The Oak
A description of Romania before Ceausescu's downfall, through the story of Nela. Daughter of a former colonel of the Securitate, the romanian political police. She refused to become as her sister, an agent of this Securitate, and lives with her father. After he died, she leaves Bucarest, and ends up in a little town, where she meets Mitica, a surgeon, another herself, laughing of everything.
Lucian Pintilie
Lucian Pintilie
Casts & Crew
Maia Morgenstern
Răzvan Vasilescu
Victor Rebengiuc
Dorel Vișan
Mariana Mihuț
Dan Condurache
Magda Catone
Gheorghe Visu
Also Directed by Lucian Pintilie
The level of disinterest in personal affairs has become so cynical in Bucharest that people cheer even an inept army and police manhunt. Meanwhile, Mitu and Elena get to know each other in the course of a vodka drinking contest and discover that they are both dissatisfied with the status quo. Mitu is about to begin military service and Elena is to be married to a man she does not love. They decide they are meant for each other and plan on a different future, one that is on a collision course with the authorities, and start a mad affair.
A study of the mental breakdown of a doctor in a remote rural village. He believes himself intellectually superior to everyone except for a political prisoner in a mental ward. This is a metaphor on life under repressive governments, conformity versus individual expression.
In this very black comedy about ill-suited neighbors united by marriage, Niki is a former colonel in the Romanian army whose daughter is married to the son of Flo, an aging Bohemian who is full of schemes for the “new” Romania. As the young couple prepares to emigrate to the U.S., Niki is obliged to interact with Flo, whom he finds totally unbearable.
A prosecutor, policemen and teacher bring the students Vuica and Nicu to a restaurant to re-enact their drunken brawl there, and have it filmed to show the effects of alcoholism.
An inexperienced prosecutor becomes involved with a local woman while investigating a miner's death.
Frant Tandara, former torturer in Romanian communist prisons, is ready to confess his crimes to a journalist and a former victim. The two meet him at the train station in Giurgiu, where Tandara, a man with a shy demeanor, welcomes them by offering them flowers. But the confession presents problems right from the start: the tape recorder does not work, Tandara talks too fast or too slow. Frant tries to begin the tale by talking about the least significant parts of his life: his father in the military, his education, his wandering at the end of the war. The journalist tries to get him with direct questions about his career as a butcher but only gets evasive answers. Tandara's wife intervenes to ask them to stop torturing her husband, and the afternoon does not go as expected. This is a film about people's failure to let memory do its job.
40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes. The results run the gamut from Zhang Yimou's convention-thwarting joke to David Lynch's bizarre miniature epic.
Based on a theatrical text by Romanian writer Ion Luca Caragiale (1852-1912), who was a bitter and funny witness of the turn-of-the-20th-century Romanian bourgeois mores, Carnival Scenes manages to preserve and further enhance the slightly hysteric atmosphere of his plays. Pintilie creates a strange combination of carnival scenes which is brought to the screen as a burlesque, fast-paced, screwball comedy with a meditative undertone. This film was banned in Romania for a decade until the death of Ceausescu in 1989 and was only released after the 1989 revolution.
In 1925 Romania, young Marie-Therese Von Debretsy refuses the flirtatious advances of her husband's commanding officer. As a result, the cosmopolitan family is reassigned to a brutally bleak and dangerous outpost on the Bulgarian/Romanian frontier where both their relationship and humanity are severely tested.