Ajit Banerjee
A daughter of poor parents was engaged to a man when she was 13. The man is away working in Calcutta. In the meanwhile, she befriends a truck-driver who promises her parents a huge amount of money. The girl is snatched away by her father-in-law and raped by him. But she is punished for his crime.
A well-off Indian family is paid an unexpected, and rather unwanted, visit by a man claiming to be the woman's long lost uncle. The initial suspicion with which they greet the man slowly dissolves as he regales them with stories of his travels, tales that are at odds with their conventional middle class perspective on the world.
When a wealthy patriarch falls ill on his 70th birthday, three of his sons rush in from Calcutta, leading to a reunion filled with painful ironies and lingering disillusionment. As the family—including an addled fourth son (Soumitra Chatterjee) who lives with the old man—watches and waits, the static occasion brings out simmering tensions in their family dynamics, from the father’s moral rectitude to the business ambition of two sons and the withdrawal of their siblings.
The heartwarming story of a fakir named Lalon Kar that traces his journey from being a family man to a wandering minstrel and how he spread the message of love everywhere. Note: Though poster art is in color, the movie is B&W. And while released in '87, it had to have been filmed in '84 or earlier, since Baran died in Nov 1984
Kailashpati is a widower, and father of an only son, Ramesh. He feels that his son has come of age, and must get married. He goes to see a number of young ladies for him, but is disappointed with them, as he feels they are too modern, speak English, and listen to foreign music. He feels that Ramesh will be better off marrying a non-English speaking lady, preferably from a small village. But the predicament of Ramesh is that he is already in love with Ramola, a very well qualified, English speaking Doctor, and he knows fully well that she will not be approved by his dad. So Ramesh, Ramola and Lalaji concocts a plot, making Ramola masquerade as a naive, non-English speaking village belle, with hilarious and unpredictable results.
Sparkling comedy about a meddling friend whose attempt to rekindle the spark in his friend's relationship with his wife of seven years leads to complications to their lives, and to the lives of his secretary and her boyfriend he has not 'scripted' ... Splendid performances by Amol Palekar, Deepti Naval, Parveen Babi and Farooq Shaikh, a perfectly pitched script, witty dialogue and a plethora of aptly placed film references make this a film one can watch over and over and never fail to laugh out loud.
Ramprasad is appointed as a house-keeper for Bhavani Shankar Bajpai's ancestral home, won after a hard-fought legal battle. Ramprasad wants to marry Kusum but cannot as he doesn't earn enough or has a decent place to live. Circumstances change and Kusum and her father come and live in the Bhavani Shankar's ancestral home. Bhavani Shankar, his brother and Bhavani Shankar's manager come one by one to evict the trespassers and are infatuated by Kusum. Ramprasad somehow manages to deal with all of them and marries Kusum after assurances to better pay and a nice place to live.
Nirmala Gupta runs her household and family in a very strict and authoritarian manner. While most of her family resents this, they do obey her and carry out her instructions, so as to be on her good side. Things start to change after her second son gets married to Anju. Manju, Anju's sister, comes over to stay for a few days with the Gupta family, and is accepted by everyone except Nirmala. Nirmala's third son intends to marry Manju. But Manju does not like the manner in which his mom bosses everyone, and feels some changes are needed in the Gupta household
Ramprasad a recent college graduate who finds a job with a finicky man, Bhavani Shankar, who believes that a man without a mustache is a man without a character. When Ramprasad is caught by his boss at a soccer match, he has to invent a twin brother, the clean-shaven Laxman Prasad, to save his job, things take a whacky turn.A fake mother and a hilarious chase are enjoyable features in this comedy.
A British administrator with a flair for game hunting develops a friendship with a commoner who is an expert archer in an Indian village. The movie portrays the relationship between the British colonialists, and native villagers who were exploited by Indian landlords in 1920s India. This happens against the backdrop of the awakening of the Indian people against the British rule.
Kusum and Brindavan are two small children living in a small village in India. Both love each other, and decide to marry when they grow up. Kusum has his name tattooed on her arm. But fate has other plans - both are separated. Kusum thinks that Brindavan has betrayed her, and she burns her arm to eradicate the tattoo. Years later, Kusum has grown up and is looking after a wealthy woman in her village. The wealthy woman falls sick, and her son brings in a doctor to treat her. Kusum's hopes for meeting her beloved surface, when she finds out that the doctor's (Jeetendra) name is Brindavan
Shekhar Dayal (Amitabh Bachhan) has moved into a new neighborhood, and is unhappy with the new surroundings. He resents the noise children make while playing, as he prefers quiet and solitude. His reclusion is shattered when his neighbor, Mili, comes into his life. At first he hates the intrusion, but then grows fond, and ultimately falls in love with her. When the time comes for him to propose to this sunny, cheerful, and positive young lady, he learns that she has only a few more months to live..
J.K. is a hotel Manager in a scenic location in India. One day he gallantly comes to the rescue of a drunk daughter, Aarti, of a politician, and chooses to be discrete about it. When she recovers, she and he fall in love; get married in a small marriage ceremony, have a daughter, and thereafter differences arise to such an extent that they decide to separate. Years pass J.K. and Aarti meet again when she is an established politician, both are still attracted to each other, but she does not want her name to be tarnished and stigmatized as a "separated" woman.
Mischievous botany professor Parimal Tripathi plays a little trick on his brother-in-law Raghav. Jealous of the high esteem in which his own wife, Sulekha, holds the other man, Parimal decides to impersonate Raghav's new driver. Laying the groundwork for a series of hilarious misunderstandings, the disguised professor throws doubt on his wife's fidelity and gets his best buddy, Sukumar, to help out by impersonating Parimal.
A small company advertises for 100 vacancies and 30,000 apply. The applicants are all from the ranks of the poor and there is a virtual riot. Everyone around is seeking for opportunities. Among them are the applicants who desperately need the job, the photographer who is busy seeking a scoop, the village moneylender who is busy exploiting the poor, the ineffective police, the employers who are advertising posts even while a six month old strike has nearly caused the workmen to become destitute. It is a story of society captured in a tiny framework of a small business. Ultimately, the workmen, the unemployed and the farmers all get to gether to protest against this exploitation.
Dr. Chaudhary must perform multiple surgeries on Major Ranjeet Khanna, who was shot by the Police while trying to escape from custody after killing his wife, Pushpa, and her lover, Prakash. Chances of Ranjeet's recovery are very slim, if he does recover, he could end up mentally unstable or paralyzed. In the event he does recover, the medical staff's efforts would be in vain as he has already been found guilty and sentenced to be hanged.
The lives of Atmaram and his wife are turned upside down when they see their daughter, Mala's pictures in a magazine. They arrange for Mala's marriage with the son of Ramlal. Mala is opposed to marrying anyone who she has not met, and is at the same time thrilled that the two persons she trusted, one Sharma, and the other Verma had actually submitted her pictures to a magazine, and were now willing to sign her up for a Bollywood movie. Mala is not able to understand her parents' opposition on her way to fame, and runs away from home with a lot of money to Goa.
Squabbling Sharma family has a dubious reputation of not having any cook last there for more than a few months. Word spreads out about this family to such an extent that no person wants to be employed as a cook in this household, ironically named Shanti Nivas. Then one day a young man named Raghu offers to work as a cook, and he is hired. Raghu quickly gets a grip on his job and on each of the family members, and soon the squabbles and arguments come to an end. And then the Sharmas find the family jewels and Raghu missing
After the passing away of her father, a local physician, Aarti takes it upon herself to dispense medicine, as well as sew clothes, and looks after a child named Kundan who has lost his legs to paralysis. She has a admirer in Arun, who secretly loves her, would like to marry her, but knows that he is poor and will be unable to afford a family, as he is a mere painter. Then an elderly man enters Aarti's life, he is ill, she offers to look after him until he gets better and leaves, but he does not leave, as he has nowhere to go, and she allows him to stay. Then good luck smiles on them as Arun sells one of his paintings, and he is able to get artificial legs for the child. What Arun and Aarti do not know is that the elderly male is really a very wealthy man named Ambarprasad, who had run away from his home when he was accused of having sex with his protégé, a young woman, who he had brought up. The question is what is Ambarprasad up to now?
Old woman Anandi (Meena Kumari) moves to the city with her relatives and finds out their material side. She develops fondness for two rival street gangs of unemployed youth. These gangs are headed by two former friends turned foes in a time when society, politics and education are all losing their bearings in 1970s India. The film beautifully portrays how disillusioned unemployed youth get disaffected from society and education and become pawns in the game of politics.
A story of love and sacrifice of a mother who did everything to protect her child ,even from her husband.
Memdidi tells a simple and endearing story of Mrs. Roy (Memdidi), who moves in as a new neighbor to the two local tough guys, Bahadur Singh (David) and Sher Khan (Jayant), with a heart of gold. Hrishikesh Mukherjee's direction and screenplay makes this movie a gem and worth watching again and again.
There are moments in our lives when our whole being is put to the test. Our ideals, our ambitions, are forgotten and we crave for escape. Escape into our world of dreams. And such is Anuradha's (Leela Naidu) story. The daughter of a rich man, she has everything she desired, yet she goes on to marry Dr. Nirmal Chowdhary (Balraj Sahni), an idealistic doctor, who wants to serve the poor in the villages of India. Later when she is shown what she is missing by living with this poor doctor, she has to make the choice. The choice of her life or her love.
