Dialogue 20-40-60
"Using the same, three times repeating dialogue – dramatic conversation between man and woman – Jerzy Skolimowski from Poland, Slovak director Peter Solan and Czech director Zbynìk Brynych shot three different stories. The result was an extraordinary experiment in the world cinema, which we can call an insight in the relationships of men and women of different age groups, an analysis of love and marriage of those who are at the beginning, in the middle or going towards the end of their life."
Casts & Crew
Joanna Szczerbic
Jean-Pierre Léaud
Jiří Vršťala
Jana Glazerová
Oľga Šalagová
Viera Strnisková
Jiří Holý
Zuzana Kocúriková
Jindřich Láznička
Jozef Kroner
Ljuba Hermanová
Jana Beláková
Michal Dočolomanský
Ernest Kostelník
Martin Huba
Also Directed by Jerzy Skolimowski
A young writer in 1939 Warsaw faces the conflict of acting his age or relapsing into childhood during the brink of World War II. Based on the famous novel Ferdydurke by Witold Gombrowicz.
The footloose ennui of Poland’s postwar generation is captured to perfection in this jazzy chronicle of a draft-dodger’s final day of freedom. A slacker before there was a word for it, Andrzej (played by Skolimowski himself) drifts through a series of open-ended encounters with women following a wake-up argument with his pouting wife, and a long-delayed military physical (the film’s title derives from one of the questions). Skolimowski hoarded four years’ worth of the annual film footage allotment from his Lódz film school in order to create this first feature marked by compositional bravado and a trademark air of the absurd. -Barbara Scharres, Gene Siskel Film Center
The reunion of a group of former medical students results in a flood of bitter memories.
15-year-old Mike takes a job at the local swimming baths, where he becomes obsessed with an attractive young woman, Susan, who works there as an attendant. Although Susan has a fiancé, Mike does his best to sabotage the relationship, to the extent of stalking both her and her fiancé.
A trio of robbers, two brothers and their twisted genius leader, invade a lightship, but don't reckon on the crew fighting back.
Alex Rodak (Michael York) is a Polish director in exile in London with his family, which includes an older teenage son Adam (Michael Lyndon) who is struggling with an identity crisis, his wife (Joanna Szerzerbic), and another son. Rodak is in the throes of putting together a major show about Poland and the politics of exile at a West End theater. His single-minded determination to succeed causes him to take advantage of others, and because of his need for backing, he turns to a low-life businessman (John Hurt) to bail him out. His wife is anything but happy about his behavior and dislikes this last decision even more. This is an interesting study of how a father and son become alienated in a conflict between cultural identity and its exploitation.
Based on a novel by Vladimir Nabokov, this English-language satirical drama details the experiences of Frank (John Moulder Brown), a young orphan who finds himself deep in the romantic clutches of his uncle's sensual wife. After Frank's parents die, he goes to live with his aunt Martha (Gina Lollabrigida) and uncle Charles (David Niven). Sexy Martha entices Frank into her embrace then wants him to kill her husband so that they can live off of his money. Frank wouldn't mind so much, but he really likes his uncle.
Based on satirical short stories by Sir Arthur Conan Doyle about a vain, egotistical Etienne Gerard, a French brigadier serving during the Napoleonic Wars. He thinks he's the best soldier and lover that ever lived and intends to prove it.
The lives of urbanites intertwine in a world where anything can happen at any time.
A crematorium worker repeatedly breaks into a woman's house at night to help with housework.
Also Directed by Zbyněk Brynych
The year is 1943. The war is raging between the Germans and the Allies in North Africa. A truck with a Czech crew, Lieutenant Navara and six soldiers, escapes from the Foreign Legion fortress. Their aim is to reach the Allies and fight against Nazism. The truck is destroyed by a German army plane, which is hit by enemy fire in its turn. One Czech soldier dies in the attack, the driver is badly wounded, and Navara has serious burns on his face. The group has very little water and must reach an oasis that is 60 km away.
Even in the "enlightened" 60. years filmmakers like to play spies. In the grand-world environment, Luxury hotel in Karlovy Vary the sophisticated charade unfolds, in which several foreign agents interested in the famous Austrian scientist, the discoverer of the artificial protein. Endangered man fortunately never notice danger around him. His protection was entrusted to the mysterious madame Elizabeth, amongst agents famed as the ' 006, in fact, working for the State security... As a parody, perhaps the movie succeeded, but hardly convincing anyone - and this is despite scriptwriting participation of the renowned Jan Procházka.
A drama directed by Zbynek Brynych.
A musical comedy about a date between boy and girl which started badly but continued very unexpectedly...
Also Directed by Peter Solan
Majka "Chatterbox" is a girl entering adolescence. She was born with a minor disability. While her mother keeps scolding her for the way she walks, her classmates mock her and call her a "duck". Along an innocent first love affair and a secret friendship, she receives little understanding from her parents and lots of malice from her schoolmates. Majka finds refuge with her grandmother and in her own fantasy world. Director Peter Solan made a sensitive portrait of a twelve year-old schoolgirl. The eloquent film language talks to child and adult audiences alike.
Episodic film consisting of three satirical shorts ('Smutný káder', 'Typický prípad' and 'Vel'korysá kampaň') comically exposing the shortcomings of society. In the interval between each short, a committee recognising themselves in the characters on screen, voice their approval or disapproval of each film. .
In this bitingly satirical film Peter Slovan, a continuous source of trouble for the film functionaries of the socialist Slovakia, tackles an evergreen topic – the corruptive effects of power. Barnabáš Kos, a triangle player at a symphonic orchestra, is suddenly promoted to serve as the head of the said institution, even though both he and his superiors deem him completely unfit for the task. Encouraged in equal parts by this unexpected recognition and the servile praise of his colleagues, Kos’s modesty starts to gradually vanish. The erstwhile bashful and aloof percussionist quickly becomes aware of the advantages of his new office, and begins to realise his increasingly ludicrous artistic ambitions. Ultimately, the submissive marionette turns into a source of public humiliation, and his astonishing career finds an abrupt end. Orchestra serves here as a microcosm that grotesquely reflects the absurd and tragicomic mechanisms of the paranoid apparatus of power.
A woman prisoner is harshly incarcerated and suddenly released.