon the shrine is empty. One night a shepherdess loses her sheeps in darkness. Ghodrat who is in love with the girl, holds a light all night till morning until all the sheeps come to shrine .The next morning Ghodrat leaves the village by train towards a place where he believes the Master of shrine is there.

A young girl leaves her hometown in south of Iran for a half day trip without permission of his strict father to attend a close friend's goodbye party. In her way back home hazy weather changes all she planned.

Directed by Khosrow Sinai

An engineer attempts to keep his family safe from the revolutionary turmoil of 1978 Iran.

Documentary on Iranian modern art featuring iconic figures such as Jalali Sousan-Abadi, Jalil Ziapour, Marcos Grigorian, Behjat Sadr, and Sadegh Barirani; along with footage of art openings and studio life.

THE LOST REQUIEM is a documentary film by Iranian filmmaker Khosrow Sinai about Polish refugees in Iran during the second world war.

After watching a documentary on television about Polish refugees who fled to Iran during WWII, a young actor named Sohrab believes that the people in the film may be his relatives. He travels to Tehran to meet the director with the intention of trying to find his lost family.

Directed by Khosrow Sinai.

'Sardie Ahan' is an artistically filmed portrait of a weightlifter as he prepares for a competition. Set to tension-building drumrolls and dramatic music, Khosrow Sinai's short film cuts back and forth between still pictorial images of past triumphs and the anticipatory build-up of a lift.

Documentary about the life and works of Sadegh Hedayat. It follows a teacher, a researcher, and a journalist as they discuss some of Hedayat's most famous works and their influences. The film intermixes the three conversing along with a narrated history of the author with images.

A docudrama about art and creativity; based on modern art gallery in Tehran and its founder Jazeh Tabatabai.

There are 50 different colours of soil on Hormuz Island. An eco-artist travels there to teach the women inhabitants how to create works of art from the soil.

Feature film.

An Iraqi pilot crashes during the Iran-Iraq War over the Kurdish mountains, and two teams race to find him first: the Iranians who shot him down who want to arrest him, and the Kurds who want to save him from Iranian capture.

The camera of Janet Petrosi a christian girl who studies photography is stolen when she is in the flower market trying to take a photo. Amir a young guy who sells flower with his father ...

Officer Ghorbani is a good and on time police officer but when a mummy corpse is find his troubles and adventures begin and he has to find a way to save the mummy from the thieves.

Khosro Paziresh, poor inventor of a magical washing powder went to see the CEO to manufacture his invention But accidentally fell into the elevator shaft.

Death and love are sacrifices, which in principle, the woman's hero, takes the film to Paradise.

Leila and Bahram's mother is supposed to rescue her children from the troubles of their homeowners, home-grown, by buying a home loan and buying a home. But the hangman who lives outside the city does not want to see them calmly..

Hamid Afshari, the secretary at the courthouse (Parviz Parastui), is running out of money to buy a computer for his son. Desperate, he plans to kidnap Farzan, the son of Mr. Zare, a rich party that had a trial in court. For this, he takes for accomplice Asghar, a gangster already condemned. Asghar locks Farzan in a villa in the suburbs. To catch the kidnappers, Mr. Zare feigns a state of emergency and is hospitable. Hamid Afshari rushes to the hospital to inquire about his state of health. Roya, the nurse who informs her (Fatemeh Motamed-Arya), seems very welcoming and helpful. Finding her to his liking, Hamid feels very quickly in love with her...

The silence of this sleepy little town is soon disturbed when the residents begin to receive threatening phone calls. No one knows who is making them. The police fail to find any evidence leading to the anonymous offender. It seems the further they investigate, the less they know. Is it possible that the whole town is in danger? An intense and captivating horror that is filled with suspense.

Tensions abound in the relationships featured in the three episodes which make up the film - that between two young children and their stepfather, a cripple setting off alone on a pilgrimage without the company of his fellow villagers, and a teacher returning to his remote village and finding himself the subject of unrealistic expectations of the other villagers.

Magic Carpet...

Excellencies...

A Playground for Baboosh...

Animated short film

Iranian Animated Short

Pood, Persian Carpet...

Association of Ideas...

The Mad Mad Mad World....

Neighbours...

Pilot for a TV series