André Marcon
Taking place between the years 1837 and 1843, Balzac’s classic novel focuses on the young poet Lucien de Rubempre, who leaves Angouleme for Paris in the pursuit of becoming an author.
Doctor Petypon, a respectable doctor, partied until early morning at Maxim's. His best friend discovers him asleep at noon under an overturned sofa. From the bedroom comes the Môme Crevette, a dancer from the Moulin Rouge. She is forced to pretend to be his wife. It stings at the game and causes a cascade of misunderstandings, imbroglios and drama at a frantic pace.
Juliette is attending the baptism of Lucas, the son of her best friend Claire. But the young mother, weakened by her childbirth, shows disturbing signs of depression.
Following a huge misunderstanding, two friends always decide to tackle everything to make up for lost time.
In 1894, French Captain Alfred Dreyfus is wrongfully convicted of treason and sentenced to life imprisonment at Devil's Island.
The story revolves around 22-year-old Laure, who is trying to find her feet. After performing brilliantly in her literature studies, she enrols as a communications officer in the Naval Fusiliers. She will quickly have to adapt to and assimilate the rules that apply within the institution. But Laure is a determined woman, and she has a thirst for knowledge – still. A thirst to learn to get to know and be comfortable with herself, and to find her place.
A young man from a modest family gets the chance of a lifetime to reveal his hidden talent for piano but can he find the strength and courage to live up to the challenge?
In November 1918, a few days before the Armistice, when Lt. Pradelle orders a senseless attack, he causes a useless disaster, but his outrageous act also binds the lives of two soldiers who have nothing more in common than the battlefield: Édouard saves Albert, although at a high cost. They become companions in misfortune who will attempt to survive in a changing world. Pradelle, in his own way, does the same. The film largely erased the homosexuality of its hero, that was central in the Pierre Lemaitre novel.
Nathalie teaches philosophy at a high school in Paris. She is passionate about her job and particularly enjoys passing on the pleasure of thinking. Married with two children, she divides her time between her family, former students and her very possessive mother. One day, Nathalie’s husband announces he is leaving her for another woman. With freedom thrust upon her, Nathalie must reinvent her life.
Paris in the 1920s. Marguerite Dumont is a wealthy woman with a passion for music and the opera. For years, she has performed regularly for a circle of guests. But Marguerite sings tragically out of tune and no one has ever told her. Her husband and her close friends have always encouraged her in her illusions. Things become very complicated the day she gets it into her head to perform in front of a genuine public, at the Opera.
A struggling writer finds a shortcut to fame, but a blackmailer threatens to ruin his perfect life.
How to become a man when your mother and your closed circle have decided otherwise? This is the challenge Guillaume took up. The film recounts Guillaume's tragicomic battle from the young age of eight, as he adopts the role of a girl then of a homosexual... until, aged 30, he meets the woman who, after his mother, will become the other woman in his life. Beyond this story of a heterosexual coming-out, the film tells the tale of an actor who never stopped loving women, maybe even a little too much.
State crime is a historic French telefilm, directed by Pierre Aknine and released January 29, 2013 on France 3. It discusses Robert Boulin case and supports the thesis of assassinat1.
Family man François Nouel (Clovis Cornillac) is the number one fan of the Tour de France – an obsession that costs him his wife and his job. At a loose end, François meets a former sports manager, Rémi (Bouli Lanners) who encourages him to take the plunge and do the Tour himself. With nothing to lose, François sets off, always one day ahead of the race, attracting fellow amateurs, media coverage and cheering crowds. As obstacle after obstacle is thrown his way, and his family comes back on the scene, François discovers what is really most important in his life.
Wahid Gordji is an Iranian diplomat suspected of the attack at 'rue de Rennes'. Yet, he is ultimately absolved when French hostages in Lebanon are released. Political scandal in France: there is suspicion that the government had intervened in the case and to have exchanged the liberation of the hostages with that of Gordj. Discredited, the judge commits suicide. Mitterand and Chirac keep lobbing the responsibility of the case to each other.
During the 1970s a student named Gilles gets entangled in contemporary political turmoils although he would rather just be a creative artist. While torn between his solidarity to his friends and his personal ambitions he falls in love with Christine.
Two mismatched cops team up to investigate the murder of a business mogul's wife.
Vittorio stops to help Kate when her car breaks down on a mountain road. When they meet again, Vittorio discovers that Kate has rejoined a circus after a long time away. He begins to learn about the troupe's buried past and Kate's connection to it, while experiencing the magic of the circus.
Mélanie Prouvost, a ten-year-old butcher's daughter, is a gifted pianist. That is why she and her parents decide that she sit for the Conservatory entrance exam. Although Mélanie is very likely to be admitted, she unfortunately gets distracted by the president of the jury's offhand attitude and she fails. Ten years later, Mélanie becomes her page turner, waiting patiently for her revenge.
Sexy, gritty and as provocative as a lap dance, The Bathers takes an insider's look at the lives of six women working as dancers at a seedy Parisian peep show. Governed by their overprotective boss, the girls' routine of glittery neon lights and lecherous customers is soon disrupted when an enigmatic stranger enters the scene. Now, drugs, sex and bickering all take a back seat as the girls unite to save this man haunted by a mysterious past and unforgiving demons. A fascinating glimpse into a world of back alleys and primal instincts, The Bathers transports us to a netherworld where the show always goes on.
Sylvie is a hooker whose illegitimate daughter commits a crime. She and her daughter flee to find Sylvie's first love in the countryside. The daughter is trying to get to know her unwilling mother. Along the way, the two meet a male fugitive and bond with each other.
Jacques Laurent made pornographic films in the 1970s and 80's, but had put that aside for 20 years. His artistic ideas, born of the '60s counter-culture, had elevated the entire genre. Older and paunchier, he is now directing a porno again. Jacques's artistry clashes with his financially-troubled producer's ideas about shooting hard-core sex. Jacques has been estranged from his son Joseph for years, since the son first learned the nature of the family business. They are now speaking again. Joseph and his friends want to recapture the idealism of 1968 with a protest. Separated from his wife, Jacques strives for personal renewal with plans to build a new house by himself...
In late nineteenth century Charante, Protestant minister Jean Barnery causes local disquiet when he arranges a separation from his obsessive wife...
In a dying French mining town near the German border, the last miners are preparing to strike. Marek and Mimmo, two young miners and friends, have different views on the impending strike.
Three women live together in an old rectory on the seashore. Alda lends her body to a string of carnal relationships but never commits her feelings. Olga, the elder sister, has opted for a reclusive life as the soul of the household. Her daughter, Sigga, is a young adolescent. The house harbors a finely balanced marriage between desire and memory—until Olga’s destiny tips the scales.
The film follows the story of three girls in contemporary Paris. One searches for her lost mother since she knows she's adopted. The other has come out of a coma and needs to have a love relationship aside from his mysterious father. The third one is a crook who redeems herself through love. The action is commented by songs and dance routines.
Several lives intersect when a middle-aged woman is left by her husband, and she decides to trek him down with the help of her equally troubled sister.
The second film covers Joan's trial and the end of her life.
In this "inside look" at French filmmaking, Marechal (Francis Girod) - who is a has-been director - a producer, Vito Catene (Andre Marcon) and Camile Dor (Fabienne Babe), a big-name actress, have agreed to make a film about drugs, but don't have a story, financing, or any of the other elements needed to make it. This doesn't stop them; they cobble together the financing and begin shooting anyway. The producer is very fond of the leading actress, and when she gets hooked on drugs for real in the course of shooting what he feels to be a farcical imitation of a film, he gives up his shares in the film and heads off for the back of beyond (Zanzibar) to lick his wounds. To add insult to injury, the film winds up being a critical and commercial success.
The story of Itineraire Bis has no singular plot line, but swings back and forth between the adventures of a young man who wants to buy a pizza truck and the lives of two middle-aged brothers living in an enormous house. One of the brothers is wheelchair-bound and eventually makes the acquaintance of the pizza-driving aspirant and decides to give him the money he needs -- though this act of generosity in no way shields him from his own destiny. Other characters wander in and out of the story, such as Jeanne (Martine Kalayan), the young man's lover.
Lucia and Elena are best friends since childhood. They take a car trip from Paris to the country. Their conversations are overtly intimate, but more revealing is their tacit understanding of each others' personality and desires.
A lieutenant from a contingent of the French army stationed in Mali, who is seriously injured when his armoured vehicle explodes.
Mathilde (Dominique Blanc) has had a number of children, but is still an attractive woman. One day her husband simply picks up and leaves without any explanation whatever. At about the same time, she is involved at an accident at her workplace which makes her strongly aware of the passage of time. Can she once more know the love of a man? She has enough suitors: Charlie, though dull, has been in love with her since she could remember; Jacques is the father of one of her children; Mano has moved to the north of France from Spain, and wants to refurbish her house for her. Without rushing, she carefully considers each man (and her absent husband) in the context of her life, what she wants from it, and what is possible.
Paris, summer 1942. Irene is Jewish and French. She is 19 and living a life of passions - Her friendships, her new love, her desire to be an actress - Nothing suggests that Irene's time is running out.
