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The Lift
A lift begins displaying some erratic behavior, like trapping some party goers and nearly suffocating them, and decapitating a security guard. Felix, the technician from the lift company, can't find anything wrong with the circuitry. When he and a nosy reporter begin asking questions of the lift company's electronics partner (Rising Sun Electronics) his boss puts him on a leave of absence. A subsequent visit to a professor leads them to believe that some evil experiments are being conducted.
Dick Maas
Casts & Crew
Huub Stapel
Willeke van Ammelrooy
Josine van Dalsum
Liz Snoyink
Wiske Sterringa
Huib Broos
Pieter Lutz
Johan Hobo
Dick Scheffer
Matthias Maat
Ger van Groningen
Jan Anne Drenth
Emma Onrust
Sydney Kuyer
Cor Witschge
Paul Gieske
Piet Römer
Serge-Henri Valcke
Onno Molenkamp
Manfred de Graaf
Agnes Schuch
Gerard Thoolen
Kees Prins
Siem Vroom
Aat Ceelen
Arnica Elsendoorn
Guus Hoes
Ab Abspoel
Hans Dagelet
Isabelle Brok
Carola Gijsbers van Wijk
Theo Pont
Ad Noyons
Coby Timp
Hans Veerman
Peer Mascini
Michiel Kerbosch
Luk van Mello
Mariëlle Sprong
Also Directed by Dick Maas
A top-secret mission for French Intelligence brings Indy to Istanbul during the First World War. Exploring the city's dark and dangerous streets, he is thrust into a web of betrayal and murder when he discovers a vile Turkish plot to assassinate French espionage agents. Evil of a more enduring kind awaits him in Transylvania where he engages in mortal combat with bloodthirsty Vlad the Impaler and his horrific army of the living dead. With his very life at stake, Indy must garner all his strength and wits in order to defeat the fiend and save mankind.
After the elevators at a New York City skyscraper begin inexplicably malfunctioning, putting its passengers at risk, mechanic Mark Newman (James Marshall) and reporter Jennifer Evans (Naomi Watts) begin separate investigations. Newman gets resistance from superiors at his company, which manufactured the elevator, while additional elevator incidents cause several gruesome deaths. The police get involved and suspect that terrorists are responsible, but a far stranger explanation looms.
A man drives his blind wife to a picnic spot he hopes she won't return from, but she won't get out of the car.
A horror film that depicts St. Nicholas as a murderous bishop who kidnaps and murders children when there is a full moon on December 5.
Flodder is a 1986 Dutch comedy film written and directed by Dick Maas, and distributed by First Floor Features. It is the first film in the Flodder franchise and is followed by two more films and a spin-off series.
A low-class a-social family ends up in a rich upper-class neighborhood and causes all sorts of trouble.
When three wealthy women hire a hit man to get rid of one of their cheating husbands, everything goes wrong.
Combining a family vacation with business, Walter Richmond (William Hurt) takes his wife (Jennifer Tilly) and their 10-year-old, mute daughter, Melissa (Francesca Brown), to the Netherlands -- where Melissa inadvertently witnesses a murder. Unable to tell anyone what she's seen, the frightened girl vanishes in an attempt to elude the killers. Meanwhile, her parents try desperately to piece together the puzzle leading to Melissa's disappearance.
A mysterious diver hiding in Amsterdam's canal system embarks on a rampage of gruesome murders, terrifying city officials and leaving few clues for the city's best detective, who doesn't suspect that both his new girlfriend and twelve-year-old daughter may be closer than he is to finding the killer.
A heavily sweating man, returning from a long trip, is telephoning from his car to speak to his wife. But he gets his daughter on the line. Lisette is constantly asking questions and tells about a drawing she made, but all the man is asking for is to get her mother. It seems he desperately wants to speak her, for what might be the last time. When Lisette is getting her mother out of the backyard, the man is still talking, telling Lisette should say to her mother he loves her. The sound of an approaching ambulance can be heard. When his wife finally gets on the phone, it's only a remarkable short conversation. She's asking him about his flight and to come back soon because Lisette misses him much. What is going on?