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The Barbarian Invasions
In this belated sequel to 'The Decline of the American Empire', 50-something Montreal college professor, Remy, learns that he is dying of liver cancer. He decides to make amends meet to his friends and family before he dies. He first tries to made peace with his ex-wife Louise, who asks their estranged son Sebastian, a successful businessman living in London, to come home. Sebastian makes the impossible happen, using his contacts and disrupting the entire Canadian system in every way possible to help his father fight his terminal illness to the bitter end, while he also tries to reunite his former friends, Pierre, Alain, Dominique, Diane, and Claude to see their old friend before he passes on.
Denys Arcand
Casts & Crew
Rémy Girard
Stéphane Rousseau
Marie-Josée Croze
Dorothée Berryman
Louise Portal
Dominique Michel
Pierre Curzi
Yves Jacques
Marina Hands
Sophie Lorain
Johanne-Marie Tremblay
Mitsou Gélinas
Isabelle Blais
Markita Boies
Micheline Lanctôt
Denis Bouchard
Sylvie Drapeau
Dominic Darceuil
Yves Desgagnés
Gilles Pelletier
Jean-René Ouellet
Lise Roy
Macha Grenon
Gaston Lepage
Daniel Brière
Sébastien Huberdeau
Rose-Maïté Erkoreka
Roy Dupuis
Sébastien Ricard
Bonnie Mak
Frédéric Gilles
Denys Arcand
David Gow
Dawn Lambing
Valérie Jeanneret
Valérie Wiseman
François Domerc
Julie Beauchemin
Fanny Mallette
Also Directed by Denys Arcand
Jean-Marc is a man without qualities living in times that are out of joint. His wife and children ignore him; he's a mid-level government functionary in Montreal doing his job without care. He has an active imagination of sexual conquest, but his only real feelings come when he visits his aged mother, whose health is failing. When his wife leaves abruptly to work in Toronto, Jean-Marc sets out to reorder things with his daughters, his social life, and at work. In a world that at best is a farce, does he stand a chance?
Footage of Québec City locations and the artwork of well-known Quebec animator Frédéric Back are used to tell the tale of Champlain’s life in New France – from his first explorations and settlement to his death in 1635.
Six stories about Montreal. 1: A young housewife from Toronto samples the nightlife using basic French. 2: The tale of a painting of Montreal's first mayor, Jacques Viger. 3: During a hockey game, Madeleine tries to tell Roger she wants a divorce after forty years of marriage. 4: A visitor to a conference on pictographs arrives at the airport, where the female customs officer steals a momento from each person. 5: As she is being driven to the hospital in an ambulance after an auto accident, Sarah recalls her life. 6: At a diplomatic reception, an older woman reminisces about her grand love in Montreal.
Ovide Plouffe has married Rita. She still tries to attract other men even after their marriage. Unhappy Ovide feels for Marie - a young French woman he had met. But his catholic background and surrounding can't let him love another woman or divorce from his wife. So Ovide finishes with Marie and plans a trip with Rita hoping for reconciliation. At the last instant he announces to Rita that he can't make the trip. She goes alone. The plane explodes, and Ovide is suspected and arrested for this horrible crime.
Made shortly after the referendum on Quebec's independence was held, this documentary illustrates what the politicians' promises were and how the population did not really care nor truly understand what was really at stake, even though just about everyone had an opinion on the subject.
A group of actors putting on an interpretive Passion Play in Montreal begin to experience a meshing of their characters and their private lives as the production takes form against the growing opposition of the Catholic church.
This film establishes a parallel between the 1970 electoral campaign in Québec and the 1936 campaign dominated by Maurice Duplessis. It shows the hope but also the uncertainty that existed in 1970. Had the Quiet Revolution really changed things in Québec? Was it possible that a new leader would emerge on the political scene? (NFB.ca)
In an era of political correctness, identity evolution, protests, cultural scandals, activism, media storms, and other disputes, an elderly man no longer having faith in humanity, discovers new landmarks and thus his happiness.
An encounter between Russian and American volleyball teams, presented more as an essay in the choreography of the players' movements than as a play-by-play report of a sports event. Various camera tricks are used to dramatize the action, notably stop-motion, that freezes the ballet-like leaps and postures of the players. The film has jazz background music. -NFB