Spotlight on a Murderer
An old count hides just before he dies to annoy his heirs. The heirs search a manor for the count's body and are killed off one by one. Jean-Marie, his fiancée Micheline, and Edwige investigate the deaths and search for the count's body.
Pierre Boileau
Thomas Narcejac
Robert Thomas
Georges Franju
Georges Franju
Casts & Crew
Pierre Brasseur
Pascale Audret
Marianne Koch
Jean-Louis Trintignant
Dany Saval
Jean Babilée
Georges Rollin
Gérard Buhr
Maryse Martin
Philippe Leroy
Also Directed by Georges Franju
Clad in a featureless red mask, The Man Without A Face is involved in a single-minded pursuit of the fabled treasure of the Knights Templar in this tribute to the pulp adventure stories of Louis Feuillade.
An early example of ultra-realism, this movie contrasts the quiet, bucolic life in the outskirts of Paris with the harsh, gory conditions inside the nearby slaughterhouses. Describes the fate of the animals and that of the workers in graphic detail.
Once again in this documentary Franju depicts a distressing scenario, another of those corners of society hidden from everyday eyes: the tale of an abandoned dog finally taken to the pound, where a sad fate awaits it.
The planet is filled with dust and particles of all kinds, natural or originated by man. Such a state of things has of course a great many consequences for public health, with diseases like silicosis, inherent in various human activities, some of which are detailed (farming, notably the treatment of flax; industrial activity, particularly porcelain and cement work, coal mining).
Story of a young, inexperienced ship captain named Marlow, who struggles in solitude during the voyage with disease, insubordinate crew and vagaries of weather.
Georges Franju's Judex is an arch, playful tribute to the serials of the influential silent filmmaker Louis Feuillade. Franju shuffles through the plot of Feuillade's lengthy serial of the same name, about an adventurer named Judex (Channing Pollock) whose revenge against the corrupt banker Favraux (Michel Vitold) unleashes a complicated series of schemes.
A biography of the pioneer film director Georges Méliès, featuring his son André playing Georges, and with shots of his second wife, aged 90.
A lyrical evocation of times past and a reflection on the inevitable passing of time through the recollections of an old fisherman.
This Government-commissioned documentary was intended to reflect the modernisation of French industry. However, in Franju’s hands it became an ode to fire and a fascinating portrayal of industrial architecture.