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The White Ribbon
Strange events happen in a small village in the north of Germany during the years just before World War I, which seem to be ritual punishment. The abused and suppressed children of the villagers seem to be at the heart of this mystery.
Michael Haneke
Casts & Crew
Ursina Lardi
Ulrich Tukur
Burghart Klaußner
Christian Friedel
Leonie Benesch
Susanne Lothar
Fion Mutert
Levin Henning
Maria Dragus
Leonard Proxauf
Steffi Kühnert
Josef Bierbichler
Rainer Bock
Roxane Duran
Detlev Buck
Birgit Minichmayr
Carmen-Maja Antoni
Michael Kranz
Thibault Sérié
Johanna Busse
Ernst Jacobi
Gabriela Maria Schmeide
Janina Fautz
Enno Trebs
Theo Trebs
Miljan Chatelain
Eddy Grahl
Branko Samarovski
Klaus Manchen
Sebastian Hülk
Kai-Peter Malina
Kristina Kneppek
Stephanie Amarell
Bianca Mey
Aaron Denkel
Mika Ahrens
Anne-Kathrin Gummich
Luzie Ahrens
Gary Bestla
Leonard Boes
Felix Boettcher
Sophie Czech
Paraschiva Dragus
Selina Ewald
Nora Gruler
Tim Guderjahn
Jonas Jennerjahn
Ole Joensson
Gerrit Langentepe
Lena Pankow
Sebastian Pauli
Franz Rewoldt
Kevin Schmolinski
Alexander Sedl
Nino Seide
Marvin Ray Spey
Malin Steffen
Lilli Trebs
Paul Wolf
Margarete Zimmermann
Christian Klischat
Michael Schenk
Hanus Polak Jr.
Sara Schivazappa
Marisa Growaldt
Vincent Krüger
Rüdiger Hauffe
Arndt Schwering-Sohnrey
Florian Köhler
Sebastian Łach
Marcin Tyrol
Sebastian Badurek
Krzysztof Zarzecki
Sebastian Pawlak
Lilli Fichtner
Amelie Litwin
Paula Kalinski
Matthias Linke
Vladik Otaryan
Peter Mörike
Hans-Matthias Glassmann
Nikita Vaganov
Mercedes Jadea Diaz
Simon Pawlowsky
Also Directed by Michael Haneke
When Anna and her family arrive at their holiday home, they find it occupied by strangers. This confrontation is just the beginning of a painful learning process.
The disabled ex-soldier Andreas Pum lost a leg for emperor and father land. After leaving the army he receives a license and a drehorgel. One day he gets into a controversy with a welldressed gentleman, disturbs the public order, and hits a policeman. Andreas Pum goes to jail, loses his license and becomes toilet guard in the Cafe Halali after his release. Only at the moment of death he recognizes that he was always too decent and too obedient.
A middle-class family living in Calais deal with a series of setbacks while paying little attention to the grim conditions in the refugee camps within a few miles of their home.
A 14-year-old video enthusiast is so caught up in film fantasy that he can no longer relate to the real world, to such an extent that he commits murder and records an on-camera confession for his parents.
Described as an answer to Fassbinder’s The Marriage of Maria Braun, Fraulein tells the story of a German woman and a former French prisoner of war living in 1950s Germany. Instead of playing a role in rebuilding her country, Haneke’s heroine remains preoccupied with her personal affairs.
This two-part drama examines the fate of Haneke’s own generation which came of age after World War II. The first part depicts the generational gap between 1950s teenagers and their parents while the second shows this same group of characters twenty years later as they have grown up to be dysfunctional and suicidal adults. Regarded as the most significant of Haneke’s early works, Lemmings contains incipient treatments of many of the themes he would later elaborate on in his theatrical features.
The emotional story of an adulterous relationship between a journalist and a teacher.
A modern classic filled with new Avant-Garde techniques never seen before.
Autumn 1990. A young Austrian goes to a party held by some of his friends and provokes a hideous bloodbath. As a reflection of daily reality and its crass representation in the horror of one extreme crime, Michael Haneke has mounted material taken from one whole day of ORF (Austrian TV) broadcasting, using it in proportion to the time allocated to it in the programme schedule.
A married couple is terrorized by a series of videotapes planted on their front porch.