The Many Faces of Chika
Director Kazuo Hara tells the tale of the eponymous Chika and four different relationships she has during the turbulent political climate of the 1970s. Four different actresses play the role of Chika in order to emphasise the different ways she is perceived by her husband, a teacher, a student and an aging gangster.
Kazuo Hara
Also Directed by Kazuo Hara
After years of dumping industrial wastes from the factory to the ocean, Chisso Chemical Corporation contaminated the area of a small Japanese fishing village with excessive amounts of methylmercury. This highly toxic chemical bioaccumulated in fishes of the local water, which when consumed by the local populace resulted in mercury poisoning. In 1977, Minamata disease certification criteria was set by a strange method that tried not to recognize the rights of environmental disease patients. However, an Osaka court won the case for some patients because of a newly developed theory by medical doctors’ recent experiments and proofs. For decades, these patients struggled within the Japanese judicial system for their rights to receive compensation as victims of environmental disease. Those different aspects of these patients’ lives have been filmed by director Hara for the last 15 years, inspired by the late director Tsuchimoto’s documentary MINAMATA: THE VICTIMS AND THEIR WORLD (1971).
This documentary was five years in the making, and revolves around 62-year-old Okuzaki Kenzo, a survivor of the battlefields of New Guinea in World War II who gained notoriety by slingshooting steel pinballs at Emperor Showa to protest against what he considered to be the ruler's war crimes. Setting out to conduct interviews with survivors and relatives, he finds the truth of the past to be elusive, achieving a breakthrough only when he confronts ex-Sergeant Yamada, who grudgingly admits the occurrence and instructional source of certain atrocities.
A 1994 Japanese documentary directed by Kazuo Hara about the novelist Mitsuharu Inoue.
A documentary following the lives of people in Mishima, a small island off the coast of Hagi City, Yamaguchi Prefecture.
This film is about a lawsuit seeking state compensation for asbestos-related damage in the Sennan area of Osaka. Filmmaker Hara Kazuo records the eight-year struggle of the plaintiffs and their lawyers. A dogged and dramatic depiction of their intense battle.
In 1972, Miyuki tells her ex-lover Kazuo that she's going to Okinawa with their son. Kazuo decides to film her. He narrates his visits to her there: first while her flatmate is Sugako, a woman Miyuki is attracted to; then, while she works at a bar and is with Paul, an African-American soldier. Once, Kazuo brings his girlfriend, Sachiko. We see Miyuki with her son, with other bar girls, and with Sachiko. Miyuki, pregnant, returns to Tokyo and delivers a mixed-race child on her own with Kazuo and Sachiko filming. She joins a women's commune, talks about possibilities, enjoys motherhood, and is uninterested in a traditional family. Does the filmmaker have a point of view?
Kazuo Hara follows Ayumi Yasutomi, a transgender candidate, who is also a Tokyo University professor, as she embarks on a national campaign for a seat in Japan's Upper House.
The insistently brash Kazuo Hara's first film Goodbye CP (sometimes called Sayonara CP) is a relentlessly honest documentary that's more than a little difficult to watch. For 82 minutes, without outside narration or comment, Kazuo's camera studies Yokota Hiroshi, a Japanese person who has cerebral palsy.