Santa Claus Has Blue Eyes
Daniel needs some money to buy a duffle coat that is in fashion, so he agrees to work for a photographer by dressing up as Santa Claus. He discovers that it is much easier to meet girls when he is in his costume.
Jean Eustache
Jean Eustache
Casts & Crew
Jean-Pierre Léaud
Gérard Zimmermann
Henri Martinez
René Gilson
Also Directed by Jean Eustache
Alix Cléo Roubaud, a photographer, describes her images to Eustache’s son Boris. An “essay in the shape of a hoax”, Eustache’s last film wittily questions the relationship between showing and telling as it gradually shifts Alix’s narration out of sync with what we see.
This landmark documentary by Jean Eustache, filmed in 1968, hilariously exposes small-town pomposity and naiveté as it chronicles the preparations for an annual contest to crown a village’s most virtuous young woman.
In 1979, under the presidency of the city mayor, the people of Pessac elect a virtuous and gracious maiden from amongst the residents, following a tradition that comes from times immemorial.
Unfinished film by Jean Eustache . A couple kisses. A group of friends talk inside a room. One of them reads from a paper.
In the French countryside it's the day for peasants to kill a big fat pig. The slaughter goes on for a great part of the day as they work to store 140kg worth of meat.
A man looks for a job, ignoring the selection process of employees. Part of "Contes modernes: A propos du travail."
Eustache’s debut film follows two young men near the place de Clichy, looking for fun and whatever trouble comes with it. Unsurprisingly, their attention ultimately falls on a girl. They go to a dancing called "Robinson". Spurned when she decides to go dancing with someone else, their thoughts quickly turn to revenge. Slowly, we discover the layer of despair that sits just under their carefree appearance. (kg)
Eustache’s grandmother Odette Robert was a key figure in his life, serving as a substitute mother during much of his childhood (My Little Loves was dedicated to her). In 1971, he recorded an interview with her that went largely unseen until 2003—Eustache never screened the complete film publicly, although a radically truncated version was presented on television. In a string of long, stationary takes, the camera watches over Eustache’s shoulder while he pours countless glasses of whiskey and Odette tells the stories of her life. A number of her themes resonate with those of Eustache’s films: cruelty, male philandering, the Rosière festival of Pessac. Number Zero is a return to origins—of cinema and of the self—and an experiment in narration, both restrained and deeply personal.
A group of friends listen as one man tells them a story about a time when, in a small cafe, he discovered a peephole into the ladies' bathroom and became addicted to looking through it at female genitals. They ask him questions and come to conclusions about sex. This is a filmed, scripted version. Then, the actual person who this happened to relates the same story; this time, however, it is an unscripted documentary, in which the same things occur as in the scripted one.