Bombi Plata
In a failed diamond heist, two hopeless thieves hide out in an apartment taking a ten-year-old boy hostage. With a gang of dirty police closing in on them each thief must decide to what lengths he will go to survive--a decision that will change the boy's life forever.
Two aging couple who work in the Filipino film industry, a linear editor and an ex-dubber, who, at the twilight of their lives, decide to part ways to know what’s missing in their lives. They both explore things they haven’t explored before as they both undergo a sexual awakening in their lives. The wife finds comfort in a local school janitor whom she sees a slight parallelism to her life. On the other hand, the husband gets enamored on a shy barrio lass whose face elicit the same weakness he has for women chinita eyes.
"ANG MGA KIDNAPER NI RONNIE LAZARO" is about a group of down and out-of-luck men who decided to make a film starring Ronnie Lazaro, the most sought-after indie actor in the Philippines. Things get complicated when Lazaro decides to beg-off from acting on their supposed "indie film" and the guys were forced to abduct the actor." - Agimat Project
Loosely based on the kidnapping of a broadcast journalist and her crew, the film shows a 10-year-old Tausug boy used by the Abu Sayyaf group to "charge" the cellphones they use in negotiating for their demands for the release of their captives. Things take a strange turn when the journalist befriends Shihab and earns his trust as Shihab finds himself torn between his loyalty to his Tausug brothers and the bond he has forged with his newfound friend.
An aging assassin hides in a facility for abandoned senior citizens to protect a daughter he left years ago.
Headed to the city, a man drives his jeep along an isolated rural road. He soon encounters a series of strange obstacles and barriers that will challenge him throughout his journey. As several surreal events begin to unfold he meets a few characters along the way. His isolation transforms into desolation as the people he meets appear to be hostile towards him despite his honest intentions. Slowly, he loses his innocence as he adapts to this unfamiliar and deceitful environment. Struggling for his survival every step of the way, he eventually reaches his destination, the city’s outer limits; however, the very core of his being has been twisted as a result of his experiences. When he finally stands at the boundary between the city and the vast nothingness behind him, he yet again faces another barrier, a question he asks himself… which side is the true wasteland?
Set in two contrasting enivronments that undeline the same premise of imprisonment, Selda tells the story of Rommel (Sid Lucero), a young man who accidentally kills a boy, resulting in his incarceration. Inside the jail, he befriends another inmate, Esteban (Emilio), who becomes his rock and protector. Seven years later, Rommel is living in the province as a farmer together with Sita (Ara Mina) his wife. Esteban tracks down Rommel in hopes of renewing a brewing love affair. Rommel and Sita welcome Esteban into their lives, until their intimacy crosses borderlines and results in the undeniable scourge of self-discovery
Imahe Nasyon is a groundbreaking, conceptual omnibus film by 20 alternative filmmakers who were tasked to present their personal visions on national issues. Renowned line producers Jon and Carol Red hatched the idea of revisiting the 1986 EDSA revolution, challenging directors to answer the question "What happened after 1986?" with a short film not longer than five minutes each. Despite individual techniques, the same goal is shared: to depict a truthful image of the nation at present.
The movie tells the story of a mysterious creature called Dilim, who roams the streets at night and does vigilante work, saving innocent victims by literally devouring the villains. A do-good policeman goes hot on Dilim’s trail, setting off a series of dangerous encounters, bloodbath, and rude awakenings.
A black comedy film, which focuses on two film workers, Raffy, the clapper, and Dido, a utility boy. Both share the same dream: to direct their own films someday. Their lives as mere "small production people" took a different turn when, together with the people in the unit van they were riding,had an encounter with armed men. Their co-workers were killed, and the two of them were forced to drive the unit van out of fear until it ran out of gas. The van contains equipment for movie production like cameras, lights and film stocks. They ended up in a secluded barrio not yet reached by modern technology, and therefore, the townsfolk knew nothing of the movie industry.
It is about a group of investigative journalists from a sub-par TV station who accidentally scores a scoop that a 21-year-old boy is looking around for his identity… he claims to be the son of the late director Lino Brocka, a known gay filmmaker.
