Daisuke Tengan
Fifty elderly women are abandoned to die on a snow covered mountain, but instead wor together to build their own village named "Dendera." Some of the women wants to live their remaining days in peace, but others seek revenge against the villagers and their own families who left them to die.
A bravado period action film set at the end of Japan's feudal era in which a group of unemployed samurai are enlisted to bring down a sadistic lord and prevent him from ascending to the throne and plunging the country into a war-torn future.
Betrayed and disgraced, big-city reporter Kazuya Mizuno is banished to a desk at Kaname's boring little town newspaper. But Kaname isn't as boring as it seems on the surface. Not with characters around like Shimeko, a girl genius with a childlike lack of propriety, and her ace fisherman/folk-singer dad. Or the overbearing and unpleasant local Shinto priest, a former Christian cultist. Or Endo, Kazuya's new colleague, a bitter drunk after his son's suicide. Or Kin, a former terrorist, now a hermit on his boat engaging in secret "research." Or perhaps most importantly Teruko, the hypnotically beautiful bar owner, the focus of all manner of innuendo and intrigue. Something mysterious, even mystical, is going on Kaname, and hapless Kazuya is about to be thrown into the middle of it.
In the Nineteenth Century, in Japan, the American journalist Christopher is traveling through the country searching Komomo, the missing love of his life that he had abandoned years ago promising to come back to her later. He arrives in a shadowy island inhabited by whores and caftans, where he has an encounter with a deformed prostitute that tells that his beloved Komomo had passed away. He drinks sake with her and later he asks the woman to tell the story of her life. The prostitute discloses a dark and cruel story about her life and the sad fate of Komomo.
Michiru has lost her eyesight, and to make matters worse, her father dies shortly afterwards. She is now all alone and spends most of her day isolated in her home. Akihiro is a Chinese-Japanese immigrant, that has had to deal with racism all throughout his life. He is now tormented at work by one of his older co-workers named Toshio. One day at a train station in front of Michiru's house, Toshio is thrown into the path of an oncoming train. The only person seen at the train stop was Akihiro. Akihiro frantically flees from the scene and manages to enter Michiru's house without her knowledge. After a few days, Michiru starts to sense the presence of another person in her home.
11 directors show their view on the terrorist attacks on the world trade center in New York.
When a promising young boxer is crippled in a car accident, he falls into a life of dissipation and depression. No boxing ring or martial arts club will take him on -- that is, until an aiki jujitsu master helps the young man develop techniques uniquely tailored to a wheelchair. What starts off as a sad film revs up into an exciting and fun series of epiphanies in which the young man realizes his situation isn't as hopeless as it seems.
A newly unemployed salaryman meets a particularly sexual woman.
White-collar worker Yamashita finds out that his wife has a lover visiting her when he's away, suddenly returns home and kills her. After eight years in prison, he returns to live in a small village, opens a barber shop (he was trained as a barber in prison) and talks almost to no-one except for the eel he "befriended" in prison. One day he finds the unconscious body of Keiko, who attempted suicide and reminds him of his wife. She starts to work at his shop, but he doesn't let her become close to him.
In love for the first time, cases booked solidly for months and a brand new fax machine prodding his office into the nineties, down-on-his-luck private eye Maiku "Mike" Hama has the world on a string at last. Or does he? In The Trap, things are not what they seem. When a hooded stranger appears in his office with the cryptic challenge "I want you to look for me," Hama is drawn into a string of bizarre serial murders that have Yokohama's police baffled and the city terrified.
"Atlanta Boogie" centers around a mock track meet between the "normal" and "good" citizens of Yokohama and those they want to expel from the neighborhood: the illegal foreign workers, the deadbeats, the juvenile delinquents, and elderly.
Broke, his vintage Nash convertible repossessed, private eye Mike Hama is reduced to combing the mean streets of the Yokohama waterfront on a borrowed bicycle. But when Lily, a beautiful stripper from out of Hama's past, returns to town, the fuse is lit on a criminal powder keg set to blow the lid off the Yokohama underworld.
Maiku Hama is a private detective working in Yokohama. Hama comes to the aid of a Taiwanese waiter named Yang and agrees to track down his missing brother. Through a series of double-crosses Hama gets embroiled in a gang war and a revenge plot between the two brothers
