Bahram Beyzai
This documentary movie explores the professional life of Parviz Fanizadeh, Iranian actor of the 60s and 70s cinema and theater, with investigating through archival footage of his works and referring to his fellow artists.
An examination of the work and lives of actresses in the Iranian film industry prior to the 1979 revolution, featuring myriad interviews and rare film clips.
Chakameh who has lost both her husband and child in a car accident meets a guy who recently been released from prison. While she is under pressure from the lawyers to compromise with the arrested driver, the guy told her his story of why getting arrested and then released from prison.
A documentary about Ghazaleh Alizadeh who was an Iranian poet and writer.
Persian Carpet is an omnibus film produced by Iran's National Carpet Center and Farabi Cinema Foundation where 15 renowned Iranian directors contributed films on the subject of Persian carpet. Carpets are the reflection of the cultural and historical identity of Iran.
Part 3 of documentary trilogy about Pertsian poet Forough Farrokhzad. This part focuses on her theatre and film work.
Zamane and Saeid are neighbors. Despite their own arrangements to get married, their families are against this marriage. Zamane’s family’s reason for this opposition, especially her father’s, is the fact that Saeid is a disabled veteran who is on the wheelchair. Zamane, who’s had enough of her family’s strict behavior, offers Saeid to run away with her and then get married, but he doesn’t accept that.
Golrokh, an Iranian author, struggles to settle her husband's debts caused by a business partner who left him to bear the consequences.
Part 1 of the trilogy concerning Persian poet Farough Farrokhz. This film traces her personal life.
A young woman's wedding becomes a ritual of mourning when her sister and family die in an auto accident on the way to the wedding. The sisters' mother refuses to accept her daughter's death, and in the midst of wedding guests and mourners, including the drivers of the truck that caused the accident, she orders the wedding to take place. But how can the daughter marry in the midst of a wake and without the family's traditional mirror, which the sister was bringing to the service?
During the Iran-Iraq War, Bashu, a young boy loses his house and all his family. Scared, he sneaks into a truck that is leaving the area. He gets off the truck in the Northern part of the country, where everything from landscape to language is different. He meets Naii, who is trying to raise her two young children on a farm, while her husband is away. Despite cultural differences, and the fact that they do not speak the same language, Bashu and Naii slowly form a strong bond.
Famed actress Susan Taslimi plays three roles here: Kian, who doubts her identity; Vida, the twin sister, a self-assured artist; and their mother, who gives up one child out of fear of poverty, then deprives the other of affection because she deeply regrets the child whom she has abandoned.
Amiro is a young boy who has lost his home during the war. He spends his days by working odd jobs, until he realizes that the only way that he can realize his dreams is by enrolling in school. In school, he has conflict with other students. Finally there is a competition to see who can say the whole alphabet in one breath.
Bahram Beizai's poetic imagining of the circumstances that led to the death of Yazdgerd III, the last of the Sassanid kings of Iran. His death in 651, during the Arab invasions that brought Islam to this Zoroastrian realm, was mysterious: his corpse was discovered in a mill, but the cause of his death—and the whereabouts of his remains—are unknown.
During the Islamic revolution a SAVAK member Amani marries a woman her name Laleh. Laleh is a doctor and helps the injures of the revolution. Her brother is too involved in the revolution.
Tara, the young beautiful widow, returns with her two young children from country to her village. On her way home, she finds out that her grandfather has passed away. She distributes grandpa’s belongings among her neighbours. But there remains an old sword that no one will accept. One day on the road, she meets an ancient warrior. He claims that his clan have sent him to present time to take the old sword back. Tara finally submits the sword to him, but he returns upon realizing that he has fallen powerfully in love with her.
When Mr. Esalat is looking for a topic for his TV show, he notices an advertisement in the newspaper about a missing girl. The picture of the missing girl is very familiar to him and he tries to remember where he saw it before. His wife Asieh is a teacher and at home she writes his mother's diary. When he searches for the address in that advertisement, he finds that it belongs to 30 years ago. Asieh is becoming interested in the missing girl too.
A young man, suffering from loss of memory, drifts in on a canoe onto the shore of the Persian Gulf. He falls in love with a beautiful village woman and settles down, until strangers come from the sea and attack the village. The young man decides to return to the sea to save the village from further harassment.
A well educated and humble teacher arrives in a new city and at a new job in the pre-revolutionary Iran. He falls in love with a hardworking underprivileged young woman that nurses her very old mother and raises her young brother. In an environment where commitments and social problems often stand in the way between people and their dreams.
A lonely old man takes to terrorizing the kids who build a football pitch next to his house.
An avant-garde short movie of Bahram Beizai about history of south of Iran and a conversation of a southern boy(Shanbehzade) with a genie called wind(Mozhdeh shamsai)
