The Lightship

A young writer in 1939 Warsaw faces the conflict of acting his age or relapsing into childhood during the brink of World War II. Based on the famous novel Ferdydurke by Witold Gombrowicz.

The footloose ennui of Poland’s postwar generation is captured to perfection in this jazzy chronicle of a draft-dodger’s final day of freedom. A slacker before there was a word for it, Andrzej (played by Skolimowski himself) drifts through a series of open-ended encounters with women following a wake-up argument with his pouting wife, and a long-delayed military physical (the film’s title derives from one of the questions). Skolimowski hoarded four years’ worth of the annual film footage allotment from his Lódz film school in order to create this first feature marked by compositional bravado and a trademark air of the absurd. -Barbara Scharres, Gene Siskel Film Center

The reunion of a group of former medical students results in a flood of bitter memories.

15-year-old Mike takes a job at the local swimming baths, where he becomes obsessed with an attractive young woman, Susan, who works there as an attendant. Although Susan has a fiancé, Mike does his best to sabotage the relationship, to the extent of stalking both her and her fiancé.

Alex Rodak (Michael York) is a Polish director in exile in London with his family, which includes an older teenage son Adam (Michael Lyndon) who is struggling with an identity crisis, his wife (Joanna Szerzerbic), and another son. Rodak is in the throes of putting together a major show about Poland and the politics of exile at a West End theater. His single-minded determination to succeed causes him to take advantage of others, and because of his need for backing, he turns to a low-life businessman (John Hurt) to bail him out. His wife is anything but happy about his behavior and dislikes this last decision even more. This is an interesting study of how a father and son become alienated in a conflict between cultural identity and its exploitation.

Based on a novel by Vladimir Nabokov, this English-language satirical drama details the experiences of Frank (John Moulder Brown), a young orphan who finds himself deep in the romantic clutches of his uncle's sensual wife. After Frank's parents die, he goes to live with his aunt Martha (Gina Lollabrigida) and uncle Charles (David Niven). Sexy Martha entices Frank into her embrace then wants him to kill her husband so that they can live off of his money. Frank wouldn't mind so much, but he really likes his uncle.

"Using the same, three times repeating dialogue – dramatic conversation between man and woman – Jerzy Skolimowski from Poland, Slovak director Peter Solan and Czech director Zbynìk Brynych shot three different stories. The result was an extraordinary experiment in the world cinema, which we can call an insight in the relationships of men and women of different age groups, an analysis of love and marriage of those who are at the beginning, in the middle or going towards the end of their life."

Based on satirical short stories by Sir Arthur Conan Doyle about a vain, egotistical Etienne Gerard, a French brigadier serving during the Napoleonic Wars. He thinks he's the best soldier and lover that ever lived and intends to prove it.

The lives of urbanites intertwine in a world where anything can happen at any time.

A crematorium worker repeatedly breaks into a woman's house at night to help with housework.