Lucian Pintilie
Back from a professional trip to Paris, a neurologist at the pinnacle of his career has to pick up his wife so that they can attend a family meal to commemorate his father, who died a year before. At his mother's flat, the guests are waiting for the priest to arrive while arguing about all kinds of things connected and unconnected with the world’s events and wars.
The 60's, Romania. Serafim, a young doctor, is sent to the Hospital in Palilula, a small town lost somewhere on the country map, after the death of the previous pediatrician, Mr. Pantelică.
In this very black comedy about ill-suited neighbors united by marriage, Niki is a former colonel in the Romanian army whose daughter is married to the son of Flo, an aging Bohemian who is full of schemes for the “new” Romania. As the young couple prepares to emigrate to the U.S., Niki is obliged to interact with Flo, whom he finds totally unbearable.
Frant Tandara, former torturer in Romanian communist prisons, is ready to confess his crimes to a journalist and a former victim. The two meet him at the train station in Giurgiu, where Tandara, a man with a shy demeanor, welcomes them by offering them flowers. But the confession presents problems right from the start: the tape recorder does not work, Tandara talks too fast or too slow. Frant tries to begin the tale by talking about the least significant parts of his life: his father in the military, his education, his wandering at the end of the war. The journalist tries to get him with direct questions about his career as a butcher but only gets evasive answers. Tandara's wife intervenes to ask them to stop torturing her husband, and the afternoon does not go as expected. This is a film about people's failure to let memory do its job.
The level of disinterest in personal affairs has become so cynical in Bucharest that people cheer even an inept army and police manhunt. Meanwhile, Mitu and Elena get to know each other in the course of a vodka drinking contest and discover that they are both dissatisfied with the status quo. Mitu is about to begin military service and Elena is to be married to a man she does not love. They decide they are meant for each other and plan on a different future, one that is on a collision course with the authorities, and start a mad affair.
40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes. The results run the gamut from Zhang Yimou's convention-thwarting joke to David Lynch's bizarre miniature epic.
In 1925 Romania, young Marie-Therese Von Debretsy refuses the flirtatious advances of her husband's commanding officer. As a result, the cosmopolitan family is reassigned to a brutally bleak and dangerous outpost on the Bulgarian/Romanian frontier where both their relationship and humanity are severely tested.
A description of Romania before Ceausescu's downfall, through the story of Nela. Daughter of a former colonel of the Securitate, the romanian political police. She refused to become as her sister, an agent of this Securitate, and lives with her father. After he died, she leaves Bucarest, and ends up in a little town, where she meets Mitica, a surgeon, another herself, laughing of everything.
Presentation of the one-month long rally in the University Place of Bucharest, Romania, where students and others demonstrated against the neo-communist government who had taken power after the toppling of communist dictator Nicolae Ceausescu.
Based on a theatrical text by Romanian writer Ion Luca Caragiale (1852-1912), who was a bitter and funny witness of the turn-of-the-20th-century Romanian bourgeois mores, Carnival Scenes manages to preserve and further enhance the slightly hysteric atmosphere of his plays. Pintilie creates a strange combination of carnival scenes which is brought to the screen as a burlesque, fast-paced, screwball comedy with a meditative undertone. This film was banned in Romania for a decade until the death of Ceausescu in 1989 and was only released after the 1989 revolution.
A doctor from provincial town in Tsardom of Russia meets his former student in Ward 6, where the story takes place. Impressed by his rebellious spirit and clever remarks, he tends to spend more time with him while also indulging in meditation, only to be ridiculed by his fellow colleagues. Based on a Chekhov's work of the same title.
A prosecutor, policemen and teacher bring the students Vuica and Nicu to a restaurant to re-enact their drunken brawl there, and have it filmed to show the effects of alcoholism.
Romania, 1940. A boy meets a girl. They fall in love without suspecting anything about their real identities. They chose an eventful, tense and dangerous life as underground anti-fascists fighters. The significance of their activity is manifest in the consequences it has on the tormented progress of their love. Reality is against it. Two parallel lines which meet for a second, only to drift apart for ever.
In a poverty stricken village in 1947 Moldavia, the obsession for getting rich of Prisac turns the community against him. Based on "La Răzeși" (Yeomans) novel by Valeriu Emil Galan.
Ciulei’s second feature recalls the best of Fritz Lang and Michael Curtiz in its WWII-era espionage tale, set on a barge transporting Nazi munitions up the Danube. Ciulei himself givers a superb performance as Mihai, the barge captain forced to navigate the heavily mined waters along with his new bride, Ana (Irina Petrescu). As the journey wears on, Mihai becomes increasingly suspicious of one of his crew, ex-convict Toma (Lazar Vrabie), and his intentions towards Ana. But Toma has a far graver—and potentially deadly—secret to conceal.
