Michael Haneke
Features interviews with two-time Palme d'Or winner Michael Haneke and his key collaborators, alongside excerpts from his films.
A modern classic filled with new Avant-Garde techniques never seen before.
French Cinema Mon Amour is an ensemble film in which each contributor brings their own voice, their own particular approach, their culture, and their language to produce a portrait of French cinema.
In the heat of the summer lays a lonesome house in the countryside where nine year old twin brothers await their mother’s return. When she comes home, bandaged after cosmetic surgery, nothing is like before and the children start to doubt whether this woman is actually who she says she is.
Over the past twenty-five years, director Michael Haneke has established himself as a towering figure in modern cinema whose rigorous focus on the craft of filmmaking has produced works of profound artistry. This career-spanning documentary gives unprecedented access and covers the body of Haneke’s work, offering insight into his creative process through on-set footage and interviews with the man himself and collaborators including Emmanuelle Riva, Isabelle Huppert and Juliette Binoche.
Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all. The Academy Award-winning director Michael Haneke once said that he was merely being precise and did not want to distort reality. In only his second opera production after Don Giovanni in 2006, he presents what ARTE described as a “disillusioned vision of love in an ice-cold, realistic interpretation”.
In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, eighty nautical miles off the east coast of Sweden. He left Stockholm and went to live there. When he died, the house was preserved. A group of very special cinephiles, came from all over the world, have traveled to Fårö in search of the genius and his legacy. (An edited version of the Swedish mini-series “Bergmans video,” 2012.)
His new film "The White Ribbon" received the Palme d'or at Cannes this year. Felix and Gero von Boehm have accompanied the German and French film director for several months and were able for the first time watch him exclusively in work and in private. An interesting insight into one of the worlds most notable modern directors.
Strange events happen in a small village in the north of Germany during the years just before World War I, which seem to be ritual punishment. The abused and suppressed children of the villagers seem to be at the heart of this mystery.
When Ann, husband George, and son Georgie arrive at their holiday home they are visited by a pair of polite and seemingly pleasant young men. Armed with deceptively sweet smiles and some golf clubs, they proceed to terrorize and torture the tight-knit clan, giving them until the next day to survive.
Directors Nina Kusturica and Eva Testor followed Michael Haneke for a period of two and a half years. They accompanied him to film premieres and public appearances, radio interviews and photo shoots; they observed him as he scouted locations, directed actors on the set, and made final cuts in the editing room. In between, on long train and car rides, Haneke spoke candidly about his childhood, his transition to filmmaking, and his views on cinema, discussing films that inspired him and his own work (he counts The Seventh Continent and 71 Fragments of a Chronology of Chance among his favorites). What emerges in this insightful documentary is a portrait of a dedicated filmmaker, a charming yet elusive figure in thrall to cinema and the constant perfection of his craft.
When Anna and her family arrive at their holiday home, they find it occupied by strangers. This confrontation is just the beginning of a painful learning process.
Erika Kohut, a sexually repressed piano teacher living with her domineering mother, meets a young man who starts romantically pursuing her.
A series of events unfold like a chain reaction, all stemming from a minor event that brings the film's five characters together. Set in Paris, France, Anne is an actress whose boyfriend Georges photographs the war in Kosovo. Georges' brother, Jean, is looking for the entry code to Georges' apartment. These characters lives interconnect with a Romanian immigrant and a deaf teacher.
A making-of documentary featuring interviews with director Michael Haneke, actor Juliette Binoche, and producer Marin Karmitz, as well as on-set footage of cast and crew of "Code Unknown".
Michael Haneke's adaptation of Franz Kafka's unfinished novel Das Schloss. K arrives in a remote village a stranger. In attempting to establish himself there, he enters the nightmarish world of the castle bureaucracy.
Two psychotic young men take a mother, father, and son hostage in their vacation cabin and force them to play sadistic "games" with one another for their own amusement.
Humourous interpretation of the poems and writings of Soviet dadaist Daniil Charms. These are organized into a sequence, suggesting a storyline, about a poor Russian poet who lives in Vienna, falls in love and has several bizarre adventures.
40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes. The results run the gamut from Zhang Yimou's convention-thwarting joke to David Lynch's bizarre miniature epic.
Georg, who is happy with his job as a scientist, with his loving wife and with his three children, hears one day that an accident has happened in a chemical plant nearby. All of a sudden, he finds himself face to face with one of the victims. The man, whose face has been eaten away by the sour gas that escaped from the plant, is staring at him in despair. Does Georg really see the man or is this a mere hallucination? Is he becoming insane or is he more alert to the dangers of the world than the common man?
71 scenes revolving around multiple Viennese residents who are by chance involved with a senseless gun slaughter on Christmas Eve.
The disabled ex-soldier Andreas Pum lost a leg for emperor and father land. After leaving the army he receives a license and a drehorgel. One day he gets into a controversy with a welldressed gentleman, disturbs the public order, and hits a policeman. Andreas Pum goes to jail, loses his license and becomes toilet guard in the Cafe Halali after his release. Only at the moment of death he recognizes that he was always too decent and too obedient.
A 14-year-old video enthusiast is so caught up in film fantasy that he can no longer relate to the real world, to such an extent that he commits murder and records an on-camera confession for his parents.
Autumn 1990. A young Austrian goes to a party held by some of his friends and provokes a hideous bloodbath. As a reflection of daily reality and its crass representation in the horror of one extreme crime, Michael Haneke has mounted material taken from one whole day of ORF (Austrian TV) broadcasting, using it in proportion to the time allocated to it in the programme schedule.
Chronicles three years of a middle class family seemingly caught up in their daily routines, only troubled by minor incidents. Behind their apparent calm and repetitive existence however, they are actually planning something sinister.
Josef "Schmutz" (german for "dirt"), a security guard obsessed with duty and cleanliness, is given the task of guarding a decommissioned industrial plant. While maintaining his devotion to the authority of property right, the self-proclaimed "Representative of Ownership" is himself slowly losing his sense of reality.
Described as an answer to Fassbinder’s The Marriage of Maria Braun, Fraulein tells the story of a German woman and a former French prisoner of war living in 1950s Germany. Instead of playing a role in rebuilding her country, Haneke’s heroine remains preoccupied with her personal affairs.
A nihilistic art student meets the mysterious Edgar Allen at a coffee shop in Venice. The fascination for the older man soon turns into paranoia.
This two-part drama examines the fate of Haneke’s own generation which came of age after World War II. The first part depicts the generational gap between 1950s teenagers and their parents while the second shows this same group of characters twenty years later as they have grown up to be dysfunctional and suicidal adults. Regarded as the most significant of Haneke’s early works, Lemmings contains incipient treatments of many of the themes he would later elaborate on in his theatrical features.
This two-part drama examines the fate of Haneke’s own generation which came of age after World War II. The first part depicts the generational gap between 1950s teenagers and their parents while the second shows this same group of characters twenty years later as they have grown up to be dysfunctional and suicidal adults. Regarded as the most significant of Haneke’s early works, Lemmings contains incipient treatments of many of the themes he would later elaborate on in his theatrical features.
Elisabeth, a forty year old woman, visits her old father in the outskirts of Klagenfurt. There, she reflects about her childhood and her romantic life.
An encounter exploring how people can fail to communicate even when they are talking by either not saying anything, not listening or simply evading.
