Daniel Nocke
Hanns Zischler embarks on a walk to Canossa in "Prof. Wall in the brothel": A law professor desperately wants to make amends, that through his guilt an outstanding student has broken off and now works as a prostitute. With targeted provocations Emilia Schüle as Aurelie takes apart his self-righteousness. Director Stefan Krohmer focuses on the psycho-duo of the excellent leading actor in his chamber-like staging: The longer the dispute lasts, the more the original balance of power between the prostitute and her unusual client turns upside down.
Andrea Bredow makes friends quickly with her new colleague at the health department. Judith Lorenz seems nice and competent. And she does not like anything about office macho Volker Lehmann. But then the unbelievable happens: Judith is brutally raped by Volker Lehmann during her working hours in a storeroom. So she tells Andrea and later the police. Andrea encourages her friend to tell the truth. But Judith's behavior seems increasingly puzzling.
Jonas (Benno Fürmann) and Marit (Maja Schöne) lead an unconventional relationship. They moved from Cologne to Berlin because Marit got a lucrative job there. This makes Jonas temporarily unemployed - but one has to take care of children and household.Talking together, being open and honest and making music together is the basis of this family, where everyone can make their own thing and feel at home at the same time, a family where parents see themselves as life-long companions of their children. This modern family code is put to the test when the couple meets a pioneering agreement after 14 years of relationship -both of them do not want to miss family as it is now , but they do not want to give up their sexual needs completely for the sake of domestic peace.
A young German woman is searching for the man she loves in northern Russia.
Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.
When her 80-year-old father Robert needs a caregiver after an accident, Ira wants to take care of him at home - despite her difficult relationship with him. He had left her and her mother to start a second family. But now she sees the opportunity to approach him. However, given the high cost of care, she knows how to help but hire the Eastern European caregiver Elisaveta, who works for her black - much to the displeasure of her husband Marquard, who has ambitions as a local politician in addition to his work as a career counselor and never before understood with Robert.
Based on the true story of Benjamin Prufer and Sreykeo Solvan. The unexpected and uncertain love story of Sreykeo, a 21 year old bar girl in Phnom Penh and Ben, a young German student traveling to Cambodia on a post graduation summer trip. When Ben returns home to Germany he discovers that Sreyko is sick and he takes on the responsibility to save her. On the way he discovers a world where not everyone is dealt the same cards and where motivations are not always pure.
Three roomates, a rhinoceros, hippo and a wildebeest, must confront their crocodile roomate Gerold about his poor habits.
Sommer ’04 is a character study of a family on vacation. German director Stefan Krohmer examines the emotional abyss and problems behind the seemingly nice facade of an intact family as they experience guilt, love and jealousy.
Set in the early '80s, a time when a new wave of leftist political consciousness and activism had swept German youth (and was just about to disappear as quickly as it arrived), this satiric comedy follows a young couple, Ingo (Hans-Jochen Wagner) and Nadja (Valerie Koch), as they travel to Austria for a weekend of skiing near her parent's luxurious chalet. While Ingo and Nadja have an open relationship, he thinks its time that they commit to one another exclusively, and is hoping this weekend will convince her this is a good idea. However, their privacy is interrupted when several guests arrive -- friends of Nadja's brother Knut (Ingo Haeb), a noted political activist, who, unbeknownst to her, has also planned a ski weekend. As the guests await Knut's arrival, they get the unpleasant news that he's been arrested during a demonstration; several propose that they should come to his aid, while the majority decide instead to go skiing as a way to pay tribute to his commitment to the cause.
Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite. In contrast with other television crime series, in which killings are practically the primary focus, while Tatort handled homicide cases, the cases handled in the GDR TV's Polizeiruf were more often the more frequent, and less serious, crimes such as domestic violence, extortion, fraud, theft and juvenile delinquency, as well as alcoholism, child abuse and rape. Contrary to Tatort, which concentrated on the primary characters and their private lives, police procedure was the center of attention of Polizeiruf, especially in the earlier episodes. The scriptwriters attached particular importance to representation of the criminal and his state of mind, as well as the context of the crime. Many episodes aimed to teach and enlighten the audience about what does and what doesn't constitute appropriate behaviour and appropriate thought, rather than just to entertain. Polizeiruf was one of the few broadcasts by GDR media in which the real problems and difficulties of the supposedly more advanced socialist society could be displayed and discussed to some extent, albeit in a fictionalized and pedagogicalized environment.
Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF 2 in Austria and SF1 in Switzerland. The first episode was broadcast on November 29, 1970. The opening sequence for the series has remained the same throughout the decades, which remains highly unusual for any such long-running TV series up to date. Each of the regional TV channels which together form ARD, plus ORF and SF, produces its own episodes, starring its own police inspector, some of which, like the discontinued Schimanski, have become cultural icons. The show appears on DasErste and ORF 2 on Sundays at 8:15 p.m. and currently about 30 episodes are made per year. As of March 2013, 865 episodes in total have been produced. Tatort is currently being broadcast in the United States on the MHz Worldview channel under the name Scene of the Crime.
While stressing out over her final exams, Antonia the Cow meets the night watchman, Kurt the Lion. They fall in love, but their relationship is met with great skepticism by the world around them. Antonia‘s farm animal roommates have little time for these predatory posers from the wild, while Kurt‘s pride still view themselves as the kings of the jungle and can‘t understand why he‘d choose a cow as a partner. When a sheep goes missing, suspicion falls on the carnivorous Kurt...
