Hidetaka Yoshioka
Tsubame (Kaya Kiyohara) is a 14-year-old girl. She has a crush on university student Toru (Kentaro Ito), who lives in the same neighborhood. Tsubame lives in a warm environment with her father Toshio (Hidetaka Yoshioka) and stepmother Asako (Maki Sakai), but, one day, she learns that Asako is pregnant. She feels left out because of her stepmother's pregnancy and she also feels frustrated because she can't reveal her love to Toru. The rooftop of her calligraphy class is the only place where Tsubame can find solace. There, she feels the wind and looks up at the stars. One night, Tsubame goes on the rooftop as usual. She finds a strange kickboard scooter and a mysterious old woman Hoshi-baa (Kaori Momoi) appears in front of her.
Workers at the Fukushima Daiichi facility in Japan risk their lives and stay at the nuclear power plant to prevent total destruction after the region is devastated by an earthquake an tsunami in 2011.
The 50th film in Tora-san series, using the old footages and newly shot scenes to celebrate the 50th anniversary of the series. The adult Mitsuo, Tora-san’s nephew, who runs into Izumi, his first love, whom he had once promised to marry. The familiar faces of Kurumaya Cafe, which Tora-san’s family ran in Shibamata, also return. Catching up with old friends, it is always their dearest memories of Tora-san which everyone shares on such occasions…
The film is about poor children and 'The Kids' Diner', a place where they can go to get free or cheap food.
1989 is the 64 Shouwa year in the Japanese calendar, thus the unsolved girl kidnapping-murder case is called "64(rokuyon)" that got up in this year in Criminal Investigation Department in the Prefectural Police Department. And 14 years were over as the prefecture's police to be unsolved greatest stain, and statute of limitations approached it. In 2002, Yoshinobu Mikami, an ex-detective who was assigned as the investigator of the "Rokuyon" case 14years ago, moves as a Public Relations Officer in the Police Affairs Department against his will. As a newly assigned Public Relations Officer, he was troubled with the relation between the reporters, new case has occurred. And that new case traced "Rokuyon" case exactly.
In a time when the main source of energy was still coal, there was a man who saw the future in oil. Young Tetsuzo Kunioka who hails from Moji, Kitakyushu, rides out into the oil business, but is faced with numerous challenges and competitors who stand in his way, including domestic suppliers and major western oil companies, or the "oil majors". But Tetsuzo never gave up, however despairing the situation was. He always found a way and paved a new road with his unconventional ideas, eccentric actions, and most of all, his caring heart toward his own men. That style of Tetsuzo's was not something that would ever change, even when the tides were against him in a war-lost Japan.
1989 is the 64 Shouwa year in the Japanese calendar, thus the unsolved girl kidnapping-murder case is called "64(rokuyon)" that got up in this year in Criminal Investigation Department in the Prefectural Police Department. And 14 years were over as the prefecture's police to be unsolved greatest stain, and statute of limitations approached it. In 2002, Yoshinobu Mikami, an ex-detective who was assigned as the investigator of the "Rokuyon" case 14years ago, moves as a Public Relations Officer in the Police Affairs Department against his will. As a newly assigned Public Relations Officer, he was troubled with the relation between the reporters, new case has occurred. And that new case traced "Rokuyon" case exactly.
Movie contains the stories of three people: Suzuki (Toma Ikuta), Kujira (Tadanobu Asano) and Semi (Ryosuke Yamada). Suzuki is a former middle school teacher. His girlfriend was killed, which led him to quit his job and attempt to take revenge on her murderer. To do so, Suzuki has to infiltrate the underground world of criminals. Kujira is a contract killer for hire. He makes his targets fall into confusion and eventually commit suicide. Semi is a contract killer who uses the knife to take out his targets.
Following the death of the unmarried and childless Taki, Takeshi, a young relative of hers, discovers several pages of closely written lines in which the old lady has recorded her memories. This is how he learns the truth about her youth working as a housemaid and nanny for the Hirai family in a little house in Tokyo with a red gabled roof.
Five siblings struggle to live together after their parents have passed away. Arguments are a norm, and each have their own problems with studying, finding a job, marriage, etc. But no matter how dysfunctional their family can be, blood is thicker than water and the ties that bind will keep them together through thick and thin.
2500 years ago, in India, Siddhartha was born as a prince of the Shakya clan, but he gives up his position as a prince to see the world. He meets a strange boy named Assaji, who can predict the future, a monk with only one eye and Depa. Siddhartha continues traveling. Siddhartha is overwhelmed by the sufferings he witnesses around him. Meanwhile, Prince Ruri of Kosara begins his attack on the Shakya clan. Second Buddha movie from Tezuka Productions.
With the strong yen, global financial crisis and competition from developing nations, the Japanese manufacturing industry is in a precarious situation. A large electronics maker is on the brink of bankruptcy and can support itself for only 3 more months. Three men at the company, who work in sales, finance and production respectively, secretly form a reconstruction team and they work feverishly to revive the company.
In May 2003, the Japan Aerospace Exploration Agency (or JAXA) launched an unmanned spacecraft of their own development to retrieve samples from an asteroid. Seven long years later, Hayabusa achieved its goal and was the first of any kind of craft launched from Earth to safely return samples of this kind to home base. The story was one of such great national pride for Japan, and in the wake of the tsunami and resulting tragedies in Japan it’s strong nationalistic message became the subject of no less than three rival films. Yukihiko Tsutsumi’s high-profile effort, simply titled Hayabusa (2011) starred the incomparable Toshiyuki Nishida. Most recently, Welcome Home, Hayabusa (2012) was released to Japanese audiences. Slipping in between those two was Hayabusa: The Long Voyage Home, concentrating on the people on the ground who helped return the probe safely.
The Tokyo Olympics are about to open, and Rynosuke Chagawa is excited to receive a new TV set to watch the upcoming events. His wife Hiromi is pregnant and he has built a second level on his shop to provide his adopted son Junnosuke with a private space to study for entrance to Tokyo University to set up a career with a major company. He dreams of sparing Junnosuke the struggles that he has faced as a writer. The family continues to rely upon Hiromi's income from her bar. Meanwhile a rival story, The Virus, by a new writer has appeared in the periodical that has been publishing his stories "Boy's Adventure Book" and he fears the new competition. Norifumi Suzuki also receives a new TV, but more of a deluxe model. Mutsuko Hoshino (Roku) is still the principal mechanic in the Suzuki family's auto repair shop, but she dresses up some mornings to go to a nearby street with the hope of a "chance" meeting with Dr...
This is the true story of the last officially recorded case of adauchi, when a young man avenged the death of his father by brutally killing the murderers in broad daylight. Samurai revenge killings, or adauchi, was considered a rightful and noble act of honor and virtue.But all that changed abruptly on February 7, 1873, when adauchi became prohibited as part of the Meiji Restoration’s goal to Westernize Japan.
Prince Siddhartha is heir to the Shakya kingdom, which is constantly at war with the more powerful Kosala kingdom. His father tries to raise as him as a warrior leader and to shield him from the miseries of the world. Meeting the young outcast girl Migaila, Siddhartha experiences love for the first time but also witnesses the suffering that afflicts humankind. Meanwhile, in Kosala, Chapra rises through the military, despite his lowly origins, to become a hero and general of the army. A final showdown between the two kingdoms forces Siddhartha to re-evaluate the path he is following.
When easy-going Aoyagi meets an old friend for a fishing trip, he ends up drugged, framed for the Prime Minister's assassination, and on the run from corrupt cops. It's only the beginning of what quickly becomes the worst, weirdest day of his life. But he'll get by with a little help from his friends, who include a famous pop diva, a rockabilly deliveryman, a crippled old gangster, and the world's most cheerful serial killer.
A detective fiction drama based on a novel by Joh Sasaki. Produced as a two-part series by TV Asahi for its 50-year anniversary in 2009.
Would-be writer Ryunosuke Chagawa is still living across the street from Norifumi Suzuki and his auto repair shop, though now he shares his home with Junnosuke, an orphan he's taken under his wing at the urging of pretty Hiroi, who continues to manage a nearby tavern. Chagawa dreams of publishing a successful novel and settling down with Hiroi and Junnosuke, but his day job running the candy store keeps him busy, and Hiroi mistakes his tight schedule for a lack of interest in her. Hiroi has also embarked on a secret career as a burlesque dancer, which isn't doing much to improve her opinion of men. At the Suzuki household, seven-year-old Ippei isn't happy to be sharing the house with a guest, his distant cousin Mika who is the same age but far more demanding. Mutsuko, the apprentice female auto mechanic, is still staying with the Suzukis, and she's becomes the object of the affections of Takeo, a downbeat young man who is studying cooking.
Leaving her provincial home, teenage Mutsuko arrives in Tokyo by train to take a job in a major automotive company but finds that she is employed by a small auto repair shop owned by Norifumi Suzuki. Suzuki's hair-trigger temper is held somewhat in check by the motherly instincts of his wife, Tomoe, and his young son Ippei immediately bonds with Mutsuko as if she were his older sister. The Suzuki shop lies almost in the shadow of the Tokyo Tower as it rises steadily above the skyline during construction in 1958.
Director Kazuo Hara tells the tale of the eponymous Chika and four different relationships she has during the turbulent political climate of the 1970s. Four different actresses play the role of Chika in order to emphasise the different ways she is perceived by her husband, a teacher, a student and an aging gangster.
Dvorak's Symphony No. 9, "From the New World" wafts through a hospice recreation room. Sitting at the grand piano is a young girl, Chiori, with a prodigious ability to play any piece of music after one hearing. Keisuke Kisaragi whose career was abruptly cut short when he jumped in front of a bullet fired by a crazed gunman. The nerves in one hand were severed but he saved the life of Chiori. The tragic incident takes the lives of Chiori's parents, however, and Keisuke becomes her guardian. Not long after their return to Japan, Keisuke discovers Chiori's musical gift.
Half a Confession introduces itself as a thriller and abruptly changes gears, transforming into a tale of morality with deeper insights into its characters than we had anticipated. It begins when Soichiro Kaji (Terao), a retired detective, walks into police headquarters and confesses to the murder of his wife. We learn that the victim had prematurely developed Alzheimer's after the tragic death of their son, and in her suffering, had asked to die. The police chiefs would be far more content to take him at his word if it were not for a conspicuous hole in his story: 48-hour gap between the alleged murder and his confession. Fearing a public relations nightmare, they are eager to bury the incident and keep the press in the dark.
Set in 19th Century Japan a young samurai who finds himself in love with a farm girl leaves his home to begin a new life. He has to take stock of his new life when he is put to the test and ordered to kill a traitor who just happens to be his dearest friend.
In a post-war alternative timeline, Japan is divided into the North, controlled by the Union, and the South, controlled by the United States. A mysterious high tower rises within the borders of the Union. Three high school students promise to cross the border with a self-built airplane and unravel the secret of the tower.
After making a serious mistake in his work in Tokyo, talented surgeon Goto Kensuke is invited to take charge of the only clinic on the small island of Yonaguni, Okinawa. It is difficult to get competent doctors to serve on this remote island, and the islanders are now used to traveling for hours via boat for proper medical care. Despite seeming weak and unreliable (he gets very seasick, and does not have a driving license), he wins over the skeptical islanders with his skill and dedication. Some children of the island make a flag for his clinic, but get his name wrong. Thereafter he is known by all as Koto.
As the film begins, Takao (Akira Terao) and Michiko (Kanako Higuchi) have already pulled up their Tokyo roots and moved to a village that is Takao's ancestral home. They visit a thatched cottage that serves as a memorial shrine (amidado) for the village dead and chat with the attendant, the spry 96-year-old Oume (Tanie Kitabayashi). Together they admire the view -- from an inspiring distance. Oume, it turns out, is a kind of sage, whose thoughts and observations are a popular feature in a column in a local newsletter. Her amanuensis is a mute, sweetly smiling young woman named Sayuri (Manami Konishi), who is as devoted to Oume as Oume is to the souls of her beloved dead.
Based on Akira Kurosawa's final unproduced script, this Edo-period drama takes place almost entirely inside an ocean-village brothel. O-Shin is a young brothel worker who one night helps a young samurai escape from his pursuers. Against the warnings of her fellow workers, particularly Kikuno and the brothel's owner, O-Shin falls in love with the samurai.
Mr. Takano, a company employee, announces plans to take an early retirement so he can return to his home town and spend his days fishing. Su-san and Hama-chan envy his decision, and Hama-chan conspires to visit Takano, even though he has no vacation time left.
A railway stationmaster at a dying end-of-the-line village in Hokkaido is haunted by memories of his dead wife and daughter. When the railroad line is scheduled to be closed, he is offered a job at a hotel, but he is emotionally unable to part with his career as a railroader. His life takes a turn when he meets a young woman with an interest in trains who resembles his daughter
A group of travelers is stranded in a small country inn when the river floods during heavy rains. As the bad weather continues, tensions rise amongst the travelers trapped at the inn. Ihei Misawa is a ronin, a samurai without a master, whose skills with a sword make him a valuable employee but whose brutal honesty and lack of social graces prevent him from staying with one master for too long. One night, Ihei impulsively offers to buy food and drink for the guests at a hotel; he doesn't have the money to pay, and to raise cash he concocts a scheme to take on anyone brave enough to fight him for a prize. Ihei's fighting skills impress Lord Shigeaki, who offers him a position as fencing master in his court. Ihei gratefully accepts, but when Shigeaki challenges him to a fight, Ihei beats the Lord decisively. Ihea is certain that he's managed to throw another opportunity away when a band of mercenaries attacks him, and his skills as a swordsman are put to the ultimate test.
Carrying a bag full of samples, Mitsuo makes rounds to shoe stores in remote cities. While staying at budget hotels, his thoughts turn to Tora-san.
The story follows the teacher and students of the Ryubetsu Handicapped High School.
A young man fails his company entrance exams and leaves home to work at a run-down cinema in Tokushima, whose owner lives to bring entertaining films to the residents of his small town.
Tora-san works hard to bring together his nephew, Mitsuo, and Mitsuo’s girlfriend who is engaged to someone else.
Mitsuo, unhappy in his new job as a shoe salesman, is invited to a festival and is introduced to a friend’s sister. Tora-san meanwhile helps an injured housewife on her yearly vacation.
After failing to find a job, Mitsuo becomes a fisherman on a small island, and develops a crush on a young nurse there. Tora-san, dispatched to bring Mitsuo back home, himself falls in love with an attractive but troubled woman visiting her father.
Tora-san Makes Excuses is a 1992 Japanese comedy film directed by Yoji Yamada. It stars Kiyoshi Atsumi as Torajirō Kuruma (Tora-san), and Kumiko Goto as his love interest or "Madonna".
The story centers on an elderly hibakusha, who lost her husband in the 1945 atomic bombing of Nagasaki, caring for her four grandchildren over the summer. She learns of a long-lost brother, Suzujiro, living in Hawaii who wants her to visit him before he dies.
Mitsuo goes to Nagoya to visit Izumi, whose father left Izumi’s sad, bar hostess mother for another woman, so together they decide to confront him in Oita. Meanwhile, Izumi’s mother befriends Tora-san and together they travel to Oita to meet them, with Tora-san quickly falling for her en route.
Tora-san's nephew Mitsuo is exchanging letters with Izumi, a former classmate whose parents divorced and took her out of Tokyo.
During his wandering throughout Japan, Tora-san meets a suicidal man. He travels with the man to Vienna, but winds up homesick for Japan.
In his travels through Japan, Tora-san meets and falls in love with a female doctor, however he is afraid of committing to a relationship.
When his travels take him to rural Hokkaido, Tora-san helps a cantankerous old veterinarian (Mifune) in his relationships with his estranged daughter, and a woman in whom he is secretly interested.
A playboy-gambler friend of Tora-san’s dies and, abandoned by his mother, his little boy suddenly turns up in Shibamata. Searching for the boy’s mother, Tora-san meets a cosmetics saleslady and the three become a surrogate family, with Tora-san as “daddy”.
During his travels, Tora-san comes across a traditional theater he used to visit, and discovers that one of his old friends has died. Tora-san and his family help the friend's daughter, who becomes romantically involved with an aspiring artist.
Tora-san's family's neighbor, Akemi, who had been married in Marriage Counselor Tora-san (1984), runs away from her husband, who is only interested in work. Tora-san follows her to Shikinejima, and attempts to bring her back to her home. In doing so he encounters a school-reunion group who are traveling to meet their elementary school teacher, which is a reference to the film Twenty-Four Eyes by Keisuke Kinoshita. Tora-san joins them and falls in love with the teacher.
In Nagasaki, Tora-san and an acquaintance help an old woman who has fallen and injured herself. She invites them to her home where the three share a night of eating and drinking. The old woman's health deteriorates and she dies. At her funeral, Tora-san falls in love with the old woman's daughter, but winds up acting as a go-between for her and a young law student.
In Shibamata, Tokyo, Tora-san's family prepares for a wedding. Meanwhile, the traveling Tora-san meets an old acqaintance in Iwate Province. Tora-san refuses to drink with him, afraid that the acquaintance, now settled and married, will again become attracted to Tora-san's wandering existence. Tora-san becomes attracted to a female barber, but must break off their relationship so that she too can live a secure life. She instead gets into an abusive relationship with a motorcyclist.
Tora-san spends several days at the home of a hard-working salaryman ("salaried worker"), who abruptly disappears. When the man's wife asks Tora-san to help find him, he falls in love with her, and secretly hopes the husband will not be found.
Tora-san visits brother-in-law Hiroshi's hometown to attend a memorial service for his late father. When the local temple priest becomes intoxicated, Tora-san wearing the priest's robe delivers the memorial speech, much to his family's surprise. Thinking he's found his true calling, Tora-san decides to join the order, and falls for the priest's divorced daughter.
Tora-san returns to his family home to learn that his brother-in-law cannot go to Mitsuo's (Tora-san's nephew) athletic event. Tora-san volunteers to take his place, but gets into an argument with his brother-in-law's boss and returns to the road. He meets a young woman in Niigata who, unbeknownst to him, is a popular enka singer.
Tora-san gets into an argument with his uncle and sets out on the road again. In Kyushu he meets a young woman named Keiko and the shy zoologist Saburō, and attempts to play matchmaker between the two when they all return to Tokyo.
During his travels, Tora-san gets drunk with an old man in Kyoto. Though Tora-san never fully comprehends his importance, the old man is a Living National Treasure ceramist. At his home, Tora-san makes a good impression on the old man's maid, who apparently falls in love with Tora-san.
When his travels bring him to Osaka, Tora-san falls in love with a local geisha. He helps her to track down her estranged brother, and informs his family that he plans to marry her. His plans are foiled when the geisha informs Tora-san that she is engaged.
Tora-san returns to his family's home to attend an elementary school class reunion. After he embarrasses himself by getting drunk and insulting all his ex-classmates, he resumes his travels. In Kyushu he meets an outspoken 18-year-old girl who becomes enamored of Tora-san and follows him around. One of Tora-san's old friends is terminally ill and makes Tora-san promise him to marry his wife once he is gone.
Set in the town of Furano in Hokkaido, Kita no Kunikara centers around the story of the Kuroita family.
The quiet life of a mother and her young son living on a farm in Hokkaido is changed by the arrival of a man who ignites flames of romance in the heart of the mother and shows her boy the importance of grit and kindness, but then he leaves with the autumn wind...
9 years after the 2011 Tohoku earthquake and tsunami, two murder cases take place in Sendai, Miyagi Prefecture. The two victims are assumed to have been murdered by the same person. Both of the victims were tied all over their body and starved to death. Yasuhisa Tone (Takeru Satoh) emerges as a suspect in the murders. Yasuhisa Tone was just recently released from prison. In his past, he committed arson and injured someone to protect his acquaintance. Detective Seiichiro Tomashino (Hiroshi Abe) discovers a common link between the two victims and chases after Yasuhisa Tone.
