Lise Roy
Twelve-year-old Simone feels painfully disconnected from the world after witnessing the brutal death of her mother. Simone, a solitary multimedia artist in her twenties, is struggling to control her crushing panic attacks and keep her day job in an underground parking lot. And Simone, a sixty-year-old physicist, is giving a conference on the nature of time. The three Simones' lives are intertwined in a labyrinthine meta-world where timeframes overlap, characters multiply, and storylines repeat and expand. But, for all its shuttling forward and back through time, ENDORPHINE remains grounded in the Simones' inner lives — it's an artistic examination of scientific phenomena that also poignantly explores how people deal with trauma.
Marco Valois wants to direct a serious movie inspired by the life of a soldier living with post-traumatic stress disorder. He soon realizes that the young soldier home from Afghanistan won't open up that easily. Marco, willing to do just about anything to get his story, follows Éric Lebel to his hometown.
A young man travels to an isolated farm for his lover's funeral where he's quickly drawn into a twisted, sexually charged game by his lover's aggressive brother.
Simon, 35, has returned to live temporarily with his father. They make life unbearable for each other. To add spice to this situation, Uncle Maurice and Aunt Mala, Ernest's brother and sister, meddle in everything and, notably, try to find a "nice little Jewish girl" for Simon to marry. When Ernest passes away, Simon fulfils his father's last request: bury him in the village where he was born, in the depths of Ukraine. And so Simon finds himself caught up in an event-packed road movie in the company of his paranoid old uncle, his aunt who nags him endlessly about his "Goy dancer", his six-years-old son, his father's body and his ghost, and also a rabbit. Not to mention his ex who hassles him by phone. The journey will be nothing like a cruise down the Nile!
15 years later, the guys have been through a lot, but still, they go out to pick women up if possible as they have to face that they aren't as young as they once were.
Two roommates discover that the family of one of their girlfriends is populated with vampires.
One day, for no apparent reason, a cop kills 11 children. The same day, horror novelist Thomas Roy tries to commit suicide after cutting his fingers. At first glance, nothing seems to link the two events – until Dr. Paul Lacasse, a disillusioned psychiatrist, takes over the case. Prompted by his colleague Jeanne, a fan of Thomas Roy, Dr. Lacasse investigates the writer’s past. Hounded by a gossip columnist, Dr. Lacasse uncovers a series of troubling facts that bolster his convictions about the case. As he tries to reassemble the pieces of the puzzle in order to better treat the famous writer, Dr. Lacasse is dragged further and further into a series of events, with terrifying consequences.
In this belated sequel to 'The Decline of the American Empire', 50-something Montreal college professor, Remy, learns that he is dying of liver cancer. He decides to make amends meet to his friends and family before he dies. He first tries to made peace with his ex-wife Louise, who asks their estranged son Sebastian, a successful businessman living in London, to come home. Sebastian makes the impossible happen, using his contacts and disrupting the entire Canadian system in every way possible to help his father fight his terminal illness to the bitter end, while he also tries to reunite his former friends, Pierre, Alain, Dominique, Diane, and Claude to see their old friend before he passes on.
Catherine, a rebellious pre-teen who has been deeply affected by her parents’ divorce, plays a game which involves crossing a dangerous road with her eyes closed. She becomes friends with the girl next door, the quiet Ariane, to the consternation of Ariane’s father, David. Although he appears to be a model father, David is in fact obsessed by the need to protect his daughter. As such, he tries – unsuccessfully – to prevent Ariane from coming under Catherine’s bad influence. Ariane takes up smoking, starts telling lies, and begins to explore her sexuality. While Catherine’s mother attempts to seduce the handsome, and single, David, he sets a trap for Catherine. For Catherine, living dangerously is no longer a game, and she has to summon all her strengths in order to survive.
In 19th century New Orleans creole Henriette must choose between love and devotion to the church. Neither choice is going to be easy, as there is great opposition to her ideas of breaking traditions.
Fifteen years after the events of The Boys of St. Vincent took place, the various boys involved are brought in to testify against the brothers, now finally standing trial, who assaulted them when they were children.
