Charly Steinberger
A fascinating and absorbing documentary about the making of Jerzy Skolimowski's cult favourite, DEEP END, which was shot in 1970 as a US-German co-production on location in London and Munich. The film's two stars, Jane Asher and John Moulder-Brown, 23 and 17 years of age at the time respectively, meet for the first time in 40 years and discuss their on-screen and off-screen relationship in candid detail, while director/writer Skolimowski chronicles the production history from the writing of the script to the film's acclaimed first showing at the Venice Film Festival. Director of photography Charly Steinberger revisits some of the original locations and explains how he managed to shoot almost the entire film with a hand-held camera. Also on board are production designer Anthony Pratt, editor Barrie Vince, and actor Christopher Sandford, each of whom contributes his own version of how DEEP END was part of the sixties' "swinging London"; and at the same time tilted it on its head.
Action-comedy about a wealthy man who fakes suicide for the amusement of watching his family and creditors compete for his wealth. Many cameo appearances!
A lawyer who survives a plane crash takes the opportunity to take a new identity and begin a new life.
A trio of robbers, two brothers and their twisted genius leader, invade a lightship, but don't reckon on the crew fighting back.
A wealthy businessman and the owner of a rundown pub share one thing in common - they look like identical twins! When the businessman hears of a plot against him, he hires the pub owner as a decoy. However, the pub owner is accident prone and causes more trouble than he is worth. An action-packed, physical comedy.
After World War I, a war hero returns to Berlin to find that there's no place for him--he has no skills other than what he learned in the army, and can only find menial, low-paying jobs. He decides to become a gigolo to lonely rich women.
The aging writer Aurelio Morelli is disillusioned: although the critics like his books, they are barely read. He develops hatred on youth and their depraved moral. One night he goes with a callgirl - and kills her. The police doesn't have a clue, only the unscrupulous sensational journalist Bossi suspects him. Instead of naming him to the police, he persuades Morelli to write about the murder for his paper. Morelli uses the occasion to write his memoirs, in which he confesses lots of other crimes before this last one...
15 years ago Paul Jordan was a star in Hollywood musicals. But then he retired from showbiz and married the rich Joan. Now, after being dependent on his wife's money for many years, he's sick of it and wants to work again. A romantic affair with his stepdaughter, Shirley, gives him the guts to ask for a role. His former agent gets him one but it's with a small company in Vienna, Austria. The stress worsens his alcoholism; the tablets he takes to hide the effects lead him to hallucinations. When his wife and girlfriend appear at the same time, he's no longer capable of handling the situation.
Psychological thriller that focuses on the intense conflict between a university professor and a blackmailer.
15-year-old Mike takes a job at the local swimming baths, where he becomes obsessed with an attractive young woman, Susan, who works there as an attendant. Although Susan has a fiancé, Mike does his best to sabotage the relationship, to the extent of stalking both her and her fiancé.
Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite. In contrast with other television crime series, in which killings are practically the primary focus, while Tatort handled homicide cases, the cases handled in the GDR TV's Polizeiruf were more often the more frequent, and less serious, crimes such as domestic violence, extortion, fraud, theft and juvenile delinquency, as well as alcoholism, child abuse and rape. Contrary to Tatort, which concentrated on the primary characters and their private lives, police procedure was the center of attention of Polizeiruf, especially in the earlier episodes. The scriptwriters attached particular importance to representation of the criminal and his state of mind, as well as the context of the crime. Many episodes aimed to teach and enlighten the audience about what does and what doesn't constitute appropriate behaviour and appropriate thought, rather than just to entertain. Polizeiruf was one of the few broadcasts by GDR media in which the real problems and difficulties of the supposedly more advanced socialist society could be displayed and discussed to some extent, albeit in a fictionalized and pedagogicalized environment.
A young woman joins an exclusive women's health clinic only to discover it's run by feminist cannibals.
Journalist Will Roczinsky is dead. He was investigating UFO sightings. A TV broadcast summarizes the events up to his death. When broadcast at the time, viewers believed to be watching a documentary instead of a teleplay.
