The Inheritance or Fuckoffguysgoodday

Hana is a psychologist and a thoroughly independent woman. Her unemployed husband, jealous of his wife, finds a younger girlfriend, but their teenage son Honzik is frustrated; everyone ignores him. Hana's patient Eva, an attractive middle-aged woman, is having problems with her 25-year-old son; she is in love with her son's friend and her son is offended by her behavior. To complete the circle, he falls in love with Hana and Honzik is utterly disgusted by their affair. Another of Hana's patients is Dub, a millionaire who can have pretty much anything, or anyone, he wants. He wants Hana. But he can't have her.

Chytilová’s highly impressive but little-known documentary provides a fascinating and atmospheric journey into a hidden culture, one in which she herself participated. Chytilová investigates the lives of three Czech photographers (Václav Chochola, Karel Ludwig, Zdeněk Tmej) from the 30s to the present, and also embraces the submerged world of 50s culture and the work of novelist Bohumil Hrabal and artist Vladimír Boudník.

A manifesto of sorts for the Czech New Wave, this five-part anthology shows off the breadth of expression and the versatility of the movement’s directors. Based on stories by the legendary writer Bohumil Hrabal, the shorts range from the surreally chilling to the caustically observant to the casually romantic, but all have a cutting, wily view of the world.

In this Czech political allegory-cum-sci-fi adventure, ten teens from different schools find themselves chosen to take part in a special skiing workshop in the mountains. On the day of the seminar, eleven young people, each bearing an invitation, arrive. A massive avalanche occurs and the ski-lodge is cut off from outside contact. Unfortunately, food supplies are limited and the three instructors strongly advise that the youths work together to make do or choose someone to leave. Time passes and soon the kids learn that their “teachers” are not what they seem to be.

The movie is a satirical look at foreign occupation - a medieval Czech jester entertains a German king and his French wife, or a modern Czech villager helps a Bavarian hunter and his French wife find wild boar in Bohemia - the story switches back and forth between the two plots and time-periods.

The young Marta has made a break in her medical education to fully invest in her career as a model. We follow her for a day in her life, almost completely without hearing her voice. It is seldom that Marta gets the space to speak, instead she is mostly subject to the voice of others.

An intellectual match between two dramatically different artists, one permanently unsure and frustrated and questioning everything, the other an astonishing storyteller perfectly at peace, unacquainted with introspection and reliant on intuition.

In a rare instance of literary adaptation, Chytilová was inspired by Franz Kafka’s writings. Mr. K stashes stolen jewelry away at home and seldom allows his wife to wear it. A nosy neighbour, Mr. B, drops in. A cat observes it all.

Ester Krumbachová - a costume designer, screenwriter, director; one of the boldest personalities of the Czech New Wave. She worked in theatre, she was a writer and an illustrator. She co-created films such as O slavnosti a hostech (1966), Sedmikrásky (1966), Vsichni dobrí rodáci (1969), Pension pro svobodné pány (1968), Valerie a týden divu (1970), Slamený klobouk (1972) and many others. In the 1960s, she was a 'pivot' of the art scene in Prague, attracting artists who were on the threshold of their career, just setting out to find their own form of self-realization. Those who underwent her tutelage remember her forever. Director Vera Chytilová talks to those who knew Ester Krumbachová, who worked with her, befriended her, loved her. She sets off on a search that is to end by answering the question: Who was Ester?