Pubertad, adolescencia, la edad difícil

Jorge Martin is relentlessly stalking a gang of outlaws led by the ruthless Slim (Jack Elam) who raped and murdered his bride.

Set during the American Civil War

After the death of Queen Mercedes, Alfonso XII's first wife, the problem of the succession is raised. The monarchy needs a heir and the King choses María Cristina from Habsburd to be the futur spanish queen. But Mercedes memories will be against the marriage and the long-awaited son will born when Alfonso is already dead.

based-on-novel

Los Pistoleros de Arizona known in the United States as Five Thousand Dollars on One Ace is a 1965 Spanish, Italian and West German Spaghetti Western film directed by Alfonso Balcázar.

This sequel to the popular spaghetti western "Clint the Stranger" was released four years after the success of the first film and essentially uses the same plot. George Martin returns as Clint (renamed Trinity in some countries), an ex-gunslinger desperately wanting to be forgiven and accepted by his family that he abandoned years earlier. One major differences in the plot when compared to the first film is the addition of Klaus Kinski as a ruthless bounty hunter. The bounty hunter tracks Clint down and forces him to return to his violent ways to protect himself and his family.

In CLINT THE STRANGER (CLINT EL SOLITARIO), also widely known as CLINT THE NEVADA'S LONER, Martin plays Clint Harrison, a gunfighter who has been on the run from a vengeful family for years. He returns to his home town to discover that his wife (Marianne Koch of FISTFUL OF DOLLARS fame) has taken his son and fled north to escape his unsavory reputations. Following her in an attempt to make amends, he rides into the middle of a land-grab war between a group of desperate farmers and an unscrupulous rancher named Shannon (Walter Byrnes from THE BIG GUNDOWN) and his brutal foreman (the always reliable Fernando Sancho). Promising his wife that he won't use this gun, Clint must stand by as Shannon's men eliminate the farmer's in a series of well-staged set pieces calculated to make the audience anticipate the inevitable moment when Clint is forced to turn his guns and settle accounts.